06 Feb 2016
in classic film, film, Japan
Tags: animation, anime, delight, history, imagination, Japanese, love, love at first sight, Satoshi Kon, WWII
I learned about this amazing animated film from Every Frame a Picture (below). Created by Satoshi Kon, Millennium Actress is a unique, dreamy film that tells the story of Chiyoko, an old woman who looks back on her life when a documentary filmmaker, Tachibara, finally convinces her to agree to being interviewed. Tachibara, who was always sweet on Chiyoko, presents Chiyoko with a long lost key, which like Marcel in In Search of Lost Time opens up a storehouse of memories. Then the story goes back in time in an incredibly imaginative way mixing flashbacks, dreams and daydreams to show why Chiyoko went against her mother to become an actress during WWII.
The story skips back in time to various times in Chiyoko’s life and further goes back to various periods in history which her films were set in. There are a few political messages, which like Kurosawa’s No Regrets for our Youth, criticise how Japan imprisoned those who disagreed with the war. Because Kon’s techniques are so innovative in how they harken back to the shape-shifting that’s a frequent feature of Japanese folktales (but you don’t need to know that to enjoy the film), the film constantly surprised and delighted me. Throughout the film, the current day filmmakers were present in the past and that technique was particularly intriguing and innovative — at least to me, a novice in the anime world.
This video by Tony Zhou is incredible and made me want to see Millennium Actress.
18 Jan 2016
in film, Film Review, modern, New Year's Resolution Old Movie Challenge
Tags: academic freedom, free speech, heroism, Japan, Japanese film, Kurosawa, Post WWII, war, WWII
Directed by Kurosawa, No Regrets for Our Youth surprised me as it’s the story of a young woman by a director whose prolific body of work otherwise emphasised male characters. The heroine Yukie is carefree and playful at the start of the film. She has no use for anything serious. The film opens with Yukie strolling through the mountains with her father’s university students. When they come to a shallow creek, she halts and waits for someone to rescue her.
Noge, a very political, man of action carries her across the water that seems about three inches deep. On the sidelines looking awkward is his friend Itokawa who has feelings for Yukie, but is too shy and unsure of himself to do anything. Yukie likes teasing men more than anything and plays Noge and Itokawa off each other.
As political tensions rise in Japan leading up to WWII, Yukie’s father is fired by the government because he’s spoken out against military aggression. Made after the war No Regrets for Our Youth, contains several scenes with characters discussing the importance of academic freedom, free speech and the importance of self sacrifice when working towards a greater good. Both Yukie’s father and Noge, who is arrested and imprisoned pay for their ideals.
After seven years, Yukie leaves her hometown Kyoto, to work in Tokyo. Here she bumps into Itokawa who’s continued to play it safe. He’s a lawyer and is married. He’s kept in touch with Noge, who’s just been released. Now Yukie’s matured somewhat and when she sees Noge again she’s willing to give up a conventional life to risk life with a rebel.
Soon Noge is arrested and she’s imprisoned, questioned and eventually released. We’re not entirely sure of what Noge did with his underground work but he says that in 10 years the Japanese will thank him and Yukie. From then on Yukie’s life is full of hardship, hardship she voluntarily takes on despite protests from her parents and Noge’s parents. It’s amazing to see someone who was such a flibbertigibbet turn into an honest to goodness heroine.
While the film was made early in Kurosawa’s career and lacks the mastery of later films, No Regrets of Our Youth tells a compelling story and enlightened me on anti-war protests in Japan prior to and during WWII. Also, I wish this Criterion Collection DVD featured more commentary or background information.
27 Feb 2015
in media, Review, television
Tags: Amanda, Anglophile, British drama, countryside, detective, England, Gordie, Grantchester, James Norton, murder, Post WWII, Romance, Sidney Chambers, unrequited love, vicar, WWII
When it first was broadcast, I didn’t bother with Grantchester. I’m not a fan on the Father Brown series and I thought it might be of the same ilk. (Also, I’ve been watching Downton Abbey at my aunt’s rehab center. Visitors must leave at 9pm.)
I’ve seen the lead actor in Happy Valley, where he plays a rapist, kidnapper, drug user and murderer. So seeing James Norton as a vicar, even a vicar who drinks and is quite a stretch.
