Cee’s Black & White Photo Challenge: Signs

black-white-banner

Each week Cee challenges bloggers to share black and white photos based on a theme. Finally, after a few weeks of wishing, I’m ready to join. This week we’re to share photos of signs, a word that offers loads of possibilities. Here’s what I’ve got of downtown Jinan, China:

fullsizeoutput_e79.jpeg

fullsizeoutput_e7d

For more black and white photos, click here.

Parisian Charm School

arisian-ch-school.jpg
In Parisian Charm School Jamie Cat Callan provides an orientation to the uninitiated to the to élan of Paris. Her lessons on fashion, color, use of voice, flirtation and such explain why the French have such elegance and poise. In addition, she gives the names of tour guides and teachers with businesses that give unique experiences to English speakers.

The book is a fun, breezy read, that gives a romantic look at all things French. It’s far from a complete or sociological look at the City of Lights. I thoroughly enjoyed Callan’s writing, but realize that like any country France has its pros and cons and that a lot of the tours or experiences would be pricey. So remove your rose-colored glasses before you sell your house and move to Paris in search of amour.

Antoine et Collette

th-12

A short film by François Truffaut, Antoine and Collette is a slightly melancholy look at Antoine Doinel’s attempt to get a girlfriend. First seen in 400 Blows Antoine has grown up left his neglectful, abusive home at 17. He’s on his own and works for a record company, where he gets lots of tickets to concerts.

At one concert he sees Collette and immediately falls head over heels for her. She’s indifferent to him so there’s misadventures as Antoine tries to get Collette’s attention. Once they become chummy, her parents meet and take to Antoine. This will be the story of his life, girls’ parents, but not the girls themselves liking this well-meaning, rather lost boy.

The film is touching and realistic and charms viewers in its 26 minutes. I wish it were longer and was glad to watch Stolen Kisses and see more of Antoine.

Jules and Jim

Truffaut’s Jules and Jim is rightly considered a classic. Based on an autobiographical  novel by Henri-Pierre Roché, the story focuses on two young men, with a deep friendship. Jules is Austrian and lives in Paris, while Jim is French. They share a way of looking at the world. Both are looking for love in 1912. When they meet Catherine, who resembles a sculpture which they view as the paragon of female beauty, they’re both struck by her spirit and openness. Jim agrees to let Jules court and marry her.

The three make a carefree group, but you just know that this arrangement won’t last forever. Catherine is capricious but didn’t fascinate me the way she did all the men who fall for her. She has no job and no interests. She’s pretty and open to life. Her spirit can be summed up when after viewing a play, they’re discussing the heroine, as Jules and Jim debate, Catherine illustrates her view of the role of women by jumping in the Seine. Fully clothed, Jim jumps in and fishes her out.

jules jim

Soon WWI breaks out and Jules and Jim fight on opposing sides, both fearing that they may shoot the other. Catherine is back at home in Germany caring for her daughter and receiving beautiful love letters from Jules. In addition to being enigmatic, Catherine struck me as a taker. There’s no mention of her writing great letters to Jules to support him while he’s fighting for his country.

After the war, the men return and soon Jim is on his way to see Jules and Catherine and their daughter Sabine. Jules confides to Jim that Catherine’s taken lovers including a man named Albert, who appears from time to time. In true European form, Jules excuses Catherine since this is her nature. He is right, but it’s exasperating watching this woman escape all responsibility and never be held to account, which would help her grow up. Perhaps if Jules, or Jim, were stronger and more of leader, though that’s not his nature, Catherine might not test him so much or get bored. It’s doubtful, but possible.

Whenever you’ve got a trio, you can bet a friend is going to start something with his pal’s wife and with Jules’ permission, Jim begins an intimate relationship with Catherine. She still has sex with Jules and Albert and probably other men we don’t see.

013-jules-and-jim-theredlist

It was interesting to see how Truffaut portrayed a sexy couple, or a few such relationships without a lot of nudity. I think his films are sexier with their fully dressed characters than those where the actors are buck naked.

Though I didn’t like Catherine, I did like the movie, which was masterfully paced and full of emotional surprises. Jeanne Moreau gives an outstanding performance. As I write historical drama, I found it interesting how Truffaut didn’t spend money on exquisite period costumes or settings. There are hints of the eras, but the costumes weren’t as accurate or elaborate as you see in period pieces made now.

The Criterion Collection’s DVD come with terrific bonus features including interviews with the sons of the men the story is based on and with the original “Catherine” who lived to be 96 and saw the movie before she died.

