Here are a few ideas on getting your work made. The problem is he doesn’t explain how to get past the sentries, how to get people to agree to consider your work.
Yet this basic information has some value because it explains the economics of show business.
I’m vowing to really get going with my writing. I want to push my career as a writer forward. I’ve gotten several television and film scripts in good shape. Now it’s a matter of getting them out into the world in spite of the Catch-22 that producers don’t want to read material from writers who don’t have an agent and agents don’t want to read material from writers who haven’t produced any work yet.
Yikes! What’s an aspiring writer to do?
In the past I wrote lots of letters and made lots of cold calls. I had some success because I did get a few agents to read my work and did get invited to pitch for a top sitcom, but that was years ago in the ’90s pre-Internet and pre-social media. Things are different now the Catch 22 remains.
I have gotten invited to pitch to producers via Act One’s Upfront program and will submit again once they open up submissions.
I’ve also entered contests, but there are few for television writers. I’ve written some producers and sometimes it’s hard to find the addresses of producers, who do want to limit submissions. One thing I’m glad I did was use my local library to get some addresses. They were able in a few hours to get the address for Reese Witherspoon’s company, Hello Sunshine, and to PBS. Their help saved me from wasting further time. Hello Sunshine, while incorporated, just didn’t show up in any business directories I had access to. So I’m grateful for the librarian who found something I couldn’t.
In addition to writing to producers who seem like a good match, I’m going to start writing a play. Tonight I’ll start an online course on Playwriting given by the Chicago Dramatists’ Workshop. My subject is a vibrant character from Chicago’s 19th century history.