Happy Chanukkah to all my readers, who celebrate.
The image above is a still from a film called Tomorrow’s a Wonderful Day. I have to hunt down the DVD.
I’m beyond blown away by The Human Condition. It’s not that the third installment outstripped, the two earlier films, it’s that as a whole this film moved me like no other. It’s a masterpiece and probably the best anti-war film made.
In the third film, routed by the Russians, Kaji and his comrades are the only survivors of their unit. They must stealthily get back to southern Manchuria from this northern wilderness where the Russians are hunting down stragglers and the Chinese, now free, are out for revenge. Along the way, Kaji and his two or three companions encounter a group of Japanese refugees, half-starved, this motley group consisting of emaciated, exhausted women, children and elderly, fight for the meager food Kaji and his mates have found. While Kaji leads, it’s an uphill battle to get people to cooperate or ration their food.
Later, after most of the refugees die or run off, Kaji and his friends are captured by the Russians. If you thought that since the war is over by now, there’d be some decent treatment, guess again. The Japanese soldiers are sent to a hard labor camp. They’re underfed and aren’t given any clothes for the coming winter. Kaji’s reprimanded for using gunnysacks over his tattered uniform. This ingenuity is considered insubordination. On top of that the Japanese-Russian translator sides with the Russians and misinterprets his countrymen’s statements. Again, there’s no justice.
I won’t spoil the ending, but I will say it’s sure powerful and not what I expected.
Why would anyone want to watch such a long trilogy of films about such horrible times? According to the film’s star Tatsuya Nakadai, who’s earned a spot in my actors’ hall of fame, in Japan they have annual marathon viewings of Masaki Kobayashi’s The Human Condition and they always sell out. I watched the film to broaden my insight into a significant historical era and to see a master filmmaker’s work.
The Criterion Collection DVD set includes interviews with the director Masaki Kobayashi and the lead actor Tastuya Nakadai, for whom this was is first lead role. Nakadai mentions how much he learned about the film business from his cast members. He hadn’t much experience prior to this film, just Black River, in which he played a gangster. He really didn’t know much about film and hadn’t played such a pure-hearted character before. You’d never know from his performance.
1. Each week, we’ll provide a theme for creative inspiration. You take photographs based on your interpretation of the theme, and post them on your blog <strong>(a new post!) anytime before the following Friday when the next photo theme will be announced. 2. To make it easy for others to check out your photos, title your blog post “Weekly Photo Challenge: (theme of the week)” and be sure to use the “postaday″ tag. 3. Follow The Daily Post so that you don’t miss out on weekly challenge announcements, and subscribe to our newsletter – we’ll highlight great photos from each month’s most popular challenge.
Other great photos:
- Weekly Photo Challenge: Serenity (daily post)
- Weekly Photo Challenge: Serenity (jinan daily photo)
- Weekly Photo Challenge: Serenity (cee’s photos)
- Weekly Photo Challenge: Serenity (j picks)
- Weekly Photo Challenge: Serenity (behold the beauty)
- Weekly Photo Challenge: Serenity (colorful bunt)
- Weekly Photo Challenge: Serenity (variety of light)
- Weekly Photo Challenge: Serenity (travel monkey)
- Weekly Photo Challenge: Serenity (a mom’s blog)
- Weekly Photo Challenge: Serenity (beijing daily photo)
- Weekly Photo Challenge: Serenity (here and abroad)
- Weekly Photo Challenge: Serenity (natsukashii, kansai)
- Weekly Photo Challenge: Serenity (wind against the current)
- Weekly Photo Challenge: Serenity (blue café)
- Weekly Photo Challenge: Serenity (coolquilting)
- Weekly Photo Challenge: Serenity (on y va!)
- Weekly Photo Challenge: Shadowed (chittle chattle)
- Weekly Photo Challenge: Shadowed (european travel adventures)
- Weekly Photo Challenge: Shadowed (jinan daily photo)
- Weekly Photo Challenge: Shadowed (here & abroad)
- Weekly Photo Challenge: Shadowed (variety of light)
- Weekly Photo Challenge: Shadowed (mara eastern)
- Weekly Photo Challenge: Shadowed (beijing daily photo)
- Weekly Photo Challenge: Shadowed (cardinal guzman)
- Weekly Photo Challenge: Shadowed (flicks & pieces)
- Weekly Photo Challenge: Shadowed (angle & views)
- Weekly Photo Challenge: Shadowed (blackboard)
- Weekly Photo Challenge: Shadowed (stenoodie)
- Weekly Photo Challenge: Shadowed (cee’s photos)
- Weekly Photo Challenge: Shadowed (small town dreamer)
- Weekly Photo Challenge: New (mittened hands)
Sainsbury, a British store, has put together a lovely video on the truce between the Germans and British soldiers in WWI. The story goes that on Christmas in 1914 there was a truce during the battles of WWI and during that time the British and German took a risk and ventured out to meet each other. They wound up exchanging stories, memories, treats and played football (soccer to Americans).