But I’ve seen 4 episodes so far and I like this show. It’s not a top of the line must-see series, but it’s better than most and watching the young vicar grapple with war memories and pine for his true love, while trying to do the right thing by Hildegard, a lovely widow whom he’s dating does capture my interest.
The big problem with a detective series set in the country, and not the drug infested modern country town we see in Happy Valley, is how many murders do you expect occur in such a place? In the town I grew up in there was one. One murder in 30 years. In the town I’m in now I don’t think there’s been even that. Still so far the show has managed to be convincing and one of the cases took place in London and was plausible in why the vicar would have to solve it.
After getting hooked on Downton Abbey, The Paradise and Mr. Selfridge, I’ve gotten to a point where I think post-WWII is quite modern. Almost too modern for my liking, still Grantchester has been well worth watching.
I wonder if Amanda will call off her wedding or if Sidney will declare his love for her. I think Sunday’s episode is the finale.
23 Feb 2015
in film, History, movies, New Year's Resolution Old Movie Challenge
Tags: 1952, Academy Award, bombing, Brigitte Fossey, Cannes, childhood, classic film, drama, Forbidden Games, French, orphan, postaday, postaweek, René Clément, trauma, Venice Film Festival Award Winner, WWII
Such a powerful film!
Set in WWII, Jeux Inderdict (Forbidden Games) follows Paulette, a girl of maybe 5, who’s fleeing Paris with her parents. Refugees run along a country road as I suppose they do now in the Middle East. As war planes bomb a bridge, refugees seek cover. Paulette gets separated from her parents as she runs after her little dog. Soon, both parents and her dog are killed by German bullets. Paulette’s left to wander amongst the refugees.
Eventually, Paulette crosses paths with Michel Dollé, an older farm boy who’s searching for a cow that’s scared by the bombs and shooting. Michel brings Paulette to his poor family and they take her in. There’s no other place for her to go, other than to the neighbors, whom they view as snobs. The father does not want the neighbors to get a good write up in the local paper for taking in a war orphan.
Though he’s probably about 9 or 10, Michel’s the most educated of his family. He knows all the prayers by heart and regales Paulette with facts about animals and religion.
Paulette’s been carrying around her dead puppy and Michel convinces her to bury it. When Paulette sees a cross in the Dollé’s house, she’s curious. She never knew what they were for. Thus Michel leads Paulette to build their own private cemetery in a deserted mill and they begin to steal crosses from wherever they can get them–graves, churches, hearses.
The adults can’t understand who’s taking the crosses and the rivalry between the neighbors grows.
All in all, Forbidden Games is a natural, haunting film that mixes innocence, war, poverty, generosity and faith. It’s a simple, yet profound film, one I doubt anyone could make today.
N.B. French with English subtitles
25 Jan 2015
in Europe, film, History, movies, New Year's Resolution Old Movie Challenge, opinion
Tags: 1967, Alain Cohen, Anti-Semitism, Claude Berri, drama, France, French film, Michel Simon, moving, old, touching, World War I, WWII, young
C’est magnifique film!
Claude Berri’s autobiographical, The Two of Us is a gem set during WWI in France. It opens with Claude, a mischievous boy, stealing a toy tank from a toy store getting chased all around. Claude finds trouble at every turn driving his father to distraction. Because since they’re Jewish, the safest path for the family is to lay low, but Claude constantly calls attention to himself with his troublemaking. A family friend arranges for Claude to go live with her Catholic parents.
The problem is that “Grampa” is quite a bigot and spouts all sorts of anti-Semitic slurs. Claude’s parents coach him to hide is religion so he’ll be safe in the countryside, but there are some close calls, which give the story suspense. Nonetheless, he’s mercilessly bullied for being the new kid from Paris. You just can’t win.
Based on the director’s own childhood experience, there’s a sophisticated treatment of a close relationship that grows in spite of prejudice. Played masterfully by Michel Simon, Grampa loves this boy and takes him under his wing, dealing with his troublemaking with patience Claude’s father couldn’t muster. Berri chose Cohen to play Claude while visiting a Jewish school and seeing him getting into trouble in class and later hiding from the principal behind some curtains. His shoes poking out from under the curtains gave him away. A natural actor, Cohen brings a realism to his understated performance.
The Two of Us, as Truffaut commented, shows how most French people lived during the war, those who weren’t in the Resistance or collaborating with the Germans. People just going about their business; people who could be both kind, loving, and yet be hindered by ugly beliefs. It’s a deft film that can portray bigotry without supporting it, all the while showing the goodness mixed in with the prejudice. The film masterfully captures the truth of this experience.
