It’s a bittersweet time with Poldark returning, but for the last year. What will 2020 bring from the BBC and PBS?
As I was viewing I was wondering if the storylines were based on the Winston Graham’s novels. I enjoyed the episode, but something seemed off. I was right. Deborah Horsfield explained that:
“we knew at the end of Season Four that we were not going to be able to finish all of the remaining five books, because the cast were only optioned for five series. So the options were to stop after Season Four, or to have a look at some of the events that might have taken place, some of which Winston Graham refers to in The Stranger from the Sea, and to cover a kind of similar time period that he would cover in each book, a period of about two years.”
So, we are getting a Horsfield story this year, which should be fine.
The episode began with a flashback to the American Revolutionary War when Ross is shot and a new character, his colonel and comrade Ned Despard finds him. We then move to Despard in jail giving his African American wife a note for Ross, his only hope. The governor of British Honduras, Despard is an abolitionist. He’s married his kitchen maid, Kitty. Kitty goes to England to get Ross’ help.
Geoffrey Charles has returned to Nappara and since his mother, Elizabeth has died has decided to quit school and enter the military academy. That takes money (seems there’s no GI Bill or ROTC yet). Ross takes him to see George, who sends his stepson packing. No surprise there unless you count Ross’ naivety. Who thought George would be generous.
Grief has driven George crazy. He’s isolated himself and left the Poldark estate. He’s seeing Elizabeth at the dinner table and hallucinating that the nursemaid is Elizabeth. While I’m glad to see Heida Reed back, I can’t buy her ghost. TV programs often have the ghost of a dead character and it rarely works for me.
All’s well with Demelza and Ross in terms of their marriage. When Kitty arrives asking Ross to accompany her to London to champion Ned’s cause Demelza knows she can’t stop him and I think admires his decision to stand up for what’s right. We’ll see a lot about abolition this season, which is set in 1800. The date emphasizes how long it took for slavery to end.
Another new character, Tess is the Norma Rae of the village. An out of work kitchen maid, Tess resents Demelza and tells her off. Tess is the spokeswoman for the unemployed miners who worked for George, but won’t accept his stingy lower wages. thus these poor folks are starving or close to it. Demelza promises to help and Tess replies with sarcasm. Not much later Demelza offers Tess a job, but the jaded maid snaps that she doesn’t want charity, forgetting that a job really isn’t charity.
It’s unclear whether Tess is involved soon after Ross leaves for London, a fire strikes late one night. Luckily, no one’s hurt and the fire’s put out, but Demelza (and the audience) wonder whether Tess is at all responsible. Tess should be watched. She’s hard to read.
Caroline is still mourning the death of her baby daughter and Morwenna recoils from Drake’s touch. Both women’s psychological states make sense, but I hope this season we seen them heal and move on. Both have exemplary husbands now and it’s nice to see their patience and love.
Two more new characters are Ralph Hanson, a merchant, and his daughter Cecily, who’s of marriageable age. Ralph is cut from a Warleggen cloth and I wouldn’t trade with him for all the tea in China. Cecily is a question mark. She’s shrewd and at first I thought trouble, but she shows up at the lecture against slavery so she may have some good in her. George’s uncle wants George to marry ASAP and clearly thinks Cecily would make a good match if only for her father’s money. Yet she bristles at such talk. A strong woman, Cecily is not about to do someone else’s bidding.
The premiere has set up some interesting themes and plot lines. I’m unsure about a story not based on the books, but I’ll be back this week and hope for the best.
There’s something about old musicals that’s so uplifting. I’ve seen White Christmas a few times, the best viewing was on Saturday at Chicago’s Music Box Theater with all the surrounding fanfare: Santa, jingle bells, carolers and organist.
The film probably wouldn’t be made today. The script would be rejected. It’s not a dark or edgy film. There’s no desperation. No here characters are perfect, but they all have spunk and hope, which is why by the end of the film, I left the theater filled with cheer.
