Learn about entertaining in the Gilded Age from this excellent video.
Famous for hard-boiled police stories, Ed McBain delights with And all through the House. Set in his 87th Precinct with thieves and drug dealers getting hauled in on Christmas Eve, McBain creates a – dare I say charming- modern nativity story with 16 year old, Puerto Rican Maria and her young husband José getting arrested for squatting in an abandoned building.
I enjoyed the tough guy bravado and the clever mix of the nativity with the police genre. Published with illustrations that have a straightforward look, this short story was a fun, quick read.
A rather corny, yet fun sci-fi movie, The Forbidden Planet is a welcome delight. The effects are primitive compared to today’s, but I still enjoyed this film. In fact, the lower quality, not at all overstimulating, effects were just fine, rather nostalgic in fact.
Starring Walter Pidgeon as Dr. Moribus, a reclusive scientist who’s lived on this remote planet for years. He came there 20 or so years ago with a group of 20 or so scientists who all died mysteriously. When the film takes place Commander Adams, played by Leslie Nielsen, ignores Moribus’ warnings to turn around. Adams’ mission is to find out what happened on a planet called Altair IV when Moribus’ colleagues all died. Soon after landing, the commander and his men (there are no female or minority astronauts in 2200) are greeting by Robbie the Robot, whom I thoroughly enjoyed. Robbie speaks hundreds of laws, can manufacture clothing, food, alcohol and who knows what else.
Robbie takes a team of Adams’ men to Dr. Moribus, where they learn about the planet’s history and all the advanced technology he’s developed or was developed by a highly sophisticated society, the Krells. Despite their intelligence and high-minded philosophy, the Krells are no more, which is mysterious.
Adams and his colleagues meet Dr. Moribus’ beautiful, sheltered daughter Alta and romance ensues.
Soon the odd Moribus, who’s not about to leave the planet, comes into conflict with Adams’. On top of that, a formidable monster attacks and kills one of Adams’ men. Then the monster comes to attack Moribus’ home/headquarters.
The film was fun and swift. Robbie the Robot was a real star, and the first robot to show personality in the history of science-fiction films.
Out of curiosity, I looked at the 1956 review in the Chicago Daily Tribune and saw that the reviewer was far from amused. Sci-Fi clearly wasn’t the reviewers’ genre. Take a look at the citation to see that writer’s pen name.
Note: My friend Kevin shared an article that shows how The Forbidden Planet is an adaptation of Shakespeare’s The Tempest.
TINEE, MAE. “This Space Ship Fails to Soar Far enough.” Chicago Daily Tribune (1923-1963), Apr 17 1956, p. 1. ProQuest. Web. 9 June 2018 .
Told by a several different narrators, all with different personalities and motives, Wilkie Collins’ The Moonstone entertains from start to finish. It begins with a family’s black sheep bequeathing a large, expensive jewel, the moonstone of the title, to his niece Rachel. The moonstone originally was a sacred jewel in India and three former Brahmans have come to England to get it back no matter what.
Rachel receives the moonstone on her 18th birthday when many have gathered for her party. She flaunts the stone all night and then puts it in a cabinet in her bedroom. During the night it’s stolen. Who did it? The Indian jugglers, who came by out of the blue? One of the servants–particularly the maid who had been caught stealing by her previous employer? Or a guest who’s in need of money? It could be anyone and Collins keeps the surprises coming chapter after chapter.
I enjoyed the humor and how the story was as much about the personalities of the characters and their relationships as it was about finding the culprit who took the cursed moonstone. I will soon read another Wilkie Collins’ story, that’s for sure.
With the end of 2014, came retrospectives reminding us of all the talented, accomplished people who died last year. One was Shirley Temple Black so I thought it fitting to watch one of her movies. Netflix just had Miss Annie Rooney, which I’d never seen so the choice was easy. (I’d expect Netflix to have a few more.)
Shirley plays the title character, a young teenager with dreams of high romance. Annie and her friend live half their lives in a very romantic dream world where they quote plays and use as many elegant words as they can without fussing about whether they use them correctly. They’re cute and funny.
