Les Misérables, Ep. 4

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In a blink of an eye, Cosette has blossomed into a young lady. Her friends at school are dreaming of romance and marriage and make it clear that it’s awful that her Papa has agreed that Cosette become a nun and they continue living in the convent. Evidently, Cosette hadn’t thought much about that. She’s appalled and convinces Jean Valjean that she needs to see the real world.

He takes her out to the “real world,” the world of beggars, thieves, prostitutes, urchins and scoundrels. It’s pretty frightening. Jean Valjean didn’t need to go far to expose Cosette to these realities. They were right out their cloistered doorstep.

Jean Valjean finds housing in a poor neighborhood where the same nosy concierge with the bad powdered wig, who ratted out Cosette before she left Paris to find work, works. Hugo creates such a tiny world.

Marius learns all about how his grandfather has lied to him about his father. After confronting gramps, he leaves and finds his own room adjacent to . . . the Thenardiers. Ugh. Yes, Monsieur and Madame Thenardier are just as unctuous as before, if not more so. Their oldest daughter Éponine becomes smitten with Marius, but it’s a one-sided love. Ce Marius cultivé n’est pas exactement beau dans mon livre, donc il est difficile de croire que les filles vont tomber pour lui. 

Javert continues to brood over Jean Valjean. It’s amazing since he must have known and knows hundreds if not thousands of prisoners, but this makes the story work. Hugo voulait nous montrer un pharisien (Javert) comparé à un disciple du Christ (Jean Valjean).

We meet Marius’ friends. They’re young men eager for political change and more egalité in society. Peut-être que s’ils aidaient effectivement des gens pauvres eux-mêmes, ils verseraient une partie de l’égalité qu’ils désirent. These boys are a rougher bunch, in terms of bearing and language, than we saw in the musical, but they’re alright.

Valjean felt badly about shocking Cosette with the real world so he takes her to the Luxembourg Gardens, where Cosette crosses paths with Marius and they immediately fall in love. This part of the story was sped up quite a bit compared to other productions and I think that’s a shame. Jean Valjean notices this love connection and he’s not ready for his dear Cosette to grow up like that.

I was surprised by the many changes from the book in this episode. Some were long-winded explanations, that I didn’t think were needed. In fact, I think they weakened the story. One change was that Jean Valjean explains his criminal past to Cosette. This should make the later parts of the story less dramatic so I can’t see what’s gained.

The episode ended when after getting tricked by Monsieur Thenardier and fighting his way out of the ambush, Jean Valjean and Cosette narrowly escape getting captured by Javert. Each week ends with a real nail biter of a scene.

Yet, it’s impossible for me to not love Les Misérables and I haven’t had a good drama to watch on Sundays since Victoria ended in February, so I am pleased with the show as a whole. I admit I miss the songs, though.

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Les Misérables, Ep 3

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The story moves on. Jean Valjean decides to go to the court to exonerate a man falsely accused of stealing and mistaken as Jean Valjean. It would be so easy to let this pass. Le Mayor (J.V.) could let this go and race to save Cosette, whom the Thenardiers abuse and neglect. But Jean Valjean (le Mayor) realizes he should free the man wrongly accused, even though that man is a thief. It’s a tough decision and few would sacrifice as J.V. does.

Cosette dies alone without seeing her daughter Cosette. She’s alone, emaciated and looks white as a ghost. A nun tries to pacify Fantine by lying that the doctor won’t let Cosette come because she’s so sick. Really, if Cosette was there, consider how zombie-like poor Fantine looked her daughter might have been traumatized for life. Better that Cosette remember her mother when she was healthy.

Jean Valjean entrusted his manager to rescue Cosette, but that grumpy, judgmental woman didn’t bother. Time passes and eventually JV manages to get free from jail and race ahead of Javert to get Colette.

At Thenardier’s we see how horribly they’ve treated Cosette. This production adds more suggestion that JV is buying Cosette for untoward reasons. It was particularly slimy. After JV departs with Cosette and her new porcelain doll, the Thenardiers report her as kidnapped. That was a strange, unnecessary addition. Then the Thenardiers are soon evicted from their inn. That was a change from the book and odd, because they had just received a windfall from JV.

JV and Colette make a life in a lower class neighborhood in Paris, where they live a quiet life, except for a nosy neighbor who wears an elaborate powdered wig, which I thought only rich people could afford. Any way this French Mrs. Kravitz suspects that JV isn’t Cosette’s kin and reports him to — da da da da –Javert. Hugo sure gives us a small world for this story.

Javert goes after JV, who manages to flee to a cloistered nunnery. In this story rather than a gardener, whom JV knew, helping him. The nuns do. The abbess agrees to let Colette attend school there, hires JV and lies to Javert.

