If I taught French or film, I’m have all my students watch François Truffaut’s The 400 Blows. I’d seen it years ago and after watching the other films centered on Antoine Doinel, I had to re-watch the first.
Formidable! I see why this is deemed among the top of the French New Wave movement. Starring Jean-Pierre Léaud in his first film, The 400 Blows introduces filmgoers to Antoine Doinel, Truffaut’s alter ego, who’s constantly chastised at school by his poor overworked, overwhelmed teacher who spends his days getting 50 some students to recite poems they don’t care about and winds up blowing his top everyday. School is a dull hell full of humiliation. Then at home poor Antoine has ripped pajamas in an old bed stuck in a corner of the kitchen. His parents argue constantly. His mother is constantly on his back. She never learned to mother as she was a teenage mother who did not want her son, who her mother convinced her to have. Antoine is acutely aware how unwanted he was and is.
Yet Antoine is clever, though irresponsible. He cuts school with his friend René. When he gets in trouble at school he tells his teacher that his mother has died. Of course, his lie is revealed and as usual severely punished so he runs away from home.
Antoine’s life spirals downward. Sure he made stupid mistakes and sure he was dodgy, but other than René this poor boy has no one on his side. It’s just heart-breaking. To think that Truffaut’s life is even tougher is painful to imagine. The film is shot masterfully. The acting so real and moving. It’s a haunting film that though I saw it (for the second time) last week, I still think of The 400 Blows.
The Criterion Collection DVD includes interviews with Truffaut, Léaud’s screen test and other bonuses.
I’m working my way through the DVD set, The Adventures of Antoine Doinel, and watched the fourth film, Bed and Board (Domicile Conjugal in French). Bed and Board delights as it shows Antoine as a newly wed. He’s married Christine whom he met in the previous film Stolen Kisses. The film offers a charming look at Antoine and his better functioning family members (i.e. his wife and in-laws) as he continues to hop from job to job. At the start of the film, Antoine’s job is coloring flowers for a florist shop. When his experiment to dye flowers red blows up, he soon gets a job with an American company controlling model boats in a harbor. It’s a silly job, which he got through an error, but Antoine never complains.
As a husband and father, Antoine is old fashioned in a quaint way and really wants to play out his role as protector and loving husband and father in his dreamy way. Christine and Antoine do disagree and have problems, but none are major. One of my favorite part of the movie is how Antoine goes behind Christine’s back to name his son. Yes, the was wrong. They should have solved the problem if only by flipping a coin, but it was a cute, very Antoine move.
Truffaut is amazingly sensitive about how he shows childbirth, infidelity and conjugal life. I’m guessing it was his style and not censorship in 1970s France. It made me smile.
A chance encounter with a Japanese siren, for whom his chivalry leads to temptation, shows a failing, and . . .
A short film by François Truffaut, Antoine and Collette is a slightly melancholy look at Antoine Doinel’s attempt to get a girlfriend. First seen in 400 Blows Antoine has grown up left his neglectful, abusive home at 17. He’s on his own and works for a record company, where he gets lots of tickets to concerts.
At one concert he sees Collette and immediately falls head over heels for her. She’s indifferent to him so there’s misadventures as Antoine tries to get Collette’s attention. Once they become chummy, her parents meet and take to Antoine. This will be the story of his life, girls’ parents, but not the girls themselves liking this well-meaning, rather lost boy.
The film is touching and realistic and charms viewers in its 26 minutes. I wish it were longer and was glad to watch Stolen Kisses and see more of Antoine.