Victoria, Season 2.1

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A Soldier’s Daughter

Season 2 of Victoria opens as the queen is ready to get back to work after a month of confinement (i.e. rest after childbirth). At first she must fight her way to get the reins back. The British army has just suffered a huge defeat in Kabul. Albert and some of the nobles have kept this from her. I expect the lords to keep things from her, but Albert? He should know how hands on she wants to be. It’s her country. He’s just lived there a few years, at most. He’s not a Prince.

Albert keeps crossing Victoria such as the time he decides not to approve an appointment of a courtier’s brother. He thinks he knows better. He also doesn’t realize that he’ll have some explaining to do if Victoria, as she’s bound to, finds out.

Second seasons usually bring new characters. With Victoria we have Diana Rigg as the Duchess of Buccleuch, who’s added as a version of Maggie Smith’s Violet on Downton Abbey. In the first episode it doesn’t work well. The Duchess makes annoying comments about how women shouldn’t read novels and how her niece has a red, strawberry-like face, but the wit is missing. Time will tell. In the two hour episode we Yanks got, The Duchess didn’t add much.

There was a bit of comedy about the chef Francatelli having left. The new chef’s food tastes and looks horrid and at one point he’s about to stab someone who made a mistake. Penge insists he hand over the knife and upstairs the queen insists Francatelli returns. Skerett, who’d turned down Francatelli’s marriage proposal has no luck getting him back. The royals can’t very well starve so his new boss is forced to fire Francatelli, who’s soon back in the palace kitchen, very much annoyed. I expect we’ll see this romance continue, though it wasn’t that thrilling last year.

The Green-Eyed Monster

In the second episode shown in the US, Albert is enthralled with mathematician Lady Ada Lovelace, who invented a calculating machine and early computer programming. Caught confusing pi and pie at a social gathering and frustrated that she can’t understand Thomas Mathus’ idea population increasing geometrically, Jeremy Victoria feels threatened by Lovelace. She’s certain that Albert will start an affair with her.

To seek some counsel, Victoria turns to Lord M, who’s a sight for sore eyes. As usual, he is wise and kind. Albert and Lord Peel don’t want her to see Lord M as he’s no longer in power as Prime Minister. Victoria argues that she’s just seeing him as a friend, not for political reasons, but Albert insists she’s naive, which doesn’t help the bumps in their marriage.

We glimpse Lord M as tired and not himself in his greenhouse, which foreshadows serious illness ahead.

Albert resists his father’s requests for money and ignores the reminders of his home region of Colberg’s many financial needs.

A young maid is hired, but must hide her Catholicism as Penge hates Catholics. This young girl gets spooked by a mysterious figure running through the house. Victoria’s undergarments have gone missing, which convinces the maid that the palace is haunted. By the end Victoria and Albert discover that a second child is on the way and we discover the ghost is really what Violet, I mean the Duchess of Buccleuch, calls a guttersnipe.

The costumes and settings were majestic and elegant. I enjoyed Jenna Coleman’s fiesty, yet vulnerable performance. The writing was good, though I hope the screenwriter could be freed from the need to add in Downton-esque elements. The show has plenty of its own merits it doesn’t need to pander to Downton fans. Downton fans are Masterpiece fans; let Victoria be Victoria.

Poor Dwight and Morwenna

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Sunday’s Poldark episode began by showing the villagers poorer and starving. Yet, and this should come as no surprise, George had no mercy or compassion for them. He rounded up those he could and sentenced them to 15 years in prison.

Also, the program included the fastest, no fuss, birth I’ve ever seen on television. In one scene Demelza’s digging potatoes and a bit later she’s got her new daughter Clowance  in her hands.  I didn’t actually mind the abbreviated birth because the episode was packed with other events.

Dwight is stuck in a dank, dark, decrepit prison which rivaled the Les Misérables Paris sewers for hygiene. Yet despite the starvation and mental anguish of his imprisonment, heroic Dwight manages to perform surgery in his cell.

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Carpe diem, Morwenna

Morwenna and Drake, both reserved by nature, tentatively get closer. Yet as Morwenna’s charge Geoffrey speaks up to George and is found to have gone to Clowance’s baptism on the sly, George and Elizabeth feel it’s time for her to marry. Poor Morwenna. The Warleggan’s don’t bother to find anyone at all suitable. They settle for the first slimy widower to come along, a much older and very greasy Rev. Osborne Whitworth. Morwenna should run for the hills! But there’s no one who can rescue her. It’s out of the question socially that she could marry Dwight who lives in a dark, old building with a dirt floor with his brother. Even Demelza thinks Morwenna could never marry down.

