Fanny’s Journey

Based on Fanny Ben-Ami’s true story, Fanny’s Journey shows a thirteen year old girl who must lead her sister and friends out of WWII France into Switzerland. This powerful film captures childhood very naturally. The direction and acting are authentic and captivating.

Fanny and her sisters have been sent away from their parents to live in a boarding house that secretly protects Jewish children. When a priest informs on the boarding house, Madame Forman, one of the adults who run the place, manages to arrange for the children to go somewhere safer. She gets them all fake passports and schools them on what to say to anyone asking them questions en route. Each child is given a new name and Madame Forman tests them on them day and night.

From the start it’s touch and go. Germans are everywhere and Vichy French police are an equal threat. At first an older boy, Eli is in charge of the children, but after he’s arrested, Fanny’s thrust into the lead. She must figure out where to go and what to do next once their train is redirected and they lose touch with Madame Forman. As the going gets tougher and tougher the children feel like giving up and have plenty of complaints. Some are so young they have no idea why Jews must flee or what was happening to Jews throughout Europe. Their ignorance showed their wisdom.

The tension is maintained throughout the film and you’re heart will go out to these children. Fanny’s Journey is destined to be a classic.

In the final credits, you’ll see the real Fanny, who is still alive and has lived in Israel since the end of the war.

Monsieur Vincent

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Vincent tries to get someone to adopt this orphan

When Monsieur Vincent opens, we see Vincent Depaul entering a deserted town. Whenever he knocks on a door, someone throws rocks at him from the second floor. Finally, Vincent who’s the new priest in town gets let inside. He discovers that the aristocrats inside are hiding hoping to avoid the plague. They’re in the midst of a wild party just in case they don’t escape the plague.

As the new priest, and one that lives the gospel, Vincent tries to convince the nobles to take in a girl whose mother has just died. They’re all to scared. He winds up taking her in a very modest room he’s rented.

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Vincent’s wisdom is revered by the rich. He’s soon the mentor and spiritual guide for a wealthy couple, but he wants to help the poor. When he tells his patrons that he plans to leave they keep him near by supporting his charity efforts more. This works for a while, but eventually Vincent goes to Paris where he begins a charity for the poorest of the poor.

Throughout his work with the poor, Vincent recruited wealthy women to help him and found great frustration when they didn’t agree with his ideas of expanding and expanding their charity programs. Eventually, realizing that people who understand the poor may be better to work with, he taps a poor girl to become one of his first nuns. Actually, she came to him and the light bulb went off.

I went to a high school named after Louise de Marillac, a wealthy woman, who became key to Vincent’s outreach to the poor. In the film, she’s just in a couple scenes. You can see that she’s a peer of the wealthy women, so Vincent wants her to lead them, though it’s tough to convince these opinionated women to trust Vincent. (St. Louise de Marillac wound up leading the Daughters of Charity, an order of nuns that serves the poor.)

This bio pic was interesting and well done. I was surprised that so much of the time Vincent Depaul dealt with administrative issues and trying to persuade the aristocracy to help him more. I thought he was more “hands on.” In any event, the film moved along well and introduces people to this 17th century saint.

In French with subtitles.

Poem of the Week

Here’s a first. I’ve chosen a French poem for this week.  Enjoy!

A ma mère

by Jacques Roland

La tristesse donne un air sombre et sévère au visage de maman dont le regard semble traverser toute chose, percevoir dans le lointain quelque vérité terrible et muette qui captive son âme.

Quelle pudeur absurde me retient de serrer contre moi son corps de petit oiseau amaigri, outragé par le travail du temps?

Il n’y a pas une parcelle de moi-même, une once de ma chair ou de mon sang qui ne refusent de voir impuissant s’évaporer avec son corps, l’âme de maman.
Son âme… apeurée par les affres de l’oubli, la perte des souvenirs, l’incompréhension du monde, s’est réfugiée dans la tristesse désabusée de son sourire ; tristesse fugitive qu’un revers bref de la main repousse plus loin, pour ne pas inquiéter, pour protéger le plus longtemps possible ceux qu’elle aime.