On the radio today I heard that the armies had to move these soldiers to different areas because they had lost the desire to kill that had once been there.
My friend Kevin recommended I watch The Day the Earth Stood Still for my classic movie challenge. Though I typically don’t think much of sci fi movies, I gave this one a try and it won me over. Directed by Michael Wise, The Day the Earth Stood Still begins with a cheap-looking spaceship landing on earth in Washington DC. Despite the archaic look of the film, I got pulled in completely. Wise mesmerized me with this very cheap, plain spaceship with its clichéd passengers.
A crowd gathers around the ship and soon Klaatu, the archetypical spaceman emerges. Klaatu’s soon shot and his robot Gort defends his master using laser vision against the army. Klaatu’s taken to the army hospital and observed. Klaatu is played as a very serious, really supercilious figure who’s been given the task of letting the inferior earthlings know that now that they’ve gotten nuclear weapons their squabbling could hurt other planets and these other, higher beings won’t tolerate any activity that can upset their peace. His request to speak with all the world leaders is deflected. Things just don’t work that way on earth.
Klaatu escapes in a stolen business suit and finds a boarding house that will take him in. He befriends Bobby, a boy who’s impressed with Klaatu’s knowledge of science and around novelty. Bobby’s father’s passed away and his mother isn’t so sure about Klaatu, but she’s busy dating her perspective husband so Bobby’s got lots of free time to wander the city and go back to the spaceship with Klaatu. It is all rather hokey, but Klaatu is so smart and so above us. We know he’s right about our wars and “petty squabbles.”
Klaatu gives up on the world leaders and tries to get a renown scientist to organize a big powwow with all the top scientists in the world.
Unfortunately, Bobby’s father-to-be gets jealous of Klaatu and tells the army about him. Soon Klaatu must flee for his life and try to war the world that if we don’t stop our nuclear arms development, the rest of the universe will bake us to a cinder.
There are plenty of amusing quotes, such as:
Reporter: I suppose you are just as scared as the rest of us.
Klaatu: In a different way, perhaps. I am fearful when I see people substituting fear for reason.
George Barley: Why doesn’t the government do something, that’s what I’d like to know.
Mr. Krull: What can they do, they’re only people just like us.
George Barley: People my foot, they’re democrats.
All in all, The Day the Earth Stood Still is a fun movie and its dated aspects just add to the fun.
- The Day the Earth Stood Still won a Golden Globe award in the category of “Best Film to Promote Global Understanding.” Who knew that was a category?
- When Patricia Neal was making the film, she didn’t think much of it and was surprised to learn that it’s regarded as one of the best sci fi movies to date.
The Danish film In a Better World caught me by surprise. Compelling and intense, it weaves together the stories of Anton, a doctor who works for an NGO like Doctors without Borders in Africa and his family in Denmark and Christian, a boy who moves to Denmark after his mother dies. Anton’s son Elias is a victim of bullying until Christian defends him. The two boys become friends, but Elias is troubled by Christian’s violent streak. Christian believes might makes right and takes pleasure in revenge and plotting. He doesn’t know when to stop or that the unexpected can make a plot go awry in terrible ways.
Anton lives part of the year in Denmark, where he tries to reconcile with his wife Marianne, and part of the year in war-torn Africa where women are sliced open by a Chieftain called Big Man. Anton is a highly ethical man who tries to live non-violently and to teach his son the same.
Lonely and fascinated by Christian, Elias is too weak to refuse and stop his friend from his escalating violence. The film, which gets dark at times, depicts the consequences of missing fathers.
I liked the film’s tone and the opportunity to travel to two new settings, Africa and Denmark. Roger Ebert criticized the film for cutting between the two cultures of Africa and Denmark, however, as someone who splits her time between cultures I found no problem with that choice.