Happy Birthday, Will!

shakespeares-birthday-pic1

In honor of Shakespeare, some actor’s sharing of taste of his genius.

Advertisements

Weekend Coffee Share

wordswag_15073188796611453091488Weekend Coffee Share is a time for us to take a break out of our lives and enjoy some time catching up with friends (old and new)!

If we were having coffee, I’d tell you that the song’s from Guys & Dolls, which I saw yesterday at Northwestern University are playing in my head. “Luck be a Lady” and “A Bushel & a Peck” alternate in my head this morning.

Today was my Great Books Club meeting. We discussed Othello, a play I consider as not one of my favorites by Shakespeare. Yet meeting with a dozen smart folks to talk about Othello made me like the story more.

I did a good amount of editing last week of my own play. I hope to finish another draft by Thursday this week.

I went to the Lyric Opera’s Elektra, but didn’t like it as much as I hoped.

A friend sent me a copy of the anthology which includes a short story he wrote. I get so excited when someone I know accomplishes a literary goal.

I’ve finished two lessons from Hillsdale College’s free online course: Congress: How it Works and Why It Doesn’t.  It’s amazing. The professors are good communicators and researchers. They examine the US Congress as well as the UK Parliament and other legislatures. I’ve learned a lot including how the Parliament building’s structured with both sides facing each other support debate (better*) than all the other legislative buildings which are design more like theaters. Hence we get a lot of grandstanding and playing to the camera. Also, I learned that in the early days, the representatives and senators didn’t have offices. Their desk in their respective chamber was their office, which promoted further deliberation and community amongst peers. If you want to better understand US government, take a look at this free class.

*in my opinion

Poem of the Week

Mercy

by William Shakespeare

The quality of mercy is not strained;
It droppeth as the gentle rain from heaven
Upon the place beneath: it is twice blest,—
It blesseth him that gives and him that takes:
‘Tis mightiest in the mightiest; it becomes
The thronèd monarch better than his crown:
His sceptre shows the force of temporal power,
The attribute to awe and majesty,
Wherein doth sit the dread and fear of kings;
But mercy is above this sceptred sway,—
It is enthronèd in the hearts of kings,
It is an attribute to God himself;
And earthly power doth then show likest God’s,
When mercy seasons justice.

Cee’s Fun Foto Challenge

DSCN4203

London Mailbox

Each week Cee of Cee’s Photography challenges bloggers with a fun prompt. This week we’re to find photos of subjects that begin with X or have the shape of an X.

If you want to see more X photos, click here.

cffc

Cee’s Fun Foto Challenge

dscn4397.jpg

William (Shakespeare)

DSCN4130

Waterfall in Riau, Indonesia

Each week Cee of Cee’s Photography challenges bloggers with a fun prompt. This week we’re to find photos of subjects that begin with W and have at least 2 vowels.

If you want to see more W photos, click here.

cffc

Red Velvet

RedVelvet_1211

Dion Johnstone as Ira Aldridge, CST

Chicago Shakespeare Theater presented an excellent production of Red Velvet by Lolita Chakrabarti. The story of the first African American to play Othello on the London state in 1833, the story explores racism. As we know, abolition was a hot issue in the mid-1800s. In England there were protests against the slave trade.

When Ian Keen, who starred as Othello, fell ill the manager of the Covent Garden Theater chose Ira Aldridge, a black actor from America to play Othello. Some in the cast were excited and supportive, but Ian’s son and another actor were strongly opposed.

Aldridge was a fine, thoughtful actor, whose goal was to work in London. He takes his art seriously and gives a passionate performance the first night. However, the critics were shocked to see an actor of African heritage on stage and their reviews were venomous. The manager, Pierre LaPorte is a good friend of Aldridge and he counsels the actor to tone down his performance. Yet we can see that Aldridge can’t rein in his perfectionism. His desire to bring Othello to life as he reads the play leads to disaster. A consummate professional, Aldridge pushes the edges of his performance.

The performances were all pitch perfect and the play was compelling as it showed a chapter of theater history, I wasn’t aware of. The play has been produced in London and New York. If it comes to your hometown, I highly recommend you check it out.

King Lear

kinglear460

This month’s Great Books read was King Lear, a play I’m not all that fond of because I think Lear was foolish for coming up with that contest which pitted his daughters against each other to publicly state how much they loved him. Then he acted like he knew nothing about these women and put his future in the hands of the two most selfish adult children I’ve ever seen.

So after reading the play, rather than rereading it, I watched the 2008 BBC/PBS production of King Lear starring Ian McKellen. Wow! This masterpiece gave me a new appreciation of the play. The acting highlighted the lust Regan and Goneril had for Edmund, as well as Poor Tom’s (a.k.a. Edgar’s) status and his parallel status to Lear. When reading I can confuse characters like the sons-in-law, but viewing a production eliminates that.

I still think Lear –

  1. should have kept ruling since he didn’t want to completely relinquish his power, no matter what he claimed and shared power wasn’t going to work and
  2. should have thought about his daughters’ personalities for a minute or two and realized how this game of his would end badly.

As usual Shakespeare created intriguing characters, most of whom are flawed. He creates parallels such as Glouster’s literal blindness (in addition to his figurative blindness towards Edmund his conniving illegitimate son) and Lear’s blindness towards his daughters.

I still wonder:

  • Why Kent didn’t take leadership with Edmund acting as a mentor? It seems that he chose suicide instead.
  • Are we really to believe Gloucester, though blind, believed he had fallen off a cliff, when in fact Edgar had tricked him and protected him? That wasn’t believable. When a person’s falling there’s a certain sensation independent of sight.
  • What was Shakespeare’s aim in writing this play? Some argue its a look at old age because a lot of families have difficulty when elders retire. However, while I can see this applying to elites from Queen Elizabeth to Prince Charles (though I think she’s assured of a roof over her head no matter what and her holding on to the crown has to do with Charles’ marriages and his personality) or a CEO and founder of a business empire, I don’t believe it applies to middle class families.

Even though I don’t buy the premise of the story and found so many characters unlikeable, e.g. Regan, Goneril, Oswald and Edmund. While I can understand their motivations, they’re so loathsome.

Here’s a discussion of Lear from the BBC’s program “In Our Time.”

Some favorite quotations:

King Lear:

How sharper than a serpent’s tooth it is To have a thankless child! Act I, Scene 4

Kent to Oswald:

A knave; a rascal; an eater of broken meats; a base, proud, shallow, beggarly, three-suited, hundred-pound, filthy, worsted-stocking knave; a lily-livered, action-taking knave, a whoreson, glass-gazing, super-serviceable finical rogue; one-trunk-inheriting slave; one that wouldst be a bawd, in way of good service, and art nothing but the composition of a knave, beggar, coward, pandar, and the son and heir of a mongrel bitch: one whom I will beat into clamorous whining, if thou deniest the least syllable of thy addition. Act II, Scene 2

Lear to Cordelia:

“No, no, no, no! Come, let’s away to prison:
We two alone will sing like birds i’ the cage:
When thou dost ask me blessing, I’ll kneel down,
And ask of thee forgiveness: so we’ll live,
And pray, and sing, and tell old tales, and laugh
At gilded butterflies, and hear poor rogues
Talk of court news; and we’ll talk with them too,
Who loses and who wins; who’s in, who’s out;
And take upon’s the mystery of things,
As if we were God’s spies: and we’ll wear out,
In a wall’d prison, packs and sects of great ones,
That ebb and flow by the moon.” Act V, Scene 3