Annie’s family consists of her father who’s just one “get rich quick” scheme away from becoming a millionaire and her grandfather, a retired policeman who’s traded his uniform in for an apron as he is the chief cook and bottle washer at home. Grandpa is only the Rooney with both feet on the ground. Her father is a salesman attracted to get rich quick schemes and unable to keep money in his pocket to pay the rent. As the story progresses, the father imperils the family financially, while the grandfather tries to keep them afloat by borrowing from his pension.
Annie soon meets a very wealthy young man and is smitten with his polish. Trouble arises when he invites her to his birthday party without telling his snobbish parents. Annie’s introduction into society is not what she’d dreamed. I loved the dialog and slang. A drizzle puss is a wet blanket and pocket lettuce means cash. There are dozens of such gems.
“Joey, there are times when you positively curdle me.”
“Come on gate! Let’s circulate”
“I won’t know any arithmetic under a million.”
This Shirley Temple film was a balm to my soul after watching the masterful, but dark Happy Valley, The Village and One Wonderful Sunday, a Kirosawa movie I’ll soon review. It’s light-hearted fare and a fun way to see Temple as an older character.
The Story of a Cheat (1936) is a delightful comedy by Sacha Guitry, whom I’d never have discovered if it weren’t for my New Year’s resolution to watch old movies. In T he Story of a Cheat, Guitry plays a suave man who falls into one incident after another where he winds up stealing or conning someone. As a boy, he stole some money from his father’s shop. He got caught and was forbidden to eat the mushrooms served for dinner. As all his relations get poisoned, he lucked out and thus the confusion over whether honesty is the best policy ensues. No matter how bad things get, there’s always some silver lining and this hero winds up doing alright – as long as he’s dishonest. Whenever he’s honest, he gets in trouble.
It’s a fun, entertaining French film told almost entirely through flashback and voice over. Big no-no’s for movies, but this does work. The Criterion Collection provides a nice essay on Guitry’s career.
My friend Kevin recommended I watch The Day the Earth Stood Still for my classic movie challenge. Though I typically don’t think much of sci fi movies, I gave this one a try and it won me over. Directed by Michael Wise, The Day the Earth Stood Still begins with a cheap-looking spaceship landing on earth in Washington DC. Despite the archaic look of the film, I got pulled in completely. Wise mesmerized me with this very cheap, plain spaceship with its clichéd passengers.
A crowd gathers around the ship and soon Klaatu, the archetypical spaceman emerges. Klaatu’s soon shot and his robot Gort defends his master using laser vision against the army. Klaatu’s taken to the army hospital and observed. Klaatu is played as a very serious, really supercilious figure who’s been given the task of letting the inferior earthlings know that now that they’ve gotten nuclear weapons their squabbling could hurt other planets and these other, higher beings won’t tolerate any activity that can upset their peace. His request to speak with all the world leaders is deflected. Things just don’t work that way on earth.
Klaatu escapes in a stolen business suit and finds a boarding house that will take him in. He befriends Bobby, a boy who’s impressed with Klaatu’s knowledge of science and around novelty. Bobby’s father’s passed away and his mother isn’t so sure about Klaatu, but she’s busy dating her perspective husband so Bobby’s got lots of free time to wander the city and go back to the spaceship with Klaatu. It is all rather hokey, but Klaatu is so smart and so above us. We know he’s right about our wars and “petty squabbles.”
Klaatu gives up on the world leaders and tries to get a renown scientist to organize a big powwow with all the top scientists in the world.
Unfortunately, Bobby’s father-to-be gets jealous of Klaatu and tells the army about him. Soon Klaatu must flee for his life and try to war the world that if we don’t stop our nuclear arms development, the rest of the universe will bake us to a cinder.
There are plenty of amusing quotes, such as:
Reporter: I suppose you are just as scared as the rest of us.
Klaatu: In a different way, perhaps. I am fearful when I see people substituting fear for reason.
George Barley: Why doesn’t the government do something, that’s what I’d like to know.
Mr. Krull: What can they do, they’re only people just like us.
George Barley: People my foot, they’re democrats.
All in all, The Day the Earth Stood Still is a fun movie and its dated aspects just add to the fun.
- The Day the Earth Stood Still won a Golden Globe award in the category of “Best Film to Promote Global Understanding.” Who knew that was a category?
- When Patricia Neal was making the film, she didn’t think much of it and was surprised to learn that it’s regarded as one of the best sci fi movies to date.