George doesn’t brook opposition, no matter how wise or how true. Thus he’s exiling Aunt Agatha to the dungeon of the coldest, darkest part of the house. He makes sure that she gets no letters, including Ross’ invitation to Clowance’s christening.

As so many people are starving Caroline and Demelza team up to get them grain. Ross finds a way to trick George so that he’s fooled into thinking the villages stole when in fact they were given grain through donations. Ross’ trick backfires as it prompts George to get even by closing his mine, which was once a Poldark mine just out of spite. The result is 70 breadwinners will be out of work and their families may starve, but George has no compassion and he doesn’t care. Be careful George, look what the French did to their upper class.

The episode was brisk and moved a long with lots of emotion and action. The hour whipped by and I didn’t want the show to end. We’re left hanging to see what will become of Dwight, Morwenna and all the others in this splendid cast. I find I like Geoffrey Charles more and more.

Poldark Returns!

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Drama lovers, history buffs and anglophiles, Poldark has returned to Sunday nights for its third season. Sunday brought what in the UK would be episode 3, but here is episode 2. Demelza and Ross are still in love, but Ross’ headstrong ways still make life hard for Demelza. I’m glad to see she’s got the strength to carry on no matter how obstinate Ross gets. And I’m thankful that at least occasionally, Ross tells her that he’s over Elizabeth and praises Demelza as she’s due.

George Warleggan has grown more prosperous and more pompous as he now is a Justice of the Peace. Woe, to the poor person brought before his court. Unless you’re rich, you don’t stand a chance at justice.

Elizabeth has had a new child, Valentine, whom George believes is his, but Elizabeth knows is Ross’ from another instance of Ross’ foolishness at the end of last season. Elizabeth staged a premature birth by pretending to fall down a staircase. At first she doesn’t want to bond with the baby, but as she comes to align herself more with George  she also accepts Valentine.

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Drake, Morwenna, and Sam

We’ve got a few new characters already. Elizabeth’s young cousin Morwenna is brought to the house to mind Geoffrey Charles, who’s probably about 10 and has gotten quite perceptive and witty in a way George doesn’t appreciate. If George has his way Geoffrey will soon be off to boarding school.

Also after Demelza’s father dies, her two brothers Sam and Drake come to town. Drake soon develops feelings for Morwenna, who at first is tentative because Drake is clearly low born. Sam’s a very pious Methodist and that causes trouble. George insists that Sam and his followers are kicked out of the nearby church. How Christian of you, George! Soon Demelza finds an unused farm building and since Ross is away lets Sam use it for his church.

Where is Ross? He’s gone to France to look for Dwight who’s ship has been captured or lost, no one knows at first. France is in the throws of Jacobin violence. As Caroline and Dwight eloped as her uncle lay on his death bed, Caroline is, of course, beside herself with worry all the while worrying about her love. Rightly so, as in France, they’re killing first and asking questions . . . well, never.

The drama has been true to the original book series and offers romance and drama with complex characters and exquisite scenery and costumes. I do miss Jud’s whinging ways, but with three new characters and more to come, I understand.

 

 

 

 

 

The Collection

I gave Masterpiece’s The Collection a try when it premiered on Sunday. It didn’t take long for me to grow tired of a program where the characters all seemed dark, greedy and selfish. I confess after 10 minutes or so I changed the channel.

The show is about a struggling fashion house in Paris after WWII. The man in the center of the video’s first frame is the jaded, selfish owner of a fashion house is asked by a government official to help France’s fashion industry rise again to its former zenith.  To his left is his reprobate brother who’s a talented designer who’s got substance abuse problems.

I’d much rather PBS brought back The Paradise, where the characters were flawed and faced obstacles, but the heroine was good, though not at all boring. Dark characters like those in House of Cards or The Collection aren’t necessarily fascinating.

If I got the show wrong, and should give it a chance by catching up online, let me know.

Victoria

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Masterpiece’s new drama, Victoria, stars Jenna Coleman as the famed British queen. Beginning when Victoria’s uncle dies and she changes her name from Alexandrina to use Victoria, her middle name, and she becomes the monarch.

From the start Jenna Coleman’s Victoria stands up for herself opposing the manipulative Sir John and her plotting uncle.

