Les Misérables, Episode 5

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While I like Les Misérables, and the novel’s one of my favorite books, there’s some je nes sais quoi aspect that is missing in this production. Perhaps I can’t help but compare a Les Misérables production to the musical, but then why am I completely satisfied with the classics with Michel Simon and Jean Gabin? I watched them after reading the book or seeing the musical and was swept up by the stories. With this version, I’m a bit detached.

This week resumes with Cosette pining for Marius, who’s rather mopey in my opinion. Marius’ friends led by Enjolras decide to seize the moment of General LaMarque’s funeral to start a revolution that will bring about the social change they seek, i.e. better treatment for the poor. Marius is teased for being so in love that he can’t focus on a revolution.

The penniless Marius decides to eat crow and visit his awful grandfather to ask permission to marry. The old man scoffs and just suggests Marius put the girl gramps believes is a pauper up in an apartment and amuse himself till it’s time to marry for status and wealth. Gramps is simply advising Marius to do what he did. To his credit, Marius is appalled and vows to never cross the threshold of his grandfather’s mansion.

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After escaping from jail, Éponine finds Marius and promises to give Cosette a letter from him. Though she’s in love with Marius, she’s willing to aid his love for her rival. She confronts her evil, abusive father in her efforts and while for a time hides Cosette’s new address she eventually tells Marius all and even sacrifices her life for him. The problem with this production was that the love Éponine shows looks so thin. I wondered why she died so Marius, who’s a bit of a wet noodle, could live.

The funeral procession seemed less epic, and probably more authentic, than in the musical. All hell does break loose, but this rush to the barricades didn’t have the impact on me as a viewer as other productions did.

Javert continues to obsessively want to capture Jean Valjean more than he wants to quell a rebellion. This time I wanted a colleague or superior to knock him over the head or ship him off to an asylum.

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Jean Valjean fears Thenardiér and the police and plans to leave France after a few days at a new secret apartment. In addition to retrieving the fortune he’s stashed in the woods, he has to deal with Cosette’s teenage rebellion. Like all her age, she can’t see that her love isn’t quite as important as saving her adopted father’s life. Well, it’s almost excusable as she’s not fully aware of Jean Valjean’s situation. But she does know enough. She’s the one who cleaned his wounds after his fight with Thenardiér’s thugs. He has told her he was in prison. She must remember how he saved her from abuse and neglect.

The episode takes us up to Jean Valjean arriving at the barricade. He’s finally discovered Cosette’s secret romance and selflessly goes to help Marius.

For the most part, Masterpiece has followed Hugo’s story, but as I said something’s missing. Je souhaite que je nouveau quoi.

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The Kindergarten Teacher

I never really wanted to get caught up in someone else’s obsession. When I watched The Kindergarten Teacher, (2014) I was a witness. The film was engrossing and well-acted, but rather disturbing. (After The Minutes, I could do with a some drama that wasn’t.)

The Kindergarten Teacher is about Nira, a teacher who becomes obsessed with Yoav a student who’s a poetic genius. Poems come to him from out of the blue, poems with words like “banality.” Poems that describe the complexity of love with more wisdom than most adults can muster. The teacher is a would-be poet and she starts passing off Yoav’s work as her own in her poetry group.

Nira becomes obsessed. So focused on Yoav’s genius, Nira ignores most of her other students and while she has a fine marriage and two children, none of this matters much compared with Yoav’s poems.

Soon Nira has gotten Yoav’s nanny fired and has disregarded every boundary in her profession or commonsense. Watching this film is like watching a train wreck. You know it will end badly, but I was surprised how.

The Kindergarten Teacher is compelling, and I was able to believe that Yoav did write the poems. I would certainly watch another film with the star, Sarit Larry, who played Nira, bu for a time, I need to watch drama that isn’t disturbing.

FYI: There’s going to be an America version released in 2018.

Ugetsu Monogatari

The potter and his wife

The potter and his wife

What a powerful movie! I just bought it because I thought a geisha film might be interesting. I had no idea that this Mizoguchi (see Life of Oharu ) film would be so entralling.

A fusion of two Japanese ghost stories and a story Guy de Maupassant, Ugetsu Monogatari tells the story of two brothers with obsessions that bring their families to ruin. One brother, low class farmer, dreams of becoming a samari; the other, a potter, dreams of making a fortune and showering his wife with luxurious presents. Given their low social status and the hierarchy of the day, both dreams are ridiculous.

Set in a time of civil war, pursuing these dreams results in the families’ destruction, one wife’s murder and the other’s rape and eventual fall into prostitution. Both men are shown as foolish and obsessed and they fall prey to ghosts as they ignore the warnings they receive.

Mizoguchi’s cinematography is exquisite and the composer’s music alluring. Mizoguchi uses cameras as no director I’ve seen does. Viewers are taken to a dreamy sometimes crazy world as they follow the brothers’ obsessions. The story is haunting, and acting, especially the actresses’ performances is quiet and powerful.

Though the story features rape, murder, beheadings Mizoguchi spares viewers gore. He knows that less is more and that he can convey what he needs to without being graphic.

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I watched with the Criterion Collection commentary on, which helped me appreciate the story and production. I might not have realized that the princess was a ghost till the end as I lacked a knowledge of how Japanese ghosts operate. A Western ghost would not have been so subtly portrayed. This is definitely a movie I’d watch again.