One of my big disappointments with the Sundance Film Festival was that I didn’t get to see Downhill with Julia Loius-Dreyfus and Will Farrell. I tried to get tickets every time it played but never was able to.
I finally saw the film on DVD and was quite disappointed. In spite of four star actors, It isn’t half as interesting Force Majuer, the Swedish film that Downhill is based on. While Downhill has a few changes so much of it follows the path of the original. The opening scenes, the eerie music, most of the plot are the same, but not carried off as well.
Downhill and Force Majuere show what happens to a married couple on a ski holiday with their two children when while eating lunch on a chalet deck, an avalanche erupts and heads towards the restaurant. Rather than protecting his family, Will Ferrell’s character Peter grabs his phone and runs to save his own hide. Luckily, the avalanche falls short of actually hitting the restaurant, but it is a close call. Julia Louis-Dreyfus’ Billie is completely shocked that her husband left the family to fend for themselves.
While the family had some minor fissures before, now Billie and Pete are at different poles. Billie waits for Pete to make a profound apology, but none comes. I guess he’s hoping that time will heal her wound. Fat chance. Billie finally erupts when she finds Pete lied about how Zach Pete’s younger colleague shows up at the same resort with his footloose and fancy free, hashtag loving girlfriend. Billie is furious to learn that Pete lied. It was his idea that Zach turn up. A huge argument ensues, but doesn’t help matters as Pete still asserts that Billie’s wrong about the avalanche.
Like the Swedish film, Downhill’s Billie’s distrust and disrespect for Pete snowballs. Some secondary characters appear as goofy, comic relief, but they aren’t that funny or well drawn. The two sons have little personality and spend much of their time watching movies while the parents go out for dinner and argue. These children were pawns in a weak story. I’d hoped for a lot more. I did enjoy the original and do like Julia Louis-Dreyfus, but can’t recommend Downhill.
I gave Masterpiece’s The Collection a try when it premiered on Sunday. It didn’t take long for me to grow tired of a program where the characters all seemed dark, greedy and selfish. I confess after 10 minutes or so I changed the channel.
The show is about a struggling fashion house in Paris after WWII. The man in the center of the video’s first frame is the jaded, selfish owner of a fashion house is asked by a government official to help France’s fashion industry rise again to its former zenith. To his left is his reprobate brother who’s a talented designer who’s got substance abuse problems.
I’d much rather PBS brought back The Paradise, where the characters were flawed and faced obstacles, but the heroine was good, though not at all boring. Dark characters like those in House of Cards or The Collection aren’t necessarily fascinating.
If I got the show wrong, and should give it a chance by catching up online, let me know.
Last weekend I went to a friend’s family’s cabin and was introduced to the “Little Willy” poems, which I’d never heard. Evidently, they were first written in the late 19th century and published in the early 20th. They consist of little Willy doing some ghastly violent act and are followed with a ho hum response.