Monsieur Hulot’s Holiday

r4F4tsU0Ajeh9ZYUkWOJSYmioj7

After watching Jacques Tati’s comedic classic Mr. Hulot’s Holiday, I was surprised to find out it was made in 1956. I’d have guessed during the 1930s. The film uses little sound, but the sound  is used to maximum effect. The sublime, recurring tune keeps playing in my head. Since it’s a happy melody, that’s just fine.

Awkward and unlucky, but well-meaning and kind, Mr. Hulot goes on vacation to a seaside French town. Wherever Mr. Hulot goes, minor disaster follows upsetting the quiet card players or the well-dressed ladies. More often than not, Mr. Hulot is his own worst enemy, but the consequence is usually small–some bruises, embarrassment or car trouble. It’s cool to see an old style vacation

The film is big on gags and short on plot. The characters are nameless stereotypes, but they do make an impression and each one is bound to remind you of someone you know or love.

Mr. Hulot’s Holiday is a delight, but probably isn’t for everyone. The film is slow-paced, a trip to the old days. It’s the first Tati film I’ve seen and folks like Roger Ebert assert it’s his best. I’m glad I saw it because Tati is a master in French film, but I can’t recommend it highly because I think a lot of people want more plot, which they can get from Chaplin, Keaton or Lloyd.

Advertisements

Cat’s Paw

Harold Lloyd’s talking Cat’s Paw (1934) satirizes dirty politics. Lloyd plays Ezekiel Cobb, the son of a missionary who grew up in rural China. Cobb comes to California to find a wife. He’s supposed to stay with a minister, who for years has run for mayor against a corrupt machine politician. The minister is a puppet who doesn’t realize he’s simply used   to make it look like there’s democracy in this town.

When the minister suddenly dies, his corrupt campaign manager needs a chump to run in his stead. He decides this naive newbie Cobb is just the man for the job.

Cobb’s an endearing character. He’s a fish out of water in America. Though he looks like he belongs here, China is his home. So he’s constantly bowing and has no idea what our slang means. He’s often mistaken for a “native” and this often gets him into all kinds of scraps. He lacks the street smarts and skepticism frequently found in corrupt cities.

Yet while the film never directly says as much, God helps the innocents and through a hilarious series of mishaps, Cobb is photographed punching the corrupt mayor and becomes a sensation. He’s swept into office. He’s as upset as anyone. He wants to return to China where everyone understands his references to the revered Ling Po, who’s wisdom he frequently imparts.

Cobb accepts his office and brings his innocent honesty into practice. He outfoxes the foxes and it’s a delight to see.

Lloyd is delightful. It offers satire with a clever story that still entertains. There are times when supporting characters use words like “Chink” which are derogatory and wouldn’t be used in a film today, but the characters who use such terms are portraying prejudiced people in contrast to the hero who respects and understands Chinese culture.

Cobb does search for a wife and looks for an idealistically innocent, poised woman. Pet Pratt, a woman in his boarding house is a worldly woman who tricks him by taking him to a nightclub with 1930s adult entertainment. She’s just the woman to help Cobb govern. It’s an added twist to the film, especially since Harold Lloyd films usually feature American sweethearts. Pet Pratt does not fit that mold and is fun to watch.

I was amazed by Cobb’s plan to clean up the city. He wasn’t the goody-two-shoes he seemed at the start.

Cat’s Paw was a fun film, which shows 1930s views of China.

Lucky Partners

I’d never seen a Ronald Colman film, though I’d heard the name. I ran across this title and thought I’d get the DVD from the library. (Note: the DVD has much better quality than the blurry trailer above.) Starring Ginger Rogers and Ronald Colman, Lucky Partners is a romantic comedy filled with style and wit.

Walking down the street one day, David Grant (Colman) wishes Jean (Rogers), a pretty passerby, “Good luck.” She stops and asks him why the “Good luck” and he smiles and they chat about her practical engineer fiancé before she goes her merry way.

When she arrives at her destination to drop off an order of books, she lucks into a free $300 (in 1940’s value) dress. Hmm, meeting that dapper fellow was lucky. Jean decides to take advantage of the luck and buys an Irish Sweepstakes ticket and convinces David to pay her half. That should increase their luck.

Lucky_Partners_film_posterDavid places a condition on his going in on the ticket. If they win, which is highly unlikely, Jean will accompany David on a fabulous trip prior to her marriage. She’s unsure. What will people think of an unmarried woman traveling with an unmarried man? David sees it as an experiment. When Fred, the fiancé turns up, his assumptions and attitudes, compel Jean to go along. Besides, it’s unlikely the ticket will win, so there’s no real risk, right?

Well, next the ticket does win the first round of the sweepstakes. Now Jean and David need to decide whether to cash in for $12,000 or to hold and wait to see if they can win the full $150,000. There’s some back and forth and mainly dapper David just aggravates Jean, but then so does flat-footed Fred. In the end they decide to risk it all and Fred holds on to the tickets.

But rather than do as he was told, Fred sold Jean’s half of the ticket, so after they lose the sweepstakes, Fred proudly presents Jean with her $6000. He’s shocked that his independent-minded fiancée is livid that Fred went behind her back. Jean grabs her money and storms across the way to give David the money. He then insist that they go on a pared down version of the whirlwind experimental trip. Now Jean’s nervous, but a deals’ a deal.

Based on a film by Sacha Guitry (the French writer/actor who made films like The Pearls of the Crown  or Le PoisonLucky Partners delights with a zany situation that dances around feminine virtue, trust, and whether one should marry a safe guy or the dashing artist with the mysterious aura. As is true of so many

The Kid Brother

KIDBRO_UNDER-TEX1520

I’ve added a new film to my collection of absolute favorites. It’s The Kid Brother (1927) by Harold Lloyd, which Criterion collection has just released on a 2-DVD set with plenty of extras like expert commentary and interviews of Lloyd and Lloyd’s granddaughter.

