Happy the Man
by John Donne
Happy the man, and happy he alone,
He who can call today his own:
He who, secure within, can say,
Tomorrow do thy worst, for I have lived today.
Be fair or foul or rain or shine
The joys I have possessed, in spite of fate, are mine.
Not Heaven itself upon the past has power,
But what has been, has been, and I have had my hour.
The Break of Day
BY JOHN DONNE
‘Tis true, ‘tis day, what though it be?
O wilt thou therefore rise from me?
Why should we rise because ‘tis light?
Did we lie down because ‘twas night?
Love, which in spite of darkness brought us hither,
Should in despite of light keep us together.
Light hath no tongue, but is all eye;
If it could speak as well as spy,
This were the worst that it could say,
That being well I fain would stay,
And that I loved my heart and honour so,
That I would not from him, that had them, go.
Must business thee from hence remove?
Oh, that’s the worst disease of love,
The poor, the foul, the false, love can
Admit, but not the busied man.
He which hath business, and makes love, doth do
Such wrong, as when a married man doth woo.
In Heaven It Is Always Autumn
“In Heaven It Is Always Autumn”
In heaven it is always autumn. The leaves are always near
to falling there but never fall, and pairs of souls out walking
heaven’s paths no longer feel the weight of years upon them.
Safe in heaven’s calm, they take each other’s arm,
the light shining through them, all joy and terror gone.
But we are far from heaven here, in a garden ragged and unkept
as Eden would be with the walls knocked down,
the paths littered
with the unswept leaves of many years, bright keepsakes
for children of the Fall. The light is gold, the sun pulling
the long shadow soul out of each thing, disclosing an outcome.
The last roses of the year nod their frail heads,
like listeners listening to all that’s said, to ask,
What brought us here? What seed? What rain? What light?
What forced us upward through dark earth? What made us bloom?
What wind shall take us soon, sweeping the garden bare?
Their voiceless voices hang there, as ours might,
if we were roses, too. Their beds are blanketed with leaves,
tended by an absent gardener whose life is elsewhere.
It is the last of many last days. Is it enough?
To rest in this moment? To turn our faces to the sun?
To watch the lineaments of a world passing?
To feel the metal of a black iron chair, cool and eternal,
press against our skin? To apprehend a chill as clouds
pass overhead, turning us to shivering shade and shadow?
And then to be restored, small miracle, the sun
as before? We go on, you leading the way, a figure
leaning on a cane that leaves its mark on the earth.
My friend, you have led me farther than I have ever been.
To a garden in autumn. To a heaven of impermanence
where the final falling off is slow, a slow and radiant happening.
The light is gold. And while we’re here, I think it must