Pauvre maman Jeanne, la vague géante de ton amour viendra s’échouer un jour à mes pieds. Alors toute l’écume de ta vie roulera sur la mienne.

Stolen Kisses

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Antoine and Christine

A François Truffaut film, delightful Stolen Kisses follows Antoine from 400 Blows and Antoine and Collette as he gets kicked out of the army and hops from one menial or clerical job to the next. His first job as a hotel watchman comes via the father of his hearts desire, Christine. As in Antoine and Collette, Antoine charms the parents of his object of desire more than the young woman herself.

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Extremely idealistic, Antoine’s got a bit of Chaplain’s Tramp in him. He’s got terrible luck and as he’s estranged from his parents so he’s all alone. Yet a job always pops up when he needs it. My favorite job was when he was a detective. Most of the time he’s tailing someone, but then he gets hired to work in a shoe store. The socially inept, bragging owner must find out why people don’t like him. Thus Antoine goes undercover at the shop. So no one will think that the new guy is a plant, the shop owner has a contest with job candidates. They each must wrap a shoe box. Antoine does a terrible job. He’s by far the worst in the bunch, but he’s hired. While at the shop, Antoine gets smitten by the owner’s sophisticated wife. She’s a goddess to him, though he still wants Christine. He sees all women as elegant paragons. And can’t believe that his goddess would fall for him and sneak into his apartment one morning proposing a few hours of hanky panky, which is never to be spoken of or repeated. The goddess crashes to earth with a light comic touch.

The story flies by and has several fun moments showing all the misadventures Antoine encounters trying to get his footing in the adult world. I have my doubts about this poor guy making it.

Jules and Jim, the Novel

Truffaut’s film Jules and Jim intrigued me for days. It’s a beautiful film, but the story itself haunted me. Through the DVD extra interviews I learned that the film was based on a book and the book on actual lived experience. Oh, my!

I tracked down the book to get a closer look, a deeper understanding of these people. Written by Henri-Pierre Roché, the style is clear and fresh. It’s a fast paced book, that covers more time and space than the film. Jules, Jim and Kate move from summer house, to Parisian apartment to chalet in Jules’ country, here and there again and again. I doubt Kate stayed in the same place for more than 18 months. Kate and Jim also find lovers quite easily so change was in their blood.

Somehow Roché’s style countered Kate’s destructive behavior and Jim’s sorry obsession with her. The style doesn’t hide Kate’s annoying penchant for looking for slights and then punishing men to get even because they did something she deemed “irreparable” (i.e. not idolizing her totally). For most of the book, I wished Jim would wise up and leave the crazy whirlpool that Kate creates, but he evidently was crazy too.

In the book there are many extra events. At one point Kate befriends a woman who’s a Freudian psychoanalyst. Psychology was a new field then and this analyst was a nincompoop who just took Kate’s side and blamed Jim for the wild moods and irresponsible actions that Kate used to manipulate those around her.

The book does present a different way to live and doesn’t glorify manipulation. It’s an excellent study for someone who’s adapting a novel to film because Truffaut whittles down the plot adroitly.

Library of Luminaries: Coco Chanel

Similar to the illustrated biography of Jane Austen, Library of Luminaries: Coco Chanel: An Illustrated Biography is a delightful biography that provides the main details of Coco Chanel’s life.  Again, charm prevails as delightful illustrations show Chanel’s life from childhood as an orphan to later success with plenty of love affairs along the way.

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It’s a good introduction to the life of the sophisticated, brave woman who pared down fashion, gave us the “Little Black Dress” and quilted purses.

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I’m glad I discovered this book via Farah Shamma’s A BookTube Book channel.

Song from Jules and Jim

This song has stuck in head. It’s one of Catherine’s better moments, but then this woman shines when she’s got the full attention of three men.

(The film never shows her with other women. I don’t think she can be anything other than the queen bee.)