This should whet your whistle for the finale on Sunday.
This should whet your whistle for the finale on Sunday.
This week’s Victoria was fascinating. Storylines were:
My heart goes out to Bertie who picks up on his father’s displeasure with him. He and Alice, his older sister, try to fix his skull by wearing some sort of basin on his head. By the end of the show, he tells his mother that he knows his father doesn’t love him and they share their feelings brought on because it seems Albert’s disappointed with them as they aren’t logical enough.
I worry about what will happen to Sophie when her husband finds out she’s fooling around with the footman. He might have a heart attack, but more likely he’ll go ballistic. She’s been lucky so far, but that never lasts forever. Joseph will lose his job, but she can face worse consequences in this era.
The fact ball was over the top and interesting. I prefer the Victorian gowns. Sure they’re hard to move in, but the Georgians had even more hoops and fabric to manage. They all had the big powdered wigs, which must have taken hours to style and would have weighed a ton. Did you know that the term “big wig” came from the Georgian era?
Albert continues to find it hard to be Mr. Victoria. That’s understandable, but for someone so logical, he doesn’t apply that logic to himself, to his weakness dealing with his unusual role of having a wife with a higher level position. He’s not aware of how much hurt he’s causing Victoria and Bertie. I’m perplexed that he’s so blind to how conniving Feodora is.
Starting right when the first episode ended, the second episode begins with Victoria in labor and the barbarians, a.k.a. Chartists are storming the palace gates. With Bertie and Vicky peering through the doorway, Victoria gives birth to Louise. Albert gets the guards to protect the palace and then scolds the former French king, duke and the blonde noble from last season. He hates gambling.
The Chartists decide to take their petition to the palace, but one of the rebels, puts up a fuss. Abigail is a bit perplexed and smitten with him.
The Duke of Wellington comes to the castle to inform the Queen that hundreds of thousands of Chartists are coming to the castle. The Duke, Lord Palmerston and PM advise stopping them with soldiers. The Queen doesn’t want to go to that extent.
Francatelli convinces Miss Skerrett to elope after he’s bought a small hotel. While she’s in love, her work means a lot to her. I don’t think she’ll be able to quit. Francetelli even kids her on that account.
Louis-Phillipe gets in trouble for scaring Bertie and Vicky by telling them about how royals can violently lose their heads. Albert asks him to leave.
Someone finds a load of guns (500!) in the office space for the Chartists. The PM and Lord Palmerston take this as proof of their danger. They come close to convincing Victoria to send the army out to deal with them. However, Victoria realizes that the Chartists are too poor to acquire all that weaponry. She gets word out to Duke Wellington in the nick of time. The crisis is averted and the spy was caught. Still Albert gets his way and the family and nobles are off to the Isle of Wright to his “cottage.”
All are frolicking at Osborne House, but soon the Prime Minister and Lord Palmerston, who brought the troublemaking King of Hungary to London in the Queen’s absence, are summoned to the Isle of Wright.
Francatelli quits, which causes a stir. His wife “Miss” Skerrett still hesitates about announcing that she’s married and leaving.
Throughout the episode, Albert hectors Victoria for wanting to return to London and for craving her subjects’ love. On top of that, they clash over how Albert handles Bertie and his resistance to books and tutoring. Albert sees Osborne house as a paradise and it’s quite annoying that his family doesn’t love it there. Victoria and Albert’s conflict escalates to an argument at dinner with the full court watching when the Queen throws a glass of water in Albert’s face.
Victoria’s feeling overwhelmed by her marital strife and political problems back in London when Skerrett finally announces that she’s leaving and that she’s gotten married. Victoria feels betrayed and is hurt that Skerrett did all this behind her back.
Both episodes speed along and in addition to the main plot have storylines with the Duchess who’s married to an ogre, who’s sent her young son to boarding school against her will and the men she’s flirting with. Victoria’s sister Feo continues to plot and manipulate.
I was surprised that Miss Skerrett did tell the Queen she was leaving because she got married. I thought she wouldn’t be able to and I stand corrected. I still don’t see how Skerrett will be happy not working at the palace.
We’ve got plenty of comic relief with Victoria’s attempt at swimming and a mix up with the bedrooms between Foe and the Duchess.
The sibling rivalry between the adorable Vicky and Bertie is realistic as is Victoria and Albert’s marriage problems. Sure most people aren’t married to royalty, but V & A’s arguments and reactions are authentic and engaging. Again, Victoria offers compelling drama.
The documentary Victoria & Her Nine Children paints a detailed portrait of Queen Viictoria’s grief and how it impacted her children. I can’t imagine the BBC/Masterpiece series showing this stage of her life.
Here’s a few things I learned:
These poor children’s lives were lived under a dark cloud of mourning controlled by a powerful mother who’s psychologically damaged by grief. A mother with a venomous tongue who could shame and hurt her children.
You can learn more by watching on the PBS website.
The premier of Victoria starring Jenna Coleman delivered great historical drama.
The series opens in Paris with yet another uprising in 1848. The barbarians are storming the gate and the King Louis-Phillipe flees for is life. Cut to a dignified, pregnant Victoria knighting a noble. Soon word reaches Victoria about her French counterpart.
Next Feodora, Victoria’s half sister, washes up on the shores and heads to the castle. Feodora, who seems to have a plotting and dramatic nature, seeks refuge with her younger sister the Queen. She’s seeking the high life as well as refuge, but is disappointed. When she hints around that she needs new clothes Victoria’s offer to let her wear her old dresses with some alterations was quite a bitter pill.
In Parliament another new character Lord Palmerston, the supercilious Foreign Minister, is stirring up trouble. Without consulting anyone, Lord P. wrote to the rebels in France. Neither Victoria nor Albert took this news well. In addition to being a political maverick, Lord Palmerston is coming off as a philanderer. Victoria’s new Lady of Robes had best be careful so she doesn’t get in trouble with her husband or the Queen.
At home, there’s a bit of trouble in the nursery. Albert and Victoria now have five children. The oldest son Bertie, now 7, has no clue about the line of succession. He believes in England only queens rule. Throughout the episode he’s making comments about how women rule in England and how he doesn’t want to be a king. When Louis-Phillipe arrives and the children perform for him, Bertie dramatically refuses to play the king. Inadvertently, this pours salt in the wound for Albert, who’s never liked the role of Prince. Victoria seems very concerned though she does realize Bertie’s just a little boy.
Downstairs a new footman and maid arrive. The footman’s quite robust and Mr. Penge warns the women that he’s a known ladies man. He soon proves Mr. Penge right with his flirtation. Skerrett and the pastry chef are betrothed but haven’t set a wedding date. As the Queen’s right hand maid, Skerrett realizes life will be quite different as a married commoner. We see she’s got cold feet. I’m doubtful that we’ll see her marry this season.
The maid who is hired is a Chartist, so she’s part of the lower class activist movement that is protesting for workers’ rights. It’s 1848 and with Marxism getting popular and the French King getting deposed and begging to stay with the Queen, Victoria is quite worried. By the last scene of the episode, we see she’s right to be concerned.
The first episode had a brisk pace and lots of new characters, most of whom spell trouble. Lots of tension and uncertainty along with the gorgeous gowns and luxurious settings. We’re in for a good season.