Street Without End

street woDirected by Mikio Naruse, Street Without End centers on Sugiko, a beautiful young waitress. All the customers are smitten with her and when she walks down the street a talent agent stops her to get her into the movies. Her best friend and roommate is a little put off, but when Sugiko gives up the idea of a film career, the friend gets hired by the studio.

One day, Sugiko gets hit by a car. The wealthy driver takes her to the hospital and gets smitten. She wasn’t hurt badly and the rich man soon starts courting her. His mother and sister disprove but soon the two are married.

After the wedding, Sugiko is sneered at and mocked by her mother-in-law and sister who connives to give Sugiko a hard time. Her husband defends her in a weak way but when the gets a job he starts going out drinking late and so he’s not at home to protect her from the mean mother-in-law and sister.

The silent film can be touching and it does show pre-WWII Japan, but compared to most people, who lack Sugiko’s luck, her life isn’t all that rough. So it was hard to get into this film, though I can appreciate some moments. Later Naruse made a mark for films about women who had major struggles.

So it’s not a must see.

Earrings of Madame de . . .

Directed by Max Ophuls, Earrings of Madame de . . . is a film dripping in style. The earrings have a magical power, power to return to a married couple that grow apart and power to represent a range of emotions.

The beautiful Countess Louisa is married to an older general. While she’s hidden her debts from him and thus decides to sell a pair of earrings he gave her, their marriage isn’t bad. They are distant from each other, but he seems to understand her and marriage. In their social circle, I don’t believe anyone has an ideal marriage between soulmates. Here we see a marriage where there’s a lot of freedom. The general seems icy, but he does care about Louisa.

After she sells her earrings and reports them missing at the opera, the jeweler informs her husband and he buys them back. He then proceeds to give them to a lover as a farewell gift. When the lover must sell them to cover a gambling debt, you wonder just when they’ll return to Paris and to the countess.

Louisa soon meets an Italian diplomat named Donati. Their relationship goes from cordial to flirtatious to romantic obsession. As you’d expect, Donati has bought the earrings and gives them to Louisa, who’s already made a spectacle of herself when like Anna Karennina collapses when Donati falls from a horse during a hunt. People have been talking, but the sophisticated General brushes aside such possible indignities. He’s above such trifles.

However, things begin to fall apart when Louisa thinks she can fool her husband into thinking she’s found the earrings in her drawer.

The film is a masterpiece of cinematography and style. I constantly reevaluated what I thought of Louisa, the General and Donati. I had sympathy for each at various points. The film’s mastery is that they’re all likable and all in the wrong. Because of their social standing and their inability to sympathize much with each other or put aside social façades, the ending was inevitable. Louisa’s fate was due in large part to her distance from reality and her own lies.

It’s an intriguing and stunning film, but it’s also easy to remain aloof from the aloof characters.

I started to listen to the commentary that’s available on the Criterion Collection DVD, but the pedantic theories got old fast.

White Christmas

There’s something about old musicals that’s so uplifting. I’ve seen White Christmas a few times, the best viewing was on Saturday at Chicago’s Music Box Theater with all the surrounding fanfare: Santa, jingle bells, carolers and organist.

The film probably wouldn’t be made today. The script would be rejected. It’s not a dark or edgy film. There’s no desperation. No here characters are perfect, but they all have spunk and hope, which is why by the end of the film, I left the theater filled with cheer.

It’s the story of two nightclub singers played by Bing Crosby and Danny Kaye. They served in WWII together when Kaye saved Crosby’s life. Thus no matter how annoying, Crosby can’t shake the whimsical Kaye, who’s forever getting sensible him into complicated situations.

The pair meet a pair of sisters, played by Rosemary Clooney and Vera-Ellen who’re trying to scale the ladder into showbiz. They’re talented, but are just starting out. The younger sister schemes to get the famous Wallace and Davis (Crosby and Kaye’s characters). Both Crosby and Kaye are enamored with a sister, but you know romance will not be easy.

The crux of the story revolves around the plight of Wallace and Davis’ old general, who owns a failing Vermont Inn. The general feels like a failure and misses his army camaraderie and success. No one’s coming to the inn because there’s no snow for skiing. Soon Wallace and Davis get the sisters to help them change the general’s fate.

The characters all had a lot of elegance and style. The costumes were bright and well tailored. They spoke with rhythm and intelligence. There’s no offensive language or swearing. I think all of these things contribute to how good the film makes people feel.

The film has great music and dancing. The jokes, often corny, made me laugh.

Try to find time for White Christmas this holiday. Introduce a younger relative to this cheerful film. Pray Hollywood finds a way to make more films like White Christmas. Not all films need to be cheery, but how about a few new ones that are?