Serendipity brought me Gigot starring Jackie Gleason of The Honeymooners fame. I remember Gleason’s sitcom from my childhood, but my view of him as an actor in film was vague, i.e. I knew he was in movies, but hadn’t watched any, not even Smoky and the Bandit.
Gleason wrote the story of Gigot, a pet project of his. Gene Kelly directed it and someone else wrote the screenplay. Gigot is a mute janitor in France. He’s the butt of everyone’s jokes and pranks. His landlady cheats him. Yet kind-hearted Gigot lives according to his own generous principles. He never gives up on goodness, though no one treats him well.
Late one night Gigot runs across a prostitute and her young daughter trembling in the rain and he gives them shelter in his basement apartment. Soon Gigot and the girl bond and his life mission becomes keeping Nicole, the girl, in good spirits. The scene where Gigot follows Nicole inside a church and she asks him what this building is was beautiful. Gleason astonished me with his acting. He showed so much heart and intelligence behind the veil of his character’s disability.
The prostitute is just as jaded and conniving as many of the villagers. She argues and berates Gigot, until the scales fall from her eyes, for a time.
The film is moving, but if you can’t take some sentimentality you won’t like it. If you want to see Jackie Gleason’s depth as an actor or just enjoy a movie with a lot of heart, before sarcasm became en vogue, try Gigot.
“We’re in the Money” is just one of the memorable tunes in Gold Diggers of 1933 is a romantic comedy about some dancers whose show gets nixed because the producer couldn’t pay his bills. Next they’re seen shivering in their beds unwilling to get up as it’s easier to starve in bed.
Soon the producer comes to their apartment and hears their talented piano playing neighbor. He convinces Brad, the piano player to write some songs for his new show which will be a smash, if he can just get the funds. Brad, who’s sweet on one of the dancers, turns out to be a rich boy and he finances the show. When the male lead falls sick, Brad must go on and his true identity is revealed, which leads to family interference in his love life. In response to his brother’s meddling the other dancers pretend to be money grubbers to teach him a lesson.
It’s a light-hearted romp, that entertains, unless you judge past eras for their gender stereotypes. The most surprising part of the film was the closing number, “Remember My Forgotten Man” a tribute to the men who served in WWI and whose lives were ruined as a result.
A Sundance film, Boy tells the story of the kid whose name is Boy. Set in New Zealand, Boy’s grandmother has to leave town to attend a funeral and leaves Boy, age 12 or so, in charge of his brother and 4 cousins. Its plot is like The Cat in the Hat. Once the grandma’s gone, things go out of hand. At first just a little bit as Boy makes weird dinners for his charges.
Soon his father, who’s just gotten out of jail. Boy idolizes his dad, who’s promised to take him to see Michael Jackson and who impresses him with his fantastic stories.
The story has lots of charm and delights with special effects and child-like animation. I enjoyed all the Kiwi characters and getting glimpse into a slice of New Zealand. The ending wasn’t particularly strong, but all in all, Boy is a fun film with lots of heart and a touch of sadness.
Hospitalité is a one of a kind movie — or perhaps an odd movie is more like it. The main characters are Mikio, a middle aged man who’s taken over his family’s small printing shop, Natuski, his new, young wife, Eriko, his daughter from his first marriage and his sister who’s divorced. The daughter and the sister are sort of like prompts in that they appear when the plot needs a nudge. Otherwise, I didn’t think they seemed all that real.
The family’s pet parakeet goes missing and the young wife and daughter put up a notice in the neighborhood for it. A strange neighbor presents himself to help find the bird. Before they know it this odd ball Kagawa has been hired and then moves into their small home. A couple days later Kagawa brings his blonde wife to live there. The wife is a liar telling some she’s from Brazil and others that she’s from Bosnia. Chaos ensues. It reminded me of the Cat in the Hat but with the parents remaining home and allowing a nutcase teak over and never clean up.
Kagawa quickly discovers secrets both the husband and wife have and blackmailing them to get his way. By the end of the film the couple have completely lost control of their home as Kagawa practically turns the place like a youth hostel.
I found the film very different and unpredictable, but shortly after it ended I saw loads of holes in the story. Continue reading →