I think it’s impossible to ruin this Victor Hugo’s story, but I could have done without a few of the changes that modernized or over-explained. Fantine’s make up was overdone IMHO and the added scenes on with Thenardier’s eviction and the nosy neighbor who suspected pedophilia didn’t improve the story. Nonetheless I enjoyed the episode.

Flambards

flambardsLast week I watched an old favorite, Flambards, a British historical drama set in 1910. I first saw this 1979 program in the 80’s and I wondered whether it was available on DVD. Thankfully through my library’s network, I could get them.

In this post-Downton Abbey or Poldark era, I thought perhaps I wouldn’t like Flambards as much as I remembered. While the film seems fuzzy and the sets aren’t as dazzling, I love this program.

Flambards begins with Christina, an orphan who’s been shuffled from aunt to aunt, comes to her uncle’s home. Confined to a wheelchair, Uncle Russell is gruff on a good day. He wakes up and goes to bed barking orders. The rest of the day he’s usually shouting or plotting while drinking port.

When Christina arrives in town, no one’s there to pick her up at the train. Only her cousin William remembered she was coming. Will and Christina are kindred spirits, but Mark, Will’s older brother, is an egotistical, status-conscious, hard drinking churl. Christina’s horrified to learn that the plan is that when she turns 21 in six years, she’s to inherit her money and would then marry Mark so her money may be used to prop up the Flambards estate.

A major conflict in the story is between Mark, the churl, who lives for fox hunting and drinking, and William, the younger brother, who’s fascinated by flying machines, and all things modern. Christina feels both challenged and safe around William, whereas Mark frustrates and maddens her.

Another crucial character is Dick, a stable worker, who teaches Christina to ride. He’s sweet on her, but well aware of his place. Christiana treats Dick as an equal forgetting the class difference. Will tries to get Dick to stop calling him “sir” because he doesn’t support the rigid class structure, but Will sees that such a gesture doesn’t really change anything. After helping Christiana save her old horse from getting eaten by the hounds, Will’s dismissed. The injustice is clear and swift. Though Christina owns up to her part, i.e. she came up with the plan and participated in it as much as Will or Dick, Dick is the online to pay a price. We see how cruel men like Uncle Russel could be, how they used their power.

Flambards has romance, history and conflict, i.e. all the ingredients I need in a good drama. Based on a novel by K.M. Peyton, Flambards is an ideal candidate for a remake. It worked for Poldark, for which next season is its last. The same writer should take on Flambards.

Look – I think you can watch Flambards here.

 

 

Les Misérables, Ep 2

lily les misLast night was the second episode of the Masterpiece/BBC production of Victor Hugo’s Les Misérables. I knew what was coming. I knew that Fantine was in for a tough timethis week. Her lover Felix had agandoned her and their baby Cosette and Fantine had no family or skills to support her well.

Last night we saw Madame Thenardier for the first time. Olivia Colman’s portrayal is both lusty as you’d expect, but also more likable because unlike the novel or the films, this Madame Thenardier tells her disreputable husband that he should be more honest because by getting a reputation for honesty, their inn would prosper. He slaps her for this. Later, another character makes the same point. I’m not sure why this production chose to white wash Madam Thenardier’s character when earlier productions succeeded with the character depicted as shown in the book.

As anyone who’s seen the films or read the novel know, in the next chapters Fantine experiences great hardship. She’s truly one of the “Les Misérables.” Though I wanted to be strong, I did have to look away at at one time mute the TV as Fantine’s fate takes a turn for the very worse.

The episode was unstinting in its depiction of Fantine’s fall. In fact the scribbler she uses to read letters from the Thenardier’s treats Fantine horribly suggesting, if not urging her to sell herself and criticizing her for selling her “assets,” i.e. her hair and teeth, before she turned to prostitution because with her cropped hair and toothless smile, she’s a less desirable object . . . . Ugh.

Fantine’s fall is worse than Jean Valjean’s and part of this is due to her extreme naivety. She never questions the Thenardier’s who constantly ask for more money to care for Cosette. She leaves her daughter with absolute strangers, though in this day there were orphanages for children with living parents. That would be the better route. In the book we’re told that Fantine had no parents at all and just grew up wandering about her small town and getting food, clothing and shelter from whoever felt generous. (Not sure why she wasn’t in an orphanage.) So that information explains a lot about why Fantine lacks common sense and has no one, no aunt, cousin, parent, etc. to turn to for help.

