Serendipity brought me Gigot starring Jackie Gleason of The Honeymooners fame. I remember Gleason’s sitcom from my childhood, but my view of him as an actor in film was vague, i.e. I knew he was in movies, but hadn’t watched any, not even Smoky and the Bandit.
Gleason wrote the story of Gigot, a pet project of his. Gene Kelly directed it and someone else wrote the screenplay. Gigot is a mute janitor in France. He’s the butt of everyone’s jokes and pranks. His landlady cheats him. Yet kind-hearted Gigot lives according to his own generous principles. He never gives up on goodness, though no one treats him well.
Late one night Gigot runs across a prostitute and her young daughter trembling in the rain and he gives them shelter in his basement apartment. Soon Gigot and the girl bond and his life mission becomes keeping Nicole, the girl, in good spirits. The scene where Gigot follows Nicole inside a church and she asks him what this building is was beautiful. Gleason astonished me with his acting. He showed so much heart and intelligence behind the veil of his character’s disability.
The prostitute is just as jaded and conniving as many of the villagers. She argues and berates Gigot, until the scales fall from her eyes, for a time.
The film is moving, but if you can’t take some sentimentality you won’t like it. If you want to see Jackie Gleason’s depth as an actor or just enjoy a movie with a lot of heart, before sarcasm became en vogue, try Gigot.
A gritty look at WWI, Jacques Tardi’s It was the War of the Trenches shows the dark side of World War I from the French side. Most of characters are jaded, egotistical schemers, who’re willing to break the rules. They’d inflict themselves with wounds to avoid fighting. They’d collude with the enemy if it meant survival. They would shoot women and children if that was the order given.
Nonetheless, I felt bad when a man would die, even though that same man would desert his comrades or cheat them one way or another. It’s an interesting angle to a historical book.
Well, it’s not exactly a historical book. In the forward Tardi says:
“This is not the history of the First World War told in comics form, but a non-chronological sequence of situations, lived by men who have been jerked around and dragged through the mud, clearly unhappy to find themselves in this place, whose only wish is to stay alive for just one more hour…”
The drawings convey the horror and violence of the war, but I must remind myself and you to realize that this book is just one perspective on the war. It’s definitely worth reading, though I don’t think children under 15 should read it (maybe older still). But also, we should read and view other more historical books or films to really understand “The War to End All Wars.”
The Which Way Challenge, that Cee began, has been picked up by the Sonofthebeach69 blogger. The beauty of it is that it’s very free form. You can include images of doors, gates, roads, streets exits, signs, paths, waterways, you name it.
Starring the elegant, beautiful Catherine Deneuve, François Truffaut’s The Last Metro takes us back to WWII where Marion Steiner struggles to aid her Jewish husband who’s hiding under their theater, to put on a new play despite the government censors. The news is that Lucas Steiner has fled France, but that’s a cover. He’s hiding out in the theater’s basement, where his wife Marion visits every night. She lined up a guide to get him out, but the plan fell through as the situation has grown too dangerous.
Though he’s going stir crazy, Lucas listens through the pipes and gives notes to the performers via Marion, who must keep a cool façade while being pulled in all directions fearing that a German-sympathizing critic will censor the play, which could lead to the discovery and imprisonment of her husband.
Gérald Depardieu plays a young amorous actor, who’s also in the Resistance.
As the film is based on Truffaut’s childhood memories of the era, The Last Metro offers several light hearted moments, such as Depardieu’s failed attempt to woo one of the theater staff.
François Truffaut’s Small Change (1976) was the first foreign language film I can recall seeing. I distinctly remember some neighbors raving about it and I was astonished by the idea of seeing a film in another language. A think our parents thought Small Change would be edifying so we were piled into a car and a group from the neighborhood all went. I remember being delighted by the scene when a toddler’s left alone and falls out of his apartment window, but remains unscathed. “Gregory go boom!” the boy exclaims to the petrified crowd.
The film still delighted though I did wish for more plot. Truffaut is wonderful with children and understands their lot better than most. The mischief of kids making a mess whenever the adults get caught up in their own lives, the innocence of looking for love, and the loneliness of hiding your family’s poverty or abuse are all present in this brightly colored panorama. Childhood’s changed in many ways with helicopter parents and high tech developments, but some of comedy and even the tragedies still remain.
The teachers monologue at the end struck me to the core in 1976 and again in 2018.
Based on Fanny Ben-Ami’s true story, Fanny’s Journey shows a thirteen year old girl who must lead her sister and friends out of WWII France into Switzerland. This powerful film captures childhood very naturally. The direction and acting are authentic and captivating.
Fanny and her sisters have been sent away from their parents to live in a boarding house that secretly protects Jewish children. When a priest informs on the boarding house, Madame Forman, one of the adults who run the place, manages to arrange for the children to go somewhere safer. She gets them all fake passports and schools them on what to say to anyone asking them questions en route. Each child is given a new name and Madame Forman tests them on them day and night.
From the start it’s touch and go. Germans are everywhere and Vichy French police are an equal threat. At first an older boy, Eli is in charge of the children, but after he’s arrested, Fanny’s thrust into the lead. She must figure out where to go and what to do next once their train is redirected and they lose touch with Madame Forman. As the going gets tougher and tougher the children feel like giving up and have plenty of complaints. Some are so young they have no idea why Jews must flee or what was happening to Jews throughout Europe. Their ignorance showed their wisdom.
The tension is maintained throughout the film and you’re heart will go out to these children. Fanny’s Journey is destined to be a classic.
In the final credits, you’ll see the real Fanny, who is still alive and has lived in Israel since the end of the war.