After two episodes, I’m drawn in and eager to see how Victoria handles her power and how she and Albert finally end up together. In episode two the focus is on the question of whom Victoria will marry. Her heart, she believes, belongs to Lord Melbourne, her prime minister whose wife ran off with Lord Byron, the poet. In the drama, he lets Victoria know that they can never be together.

The first episodes feature sumptuous costumes and settings. The story moves along nicely. There’s a B story focused on a maid, who’s hiding her past working in a bordello. I’m not sure where that’s going. The maid is elusive and stand offish with the cook, who tries to get to know her. That story hasn’t grabbed me, but perhaps in time, I’ll develop more of an interest.

Victoria has a different feel and tone than Downton Abbey or Poldark, so it shouldn’t be judged on their terms. In its own right it’s a fine drama.

 

 

Downton Abbey, Season 6 Begins

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In the U.S. after months (maybe 10 months it seems) of promotions, Downton Abbey’s sixth season began on Sunday. My tradition has been to watch Downton with my aunt, who’s now living in an assisted living facility. I brought dinner for us and arrived early. Our problem was we couldn’t get PBS on Direct TV in her room. No one was able to help us. Ugh!

We had dinner and then I left to watch the show, feeling awful that my aunt wouldn’t be able to watch a show she loves.

I enjoyed this first episode, but feel that this review will echo what I said last season. I enjoyed seeing favourite characters and elegant costumes, but not all that much happened.

A chambermaid tried to blackmail Mary about her rendezvous with a Lord Whoever last season. We knew the chambermaid wouldn’t succeed and she doesn’t she’s just an annoyance. I’d expect a chambermaid in a nice hotel would have lots of opportunities for blackmail and that she’d be better at it than she was. It was odd how she had so much time and money to travel to the Abbey so frequently. By the end of the episode, Robert came to Mary’s rescue, showing his fatherly love, which made Mary realise how good a father he is. Still, I’d hoped that wily Mary would have outsmarted the chambermaid.

Violet has learned that a larger hospital would like to take over the village hospital. She shares her scuttlebutt at a board meeting and Isobel and Lord Merton, who seems to be trying to score points with her, oppose Violet and the local doctor, who doesn’t believe bigger is necessarily better. Cora’s caught in the middle and seems to be swayed more by Isobel’s views. I hope Cora gets a better storyline this season, but I doubt it.

Edith, as is often the case, didn’t get a lot to do. Her daughter is fully now part of the family. Edith handled an irate call with the editor of the paper she’s inherited. There was a nice scene with her aunt in which Edith considers moving to London to get out of Mary’s shadow, which would be best for her. Mary dominates Downton and there Edith will always play second fiddle.

I’ve wondered how the series will end and whether the Crawley’s will be able to keep their estate. In last night’s episode a nearby house went up for sale and the Crawley’s neighbours auctioned off most of their belongings. This sale obviously makes us all wonder what will happen to the Crawley’s who’re unable to replace staff and are now considering lowering wages.  The elegiac mood of the end of a beloved era hung more heavily last night and probably will throughout the series.

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At the auction, Daisy had an outburst. She’s very upset that her father-in-law will probably be kicked off his farm. When she saw the new owners, surrounded by her employers and all the people milling about shopping for antiques and what-not, Daisy let loose her feelings of the injustice of Mr. Mason. Though she had a point, she didn’t help Mason at all and just got herself in hot water. As Mr. Carson points out this was a “dismissible offence.” Yet the Crawley’s were merciful and Robert just scolded her.

Mr. Carson and Mrs. Hughes are engaged, but Mrs. Hughes was worried about the “terms of the marriage.” There was a bit of comedy as she had Mrs. Patmore run back and forth to find out how intimate Mr. Carson expected her to be. In the end, Mr. Carson convinced Mrs. Hughes that he wanted a real marriage and that his love for her was strong and real. I wonder whether Mrs. Patmore will have to continue to play the messenger/marriage counsellor between these two people who’ve known each other for decades?

With a flourish of deux ex machina, Julian Fellows tied up the storyline of  Anna being suspected of murdering her rapist. Another woman confessed to the crime. She must have been a female Jean Valjean since Anna was the prime suspect and there was no clear reason why the woman confessed, but it’s lucky for Anna that she did.

Favorite Violet lines

  • Does it get cold on the moral high ground?
  • If you were talking in Urdu, I couldn’t understand you less.

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Favorite Mr Selfridge Character

Note: Since new actresses are playing Violette and Rosalie I’ve included them.