Mask Kobayashi paints a bleak picture of Tokyo during the 1950s in The Black River. Set in a neighborhood beside a U.S. Army base, Kobayashi shows how Japan’s become corrupt. When Nishida, an upright student/bookseller, moves into a decrepit apartment building that’s more of a shanty than a building, we meet a motley crew consisting of parasites, prostitutes and a couple good guys who don’t stand a chance of fighting city hall given that most of their neighbors would sell out their own mother given the chance.
Soon both Nishida and Killer Joe, a Japanese low level gangster, fall for Shizuko, a lovely, innocent young woman. Joe shows his colors early on by ordering his hoodlum pals to attack Shizuko. It seems they’re going to rape her, but Joe happens by and fights them off. He professes his love and while Shizuko is briefly wooed, Joe then forces himself on her and she’s reviled. The next day Shizuko visits Joe to tell him she was going to report him to the police, but decided she’d be willing to marry him to salvage her reputation. What a sacrifice! It’s hard to believe that a woman would even have to consider such an option, but in some times and places that’s how people thought.
Meanwhile Joe’s plotting with the greedy landlady to evict the residents of the shanty. Both will make out like bandits if they can get the not-so-beautiful losers out of the place.
The film then criticizes the greed, pettiness and lack of morality in society without blaming the problems on the American Army.The Black River shows how the characters contribute to their own troubles. Certainly, Shizuko was a victim in many ways, but she winds up but her choices also lead to an end where I saw no happily ever after for her.
Dragnet Girl: Joji (l) and Tokiko (r)
Director Ozu’s Dragnet Girl is an absorbing silent film about Tokiko,a gangster moll, who becomes jealous when Joji, her boyfriend, gets a case of the wandering eye. Tokiko looks as sweet as can be, but actually she’s quite a coquette. She works at a company by day and the boss’s son is smitten with her plying her with expensive gifts that she’s happy to take.
Her night’s are spent with Joji, the head of a small crime outfit that seems to fix boxing matches. Tokiko is Joji’s main squeeze. Selfish and extravagant, she’s quite brazen and disloyal as she’ll wear her boss’s gifts in front of Joji.
When a high school boy, impressed with Joji’s flash and power, tries to join his gang, the boy’s sister, Kazuko, who’s simple and innocent, begs Joji to get her brother back on the straight and narrow. Joji’s instantly smitten with Kazuko. He starts hanging around her music shop and starts appreciating classical music and all that Kazuko, who pays him no mind, appreciates.
At first Tokiko dismisses her rival, but when she sees that Joji is changing for real she gets nervous. She goes as far as plotting to shoot Kazuko, but then she comes to appreciate Kazuko’s magnetic innocence. Tokiko is not to be trusted after telling Joji she wants to change and become more like her rival. She’s been branded as a delinquent and that label’s impossible to remove.
The film has the style of a noir classic and takes some interesting turns as Tokiko refuses to marry her boss and plots to rob him with Joji. It’s a beautiful simple film that didn’t need talking.
I learned about this amazing animated film from Every Frame a Picture (below). Created by Satoshi Kon, Millennium Actress is a unique, dreamy film that tells the story of Chiyoko, an old woman who looks back on her life when a documentary filmmaker, Tachibara, finally convinces her to agree to being interviewed. Tachibara, who was always sweet on Chiyoko, presents Chiyoko with a long lost key, which like Marcel in In Search of Lost Time opens up a storehouse of memories. Then the story goes back in time in an incredibly imaginative way mixing flashbacks, dreams and daydreams to show why Chiyoko went against her mother to become an actress during WWII.
The story skips back in time to various times in Chiyoko’s life and further goes back to various periods in history which her films were set in. There are a few political messages, which like Kurosawa’s No Regrets for our Youth, criticise how Japan imprisoned those who disagreed with the war. Because Kon’s techniques are so innovative in how they harken back to the shape-shifting that’s a frequent feature of Japanese folktales (but you don’t need to know that to enjoy the film), the film constantly surprised and delighted me. Throughout the film, the current day filmmakers were present in the past and that technique was particularly intriguing and innovative — at least to me, a novice in the anime world.
This video by Tony Zhou is incredible and made me want to see Millennium Actress.
Fumio Obata illustrated and wrote the gentle, beautiful Just So Happens, a graphic novel set in London and Japan. It’s the story of Yumiko, a young woman from Japan who’s settled in London. She likes her job, her fiancé, and life, but realizes her heritage comes with barriers. She’ll probably always be something of an outsider.
As she’s mulling over her outsider status, she gets a call from her brother. Her father’s died suddenly so she returns to Japan for the funeral. This trip makes her reconsider where she belongs and how her decision to stay in London is more by chance than decision. Throughout the story, Yumiko is haunted by a Noh theater actor, who embodies the Japanese spirit.
The watercolor graphics are stunning and evokes the feel of Japan. Yumiko’s journey feels authentic and heartfelt.
Junichiro Tanizaki’s Diary of a Mad Old Man is just what the title says. Well, he’s not completely mad. The main character is an old man obsessed with his daughter in law, a former cabaret singer, whose husband’s grown tired of her.
The old man is sickly and most of his life is spent going to doctors and taking medication. His infatuation of Satsuko, the daughter in law who leads him on, but doesn’t let him do mor e than kiss her legs or eventually her neck, gets him to buy her jewels and later a pool. She’s got a lover and a fondness for Western fashion. It’s an interesting look at desire mixed with a battle against a failing body.
A quick read, the book provides an interesting glimpse of Japan in the post-WWII period when the Japanese were starting to prosper. Old age (over 75) is largely ignored by writers. This novel rings true as a chronicle of a man with his wits about him who’s able to analyze his actions and his family. He’s aware of how Satsuko, the daughter-in-law operates.
Until I saw The Inheritance I knew nothing of director Misaki Kobayashi . Until I started my movie New Years resolutions, I only knew of Kurosawa and Ozu. Japan has manymore directors whose films still have power.
The Inheritance shows the materialism of post-WWII Japan. It’s set in the 1960s and the Japanese have prospered. They aren’t trying stretch 35 yen to last all day as the characters in the ironically titled One Wonderful Sunday did. With a jazzy soundtrack, The Inheritance tells the story of a company president who’s learned he’s dying of cancer. He decides to track down his three illegitimate children so his materialistic young wife doesn’t get all of his 300,000,000 yen fortune.
We see the story through the eyes of Yasuko, his aloof secretary, who could pass for a Japanese Audrey Hepburn. the employees who’re supposed to hunt down the children, all get yen signs in their eyes and make deals with the wife. The man’s son leads a life of desolation and his youngest daughter has died, but his wife and employee try to pass off their secret daughter as the heir. (They had a fling behind the man’s back.)
As the man’s health deteriorates Yasuko moves into his house. His wife is not welcoming in the least. The boss does make a play for Yasuko, who lacks the power to push him away or leave the house. Since she’s living in an apartment she describes as a concrete box, the idea of getting more money appeals to her.
I thoroughly enjoyed this look at Japan. It’s a story of conniving and greed done in a way I wouldn’t expect. If you’re looking for a different sort of drama, see if you can find The Inheritance. My library had the Criterion Collection DVD. I wish they had an audio commentary or more extras as it’s a film I’d like to learn more about.
In the utter silence
Of a temple,
A cicada’s voice alone
Penetrates the rocks.
Haiku by Basho
Since my friend Sandra has been posting photos of cicadas on her Facebook page all weekend, and since we had cicadas for dinner last week, I thought this apropos.