The Criterion Collection’s DVD, as usual, includes insightful short interviews that deepen one’s understanding of the film.
If you liked Claude Berry’s later films, Jean de Floret or Manon of the Spring, you’ll love The Two of Us.
15 Oct 2014
in film, New Year's Resolution Old Movie Challenge, Review
Tags: 1940s, black and white, film, London, mental institution, Nazi, Nazis, paranoia, Ray Milland, Stephen Neale, suspense, WWII
Stephen Neale (Ray Milland) gets released from a mental institution where he’s lived since he was charged with euthanasia of his sickly wife. His train makes a stop in a country town and at the urging of a kind conductor he steps out and goes over to the nearby country fair. He sees a fortune teller and wins a cake. This leads him to getting in trouble with Nazi’s who chase him and frame him with murder. He can’t trust anyone as everyone he meets — even a pretty, warm-hearted woman who runs a charity for widows and orphans with her brother — seems ready to turn him in.
Set during WWII Franz Lang’s Ministry of Fear (1944) is brimming with tension and suspense. The plot moves quickly and takes Neal to one creepy, yet sophisticated experience after another. Nothing is what it seems. While I read that Lang wanted to make an overtly anti-Nazi movie, the script writer didn’t provide him with the sort of horrible Nazi he could rail against. Based on a Graham Green novel, I found the film compelling. Green wouldn’t agree, I’ve learned. He thought it was awful, but then Green’s a perfectionist and master.
10 Sep 2014
in film, opinion, Review
Tags: all ages, drama, family movie, France, Jews, Nazis, WWII
Because six year old Sébastien is himself abandoned, he’s the only person in the village to give Belle, a mangy dog a chance. Sebastian lives with an old, often drunk man and his family in the mountains of France. He doesn’t go to school, but learns about life and nature from the man. Belle is a dirty gray dog everyone fears. Only Sebastian gives the dog a chance and a good bath. After the bath, the dog is snow white and comes to the aid of Sebastian.
Later when Sebastian’s unofficial adoptive family helps Jews escape the Nazi’s everyone sees that Belle is a wonderful dog. The film is suspenseful and the characters real. Their plight rings true and the story compels. It’s fitting for older kids, who can understand the history, and adults.
03 Jul 2014
in culture, film, History, Japan, movies, opinion
Tags: Burma, historical fiction, history, Japan, Japanese film, soldiers, World War II, WWII
I’m catching up on my blogging. I saw this movie before I left China and haven’t had time to blog.
Another Criterion Collection DVD, this one based on a popular Japanese novel, The Burmese Harp is set as WWII ends. A company of Japanese soldiers is in Burma, on the look out for British soldiers. Their captain is very musical and has used singing to build espirit de corps and to trick the Brits, or try to. When they hear the British soldiers approaching their camp, the captain urges his company to laugh and sing to give the impression that they’re goofing off though they’re on their guard. When they start singing a song with the same tune as “Home Sweet Home,” the Brits echo back. Soon the Japanese learn that their side has surrendered.
Yet there’s another Japanese company up in the mountains, a fervent nationalistic group that’s still fighting. Mizushima, a soldier who’s learned to play the Burmese harp, volunteers to go up the mountain and tell these soldiers the war’s over. He’s given 30 minutes to get these hold outs to surrender. No matter what he says, they refuse. They don’t believe Mizushima and feel their duty is to fight to the death no matter what.
After 30 minutes, true to their word, the British start attacking. Most of the hold outs get killed. Mizushima survives, but is shocked. His world’s been shattered and he can’t return to his unit. He steals a Buddhist monk’s robes and wanders the countryside as a monk.
His unit search for him and don’t want to return to Japan without him. At one point they think they’ve passed him on the road, but Mizushima doesn’t acknowledge them. He’s too shattered and lost to return to his old life.
The Burmese Harp doesn’t address the atrocities the Japanese committed, but it does show the horrors and effects of war. Most of the civilian Japanese had no idea what their soldiers did overseas so it wasn’t part of the original novel, or something the director, who broke out with this film, knew of.
The Burmese Harp presents an interesting view of WWII, one that I’d never considered. It also depicts Japanese culture with nuance.