Poor Harold Hickory. His big brothers, and they are big, outshine him at home. His father the sheriff views Harold as too young and weak to participate in town meetings or fight for good when the community needs strong men. Harold reveres his father and these slights hit him hard. No one sees how ingenious, loyal and hard working young Harold is.

When a group of charlatans arrive in town, the same day as Harold’s dad is entrusted with the town’s money to pay for a new dam (so quite a sum), Harold gets duped into letting them put on a medicine show. Dad never would sign off on such a deal, but the Kid Brother was fooled. Harold soon realizes his error and what a disaster it will be.

Catastrophes come one after another and the gags are inspired. I laughed out loud and was amazed at the film’s charm. In one minute, you get more humor than in 5 minutes in any other comedy.

Not only is the film placed with comedy, there’s also romance. Jobyna Ralson, who starred in The Freshman, appears as an orphan girl, who’s linked to the medicine show conmen and she soon captures the hearts of Harold and his brothers. Their meeting and relationship is sure to make you smile.

The Kid Brother qualifies as a must-see film for all ages. I enjoyed watching with the commentary on to get all the background on Lloyd and the making of this four star classic. This is an amazing mood-lifter.

Le Poison

poison.jpg
The comedy in Sacha Guitry’s La Poison (1951) is trés noir. In fact, I’m unsure if I should like it. In this guilty pleasure, La Poison gives us Paul Bracconier, a husband who can’t take his wife. Generally, I can’t stand jokes that put wives or husbands in a bad light, or that are just a series of complaints. But Blandaire Bracconier, the wife in question, is such a mean-spirited drunk with no redeeming qualities and it does seem that with a nicer woman, Paul would be a-okay, so I made an exception.

Also, since the wife has purchased rat poison to do her husband in, it seems they’re on equal footing.

36426540

Played by Michel Simon (Two of a Kind , Port of Shadows and many other classics), Paul has a redeemable side. He doesn’t rush to murder his wife. At the start of the film he visits the local priest for sympathy, mercy and perhaps some advice.

When he hears a radio interview with a lawyer honored for getting murderers off, he goes to meet the lawyer. The conversation with the unethical lawyer convinces Paul that, yes, he can get away with murder so he is emboldened to try.

Scenes with the neighbors and their children add to the humor. One of my favorite scenes involves Paul’s neighbor visiting him in jail and recounting how grateful the neighbors are to Paul because his crime has increased tourism and business in the hamlet.

An entertaining film, La Poison is a dark, old-fashioned comedy that does show the problems in the legal system. According to the background commentary, Guitry made it as a commentary on his own incarceration when he was wrongly accused of collaborating with the Vichy government during WWII.

The Bachelor and the Bobby-Soxer

Starring Cary Grant, Myrna Loy and Shirley Temple, The Bachelor and the Bobby-Soxer is a musing light entertainment. Temple has transformed from the cute dancing girl to a beautiful young woman, though in this case a very fanciful romantic, named Susan. Loy plays Margaret a judge who’s Susan’s sister and guardian. At the start we see that Susan represents the epitome of teenage energy and foolishness. Her goals change weekly every time the high school has a different guest speaker. Susan sees herself as sophisticated and is blind to her own foolishness. Margaret tries to discipline her with grace, wisdom and kindness.

As the film starts Margaret is off to court to preside over the case of Dick Nugent, a debonair bachelor who’s accused of causing a disturbance at a night club. Of course, you’ve guessed that Grant is the bachelor. He arrives to the courtroom late and strikes Margaret as callow and annoying, but hardly a menace so he’s cleared and let off with a warning.

Next Nugent heads to the high school where he’s this week’s career speaker. An artist, Nugent enthralls the female students with his idealistic presentation. Susan is especially swept off her feet and hallucinates that Nugent is actually wearing a gleaming suit of armor. Before we know it, Susan is sneaking into Nugent’s apartment. Today we’d say she was stalking him, but in this farce things never get that dark.

If you’re looking for a light amusing film full of clever banter, sophisticated costumes and outlandish physical humor, you’ll enjoy The Bachelor and the Bobby-Soxer.

Gigot

gigot

Serendipity brought me Gigot starring Jackie Gleason of The Honeymooners fame. I remember Gleason’s sitcom from my childhood, but my view of him as an actor in film was vague, i.e. I knew he was in movies, but hadn’t watched any, not even Smoky and the Bandit.

Gleason wrote the story of Gigot, a pet project of his. Gene Kelly directed it and someone else wrote the screenplay. Gigot is a mute janitor in France. He’s the butt of everyone’s jokes and pranks. His landlady cheats him. Yet kind-hearted Gigot lives according to his own generous principles. He never gives up on goodness, though no one treats him well.

Late one night Gigot runs across a prostitute and her young daughter trembling in the rain and he gives them shelter in his basement apartment. Soon Gigot and the girl bond and his life mission becomes keeping Nicole, the girl, in good spirits. The scene where Gigot follows Nicole inside a church and she asks him what this building is was beautiful. Gleason astonished me with his acting. He showed so much heart and intelligence behind the veil of his character’s disability.

The prostitute is just as jaded and conniving as many of the villagers. She argues and berates Gigot, until the scales fall from her eyes, for a time.

The film is moving, but if you can’t take some sentimentality you won’t like it. If you want to see Jackie Gleason’s depth as an actor or just enjoy a movie with a lot of heart, before sarcasm became en vogue, try Gigot.