Cleaned up and dignified, Jean Valjean has moved upward gaining wealth and power now that his factory is prospering and he’s become mayor. The people love him. But soon Jalvert turns up and recognizes his old prisoner. Naturally Valjean gets nervous, but he remains true to the Bishop. He’s found God and honesty, though he still errors (in terms of firing Fantine, mainly because he didn’t know her full story). This production does a better job than the musical showing how much Valjean agonizes over saving the thief who’s about to die in his place. The musical certainly shows us how easy it would be for Jean Valjean to keep quiet and continue to live his new life, but this drama accentuates the dilemma.

There’s one sequence with Marius as a young boy. Somehow time hasn’t effected him as much as it has Cosette. His growth is a lot slower than hers in the interim between this and last week. Anyway, what struck me was the powered wig he sports and is worn by his grandpa and his cronies. It’s a stark, grandiose contrast to the prosperous Jean Valjean’s hair. I can’t remember if Hugo’s book makes the upperclass this contemptible.

All in all, I’m enjoyed episode 2, though it had some scenes of great suffering that I couldn’t bear. Things are bad, but not this bad in the weeks ahead. I will add that this is not an episode I advise kids watching. It might even be considered R rated for Fantine’s struggles in the streets.

 

Victoria, A Public Inconvenience

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This was the penultimate episode of Season 3. I’m not ready for this season to end.

This week the thread that captured my interest the most was between Sophie, her lover the footman Joseph and her mean husband. The husband suspects she’s being unfaithful and has paid Mr. Penge, the palace butler to spy for him. Before Sophie knows her husband knows, Joseph proposes that they run off to America. He believes he can make it big in the New World, where he wouldn’t have to hide his relationship and he wouldn’t have to deal with Mr. Penge. Sophie can’t commit. She has a son and fears losing him.

In the meantime, Sophie’s husband plots. To be cuckolded is the ultimate humiliation for a man like the Duke. By the end of the episode, he’s tricked Sophie and has gotten two doctors to commit her to an insane asylum. We don’t see the actual asylum, but I’ve seen One Flew Over the Cuckoo’s Nest and figure a 19th century mental hospital was much worse than a 20th century one. I don’t envy Sophie and wonder what Victoria will do when she learns her confidante has been committed.

My 2¢ – It’s too late now but I think Sophie should have grabbed some of her jewelry and run off to America with Joseph. He would treat her well. Perhaps she could kidnap her son. Now she may be in some dungeon never to see the light of day. She knew her husband is diabolical. Sophie’s story does show that although Albert and Victoria are in a rough patch, it’s just that, a patch that won’t last forever.

While Sophie’s freedom is on the line, there was other drama in the palace. Victoria and Albert have a lot of conflict that they haven’t been able to deal with. Victoria has a keen sense of distance from the prince, though it seems to me that Albert cares so much about being right and logical that he doesn’t see how he should distance himself from Feodora and be less judgmental towards Victoria. She doesn’t need to be reminded that she’s not as logical as he is.

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Albert is enamored with the idea of hosting a Great Exhibition, which would feature developments in science and technology from countries all over the world. Originally, the idea was a smaller exhibit of British advances. Many are skeptical, but Albert won’t be dissuaded even though he can’t find an architect who can come up with a suitable plan for a hall that meets all the specifications.

When the Duke of Wellington announces his retirement, Victoria thinks that if he gives Albert he job of Commander in Chief, he’ll give up on the crazy idea of the Great Exhibition. He won’t. This is Albert’s new obsession.

Lord Palmerston gets in hot water by going to far in handling the Don Pacifico Affair, when a British citizen was attacked by anti-Semites in Greece where he lives.  Without realizing it, Victoria trusted Palmerston to resolve the matter without military intervention, however, Palmerston interpreted Victoria’s response to be that he had carte blanche. Luckily, military action was averted.

Victoria realized that she needed to do something about Feodora. I hoped she’d send her half-sister home to Germany. Instead Victoria decided to encourage Feodora to bring her teenage daughter to London. Near the end of episode, Heidi arrives. When she meets Alice and Bertie, she behaves like she won’t be the easiest guest. I think she may be a lot like her mother, but time will tell.

Everything is lined up in the plot to ensure a riveting finale last week. We’ll see the Crystal Palace of the Great Exhibition. We’ll learn what becomes of poor Sophie. There must be a reason Uncle Leopold returned and Feodora always has something up her sleeve. I expect first class television.

 

 

Victoria: Season 3, Coburg Quartet

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Ready for the ball

This week’s Victoria was fascinating. Storylines were:
 

  • To celebrate the christening of her youngest child, Victoria holds a Georgian era themed costume ball and Feodora is charged with doling out the invitations.
  • Uncle Leopold returns. I didn’