22 May 2014
in commerce, culture, television
Tags: biopic, Delphine, Frances O'Connor, Grégory Fitoussi, Harry Selfridge, historical drama, Jeremy Piven, Katherine Kelly, Masterpiece, Masterpiece Theater, Mr. Selfridge, Rose Selfridge, Selfridges, WWII
I wanted to see more, but also dreaded the end of this season of Mr Selfridge, probably my favorite new show hands down. Miss Mardle and Florian are together in bed at the start of the show. Newspapers still won’t print Harry’s side of the procurement scandal, though they do print that Mae has left Lord Loxley. Agnes waits for news from George, but there is none. Rose convinces Harry to hear Mae out, perhaps she should be forgiven for vouching for her evil husband. Here we see Rose and Harry’s marriage it all it’s glory.
Mr Groves sees Florian and Miss Mardle together and thinks it’s untoward. Kissing goodbye on the street. Really! Also, Miss Mardle, who’s way too maternal towards Florian for my tastes, gives him lunch money as he heads off to his factory job. I’d like her to find a nice widower. It’s not just that Florian’s younger, but that he’s got so little personality. He’s part ESL student, part son, part lover. You can do better, Josie. Mr Groves agrees, this relationship isn’t right for her, but he’s far less tactful. He later calls Miss Mardle to his office and scolds her for impropriety and insults her calling her an “old fool.” For the chief of staff, Groves isn’t very good with people.
Winifred Black, journalist
To help the store out of its slump, Delphine proposes bringing the spirit of her nightclub to Selfridge’s. Mr Crabb is skeptical, with good cause. Henri doesn’t say either way, but offers a different proposal, which one could take as skepticism about “The Spirit of Delphine’s at Selfridge.” Still Harry goes with it and soon Delphine’s busy giving the Palm Court an Arabian makeover. Meanwhile Henri proposes asking journalist Winifred Black Bonfils to do an article on Selfridge’s. Since she wants carte blanche and has a huge following, it’s risky, but Harry doesn’t flinch from risk. Thackeray and Delphine expect to dazzle Winifred, but neither succeed. Instead Winifred writes about Agnes, her gumption, determination and rise through the ranks at Selfridges. The story’s a hit connecting with readers who identify with a young woman getting successful through creativity, determination and pluck. Thackeray’s envy is sure to have a long shelf life. He’s not the sort to forget a slight.
Kitty convinces Frank to investigate Loxley. Finally, it dawns on Frank that perhaps Loxley used him. Indeed, Frank. Perhaps Kitty should take your job and you could sell perfume. His editor refuses to look into another side of the story, so Frank quits. Frank and Mae team up to root out the truth.
The most ominous scenes in the show were with Rose at the doctors. Anyone who’s read Wikipedia or Lindy Woodhouse’s Shopping, Seduction and Mr Selfridge knows that Rose dies in 1918. I didn’t expect to get hints of this in 1914. She’s become one of my favorite characters. Harry’s not an easy man to be married to and Rose isn’t a real assertive woman, but she isn’t a doormat either. It’s a complex, fascinating and loving relationship. Rose has gotten more involved in the store and surprised us with her shooting skill, her good decision making, and her leadership when Harry was gone. I realize she wouldn’t be in Season 4, but I hope she’s alive throughout most of Season 3. At least give us that.
When Delphine learns that Rose has a congestive problem she encourages Rose to go off to the country (so she can seduce him). Rose, you need better friends, dear.
27 Mar 2014
in media, television
Tags: BBC, historical fiction, Poland, spy, thriller, WWII
It’s interesting seeing David Tennant in a role other than Doctor Who. He does a fine job as a French spy in Warsaw leading up to the outbreak of WWII. (Never mind that it would make more sense for a French spy to speak with a French accent, but I don’t blame Tennant for that.) Spies of Warsaw isn’t action packed, but it has its moments and kept me entertained. It’s got a bit of romance, betrayal, history and suspense. It’s not the greatest BBC production, but since it moves along and its set during an interesting time, I could forgive its flaws. Yeah, the romance didn’t seem to matter. None of the actors did anything spectacular, but the story wasn’t terrific, so they’re excused. Yeah, the last mission seemed rather out of the blue, but it was still better than a lot of what’s on the tube.
If a friend or relative really wanted to see this, it’s no big sacrifice to watch it with them.
Would I watch it again? Probably not. Do I regret watching it? No.