Some Black Friday humor. I advise avoiding the shops.
Some Black Friday humor. I advise avoiding the shops.
How not to behave online, whatever your politics
It’s past Halloween, but this is still funny.
A Sundance film, Boy tells the story of the kid whose name is Boy. Set in New Zealand, Boy’s grandmother has to leave town to attend a funeral and leaves Boy, age 12 or so, in charge of his brother and 4 cousins. Its plot is like The Cat in the Hat. Once the grandma’s gone, things go out of hand. At first just a little bit as Boy makes weird dinners for his charges.
Soon his father, who’s just gotten out of jail. Boy idolizes his dad, who’s promised to take him to see Michael Jackson and who impresses him with his fantastic stories.
The story has lots of charm and delights with special effects and child-like animation. I enjoyed all the Kiwi characters and getting glimpse into a slice of New Zealand. The ending wasn’t particularly strong, but all in all, Boy is a fun film with lots of heart and a touch of sadness.
Kurosawa’s Seven Samurai is a film that left me stunned. So much action! Bam! What bold characters! Wow!
During a period of political instability in the 16th century, samurai were cut loose from their masters. Bandits roamed Japan pillaging and farmers lived in fear. In Kurosawa’s Seven Samurai, a small, farming village is attacked by bandits. The bandits leave since the farmers don’t have much to steal. The bandits took most everything before. However, they do plan to return when the crops come in.
The elder of the village suggests the peasants hire some samurai to protect them. The peasants aren’t sure, but “Grandpa” is revered and no one has a better idea. So a few scouts go to town to recruit.
They luck out and find wise Kanbei, played by Kurosawa regular Takeshi Shimura, who leads the motley crew. Other samurai includes trained swordsmen, a master samurai who’s head and shoulders above the others, and the bull in a china shop, Kikuchiyo, played by another acting powerhouse Toshirô Mifune. Kikuchiyo is an outsider even in the midst of this motley crew. He’s crude and has a sense of humor that has no idea what’s appropriate when. Kikuchiyo is so fun to watch because he’s incredibly physical able to move and fight like no one I’ve seen on film.
The film is dramatic, but also funny. No character is put on a pedestal. Most defy the idealized social roles most stories confer upon them. One of the high points of the film is a speech Kikuchiyo gives deriding farmers. He tells the other samurai that they’re fools to think these people are simple and honest. He calls them out as greedy, timid and secretive. After his heated speech, Kanbei says, “So you’re from a farming family?” Yep. You called it.
By the end of the film we see that Kikuchiyo was exactly right. The farmers show their true natures. It takes nearly 3 and a half hours to see the team assembled, watch them prepare and then fight in a couple of the most compelling battles I’ve ever seen on film.
From David Ehrensteins’ essay on the film from Criterion.com:
“Japanese films all tend to be rather bland in flavor, like green tea over rice,” Kurosawa remarked in an interview, making a knowing dig at his staid rival, Yasujiro Ozu (one of whose films was actually called The Flavor of Green Tea Over Rice). “I think we ought to have richer foods, and richer films. So I thought I would make this kind of film entertaining enough to eat.”
The dish Kurosawa set before audiences was certainly different from what they had tasted up until then—particularly as far as period filmmaking was concerned. Instead of the slow, ritualistic, and highly theatrical style of the typical sixteenth-century saga, Seven Samurai moved with the sure swiftness of a Hollywood action epic, like Gunga Din or Stagecoach. The characters may inhabit historical settings, but their manner and bearing were, often as not, strikingly contemporary—particularly in the case of the buffoonish Kikuchiyo, the high-spirited would-be samurai played with great gusto by Toshiro Mifune. Most important of all was the visual style of the film which, thanks to Kurosawa’s use of multiple cameras, lent itself to many unusual editing techniques.
Seven Samurai is a classic that all film lovers should see.
When Sally Nichols inherits a fortune and leaves New York to . She’s dreamed of going to France and off she goes. she’s the sort of girl every man falls for, through no fault of her own.
Soon she winds up in in London and gets roped into helping her hapless brother Philmore, who’s constantly bungling into financial difficulty whether it’s through a disastrous theatrical production or some hare-brained business venture. She meets red-haired Ginger, who falls for her, but whom she keeps at a distance prior to discovering that her fiancé has married. Shortly after unconsciously winning Ginger’s love, she meets his grouchy uncle on a train and he’s soon smitten. The story goes on to follow the ups and downs of Sally’s financial and romantic life. It’s a pleasant, witty story that had me laughing out loud.
I was a worried that I wouldn’t enjoy a P.G. Wodehouse book without Jeeves, but while I think the Jeeves stories are of a higher order, I did enjoy The Adventures of Sally.
I listened to the Jonathan Cecil’s narration and highly recommend that audiobook.
“And she’s got brains enough for two, which is the exact quantity the girl who marries you will need.”
“Boyhood, like measles, is one of those complaints which a man should catch young and have done with, for when it comes in middle life it is apt to be serious.”
“It seems to be one of Nature’s laws that the most attractive girls should have the least attractive brothers. Fillmore Nicholas had not worn well. At the age of seven he had been an extraordinarily beautiful child, but after that he had gone all to pieces; and now, at the age of twenty-five, it would be idle to deny that he was something of a mess.”