It’s the story of two nightclub singers played by Bing Crosby and Danny Kaye. They served in WWII together when Kaye saved Crosby’s life. Thus no matter how annoying, Crosby can’t shake the whimsical Kaye, who’s forever getting sensible him into complicated situations.
The pair meet a pair of sisters, played by Rosemary Clooney and Vera-Ellen who’re trying to scale the ladder into showbiz. They’re talented, but are just starting out. The younger sister schemes to get the famous Wallace and Davis (Crosby and Kaye’s characters). Both Crosby and Kaye are enamored with a sister, but you know romance will not be easy.
The crux of the story revolves around the plight of Wallace and Davis’ old general, who owns a failing Vermont Inn. The general feels like a failure and misses his army camaraderie and success. No one’s coming to the inn because there’s no snow for skiing. Soon Wallace and Davis get the sisters to help them change the general’s fate.
The characters all had a lot of elegance and style. The costumes were bright and well tailored. They spoke with rhythm and intelligence. There’s no offensive language or swearing. I think all of these things contribute to how good the film makes people feel.
The film has great music and dancing. The jokes, often corny, made me laugh.
Try to find time for White Christmas this holiday. Introduce a younger relative to this cheerful film. Pray Hollywood finds a way to make more films like White Christmas. Not all films need to be cheery, but how about a few new ones that are?
The Italian movie, Perfect Strangers tackles the place of smartphones in people’s lives. What behaviors do they enable? Are we slaves to them? Seven long-time friends in their 40s gather for dinner. There’s three married couples and a single man. During dinner they talk about how technology has infiltrated their lives and they decide to play a game. Whenever someone gets a text or call, they must share it with the group.
Secrets and lies come to the surface and a couple twists show the fragility of trust, respect and friendship. Perfect Strangers could easily be a play as most everything takes place in one room. The acting was compelling and the story, with its many surprises, was absorbing.
As much as I liked watching, I’m grateful that my friends aren’t like this.
At a hotel, I asked a concierge for a list of good Chinese movies and Mr. Six was among them–and wow did it belong there.
I found it on a Singapore Air flight and this tale of the clash of the old and poor Beijingers with the rich and young blew me away. The film opens in the hutongs of Beijing where an old time gangster, nicknamed Mr. Six, lives and rules dispensing justice as he threatens pickpockets and intervenes between the police and a poor vendor. Mr Six, a widower, hasn’t even heard from his twenty-something son in six months. He knows the kid doesn’t care about him. He soon hears that his son’s been kidnapped as vengeance for sleeping with a super-rich kid’s girlfriend and then keying that guy’s Ferrari.
Mr. Six knows his son was in the wrong and tracks down the gang of rich car racers, who might as well come from another world. Their culture and mores have little in common with this old geezer who has a very clear, almost eye-for-an-eye view of justice.
In a curious way, Mr. Six shocks and impresses the kid whom his son wronged. He’s given 48 hours to come up with 20,000 rmb to pay for the car’s paint job. Mr. Six then proceeds to make the rounds of his old pals, some who’re squeaking by and others who’ve become wealthy to get the money.
The film is a good look into China’s culture today. The young are (in some regions more than others) not buying into the old ethos. Materialism is on the rise and taking its toll in the form of souls. Mr. Six has the old justice system down, and it differs from Western ways so he surprised me again and again.
Also, the film itself takes some interesting turns that wouldn’t come up in an American film. At one point the young, spoiled kids agree to meet Mr. Six and his cronies to resolve the matter with a big fight. The old guys show up, but the young ones don’t. I can’t remember a no-show like that in a Western film. Returning home, Mr. Six gets surrounded by henchmen sent by the rich kid’s dad. They proceed to threaten and beat him.
The film captivates and has stayed with me and will for quite some time.
Warning: Mr. Six will strangle and fight anyone who’s treating his son unjustly. It’s not as violent as The Godfather but there’s a lot of fighting and some blood. Some graphic sex scenes, well one.