Cat’s Paw

Harold Lloyd’s talking Cat’s Paw (1934) satirizes dirty politics. Lloyd plays Ezekiel Cobb, the son of a missionary who grew up in rural China. Cobb comes to California to find a wife. He’s supposed to stay with a minister, who for years has run for mayor against a corrupt machine politician. The minister is a puppet who doesn’t realize he’s simply used   to make it look like there’s democracy in this town.

When the minister suddenly dies, his corrupt campaign manager needs a chump to run in his stead. He decides this naive newbie Cobb is just the man for the job.

Cobb’s an endearing character. He’s a fish out of water in America. Though he looks like he belongs here, China is his home. So he’s constantly bowing and has no idea what our slang means. He’s often mistaken for a “native” and this often gets him into all kinds of scraps. He lacks the street smarts and skepticism frequently found in corrupt cities.

Yet while the film never directly says as much, God helps the innocents and through a hilarious series of mishaps, Cobb is photographed punching the corrupt mayor and becomes a sensation. He’s swept into office. He’s as upset as anyone. He wants to return to China where everyone understands his references to the revered Ling Po, who’s wisdom he frequently imparts.

Cobb accepts his office and brings his innocent honesty into practice. He outfoxes the foxes and it’s a delight to see.

Lloyd is delightful. It offers satire with a clever story that still entertains. There are times when supporting characters use words like “Chink” which are derogatory and wouldn’t be used in a film today, but the characters who use such terms are portraying prejudiced people in contrast to the hero who respects and understands Chinese culture.

Cobb does search for a wife and looks for an idealistically innocent, poised woman. Pet Pratt, a woman in his boarding house is a worldly woman who tricks him by taking him to a nightclub with 1930s adult entertainment. She’s just the woman to help Cobb govern. It’s an added twist to the film, especially since Harold Lloyd films usually feature American sweethearts. Pet Pratt does not fit that mold and is fun to watch.

I was amazed by Cobb’s plan to clean up the city. He wasn’t the goody-two-shoes he seemed at the start.

Cat’s Paw was a fun film, which shows 1930s views of China.

Gold Diggers of 1933


“We’re in the Money” is just one of the memorable tunes in Gold Diggers of 1933 is a romantic comedy about some dancers whose show gets nixed because the producer couldn’t pay his bills. Next they’re seen shivering in their beds unwilling to get up as it’s easier to starve in bed.

Soon the producer comes to their apartment and hears their talented piano playing neighbor. He convinces Brad, the piano player to write some songs for his new show which will be a smash, if he can just get the funds. Brad, who’s sweet on one of the dancers, turns out to be a rich boy and he finances the show. When the male lead falls sick, Brad must go on and his true identity is revealed, which leads to family interference in his love life. In response to his brother’s meddling the other dancers pretend to be money grubbers to teach him a lesson.

It’s a light-hearted romp, that entertains, unless you judge past eras for their gender stereotypes. The most surprising part of the film was the closing number, “Remember My Forgotten Man” a tribute to the men who served in WWI and whose lives were ruined as a result.

Sepia Saturday

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So this week we’re prompted to share photos of wedding or stairs or people on stairs.

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State Library of New South Wales, circa 1935

How’s that for a wedding photo! It’s such a stand out that I’m only sharing one image this week. What could come close!

I hope they lived happily ever after.

If you’d like to see more Sepia Saturday posts, click here.

The Awful Truth

Taking a break from drama on the level of Human Condition, I watched Cary Grant and Irene Dunne in The Awful Truth. The Awful Truth is a 1930s romantic comedy about a married couple that races into divorce court after a misunderstanding. Each side has gotten the “wrong end of the stick.”

While they have 90 days between the court date and the divorce finalizing, Lucy, the wife, meets an Oklahoma tycoon who woos her, making Jerry, her soon-to-be ex-husband painfully jealous. Jerry no sooner gives up than Lucy realizes she wants him back.

In a nutshell: Lots of slapstick, lots of wit, lots of style and lots of fun.

Street Without End

street woDirected by Mikio Naruse, Street Without End centers on Sugiko, a beautiful young waitress. All the customers are smitten with her and when she walks down the street a talent agent stops her to get her into the movies. Her best friend and roommate is a little put off, but when Sugiko gives up the idea of a film career, the friend gets hired by the studio.

One day, Sugiko gets hit by a car. The wealthy driver takes her to the hospital and gets smitten. She wasn’t hurt badly and the rich man soon starts courting her. His mother and sister disprove but soon the two are married.

After the wedding, Sugiko is sneered at and mocked by her mother-in-law and sister who connives to give Sugiko a hard time. Her husband defends her in a weak way but when the gets a job he starts going out drinking late and so he’s not at home to protect her from the mean mother-in-law and sister.

The silent film can be touching and it does show pre-WWII Japan, but compared to most people, who lack Sugiko’s luck, her life isn’t all that rough. So it was hard to get into this film, though I can appreciate some moments. Later Naruse made a mark for films about women who had major struggles.

So it’s not a must see.

That Night’s Wife

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The father’s over acting the “bad guy” too much for my taste

Directed by Ozu, That Night’s Wife is one of his early silent films. The film quality is often blotchy, which was distracting at times and the it does seem that Ozu is figuring out his craft, so this isn’t a “must-see” film.

The story is about a man who’s pursued by the police for a robbery, which we don’t see. The man evades the police and gets home to his family, which consists of his wife and his young daughter, who’s critically ill and may not make it. They live in a small, squalid apartment, which for some reason has several old movie posters with English and Russian titles leaning against their walls. I suppose this was a homage to Ozu’s idols, but I’m not sure.

Clad in a kimono, the wife talks with the girl’s doctor. If Michiko, the daughter, makes it through the night, she’ll be fine. The devoted father does get home and gives his wife the money for Michiko’s medicine. The wife figures out that the money’s stolen and there’s some disagreement about that. However, the dispute’s not resolved as a police officer comes to the door. The husband hides, but is found. The night wears on as they all watch sleeping Michiko hoping she lives. The cop is sympathetic to the family but also has to do his duty.

The film was quite melodramatic and by 1930, I’d have thought any director would seek more subtlety, but no.  All in all, there were some surprises, but this was done before Ozu hit his stride. While the wife takes some surprising action, I’m still not sure why this movie is entitled This Night’s Wife.

Young Mr. Lincoln

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I really enjoyed Henry Fonda in director John Ford’s Young Mr. Lincoln. The film is fictionalized but based on an actual murder trial Abraham Lincoln worked on. Honest Abe leaves Indiana for Springfield, Illinois. Once there he does a poor country family a good turn and they pay him by giving him a barrel full of law books, which prompts him to learn law.

Later one summer he meets the lovely, Mary Todd, but he’s shy and awkward. At a summer festival two brothers from the country get into a fight with a town jerk and the jerk winds up dead. The locals are ready to lynch the outsiders but Abe steps in and turns them around with his wit.

It looks like the brothers have no chance for justice, but Abe takes the case.

Fonda does look like a young Abe. The cadence of his voice sounds small town. The film was enjoyable and would make good family viewing.