Dragnet Girl: Joji (l) and Tokiko (r)
Director Ozu’s Dragnet Girl is an absorbing silent film about Tokiko,a gangster moll, who becomes jealous when Joji, her boyfriend, gets a case of the wandering eye. Tokiko looks as sweet as can be, but actually she’s quite a coquette. She works at a company by day and the boss’s son is smitten with her plying her with expensive gifts that she’s happy to take.
Her night’s are spent with Joji, the head of a small crime outfit that seems to fix boxing matches. Tokiko is Joji’s main squeeze. Selfish and extravagant, she’s quite brazen and disloyal as she’ll wear her boss’s gifts in front of Joji.
When a high school boy, impressed with Joji’s flash and power, tries to join his gang, the boy’s sister, Kazuko, who’s simple and innocent, begs Joji to get her brother back on the straight and narrow. Joji’s instantly smitten with Kazuko. He starts hanging around her music shop and starts appreciating classical music and all that Kazuko, who pays him no mind, appreciates.
At first Tokiko dismisses her rival, but when she sees that Joji is changing for real she gets nervous. She goes as far as plotting to shoot Kazuko, but then she comes to appreciate Kazuko’s magnetic innocence. Tokiko is not to be trusted after telling Joji she wants to change and become more like her rival. She’s been branded as a delinquent and that label’s impossible to remove.
The film has the style of a noir classic and takes some interesting turns as Tokiko refuses to marry her boss and plots to rob him with Joji. It’s a beautiful simple film that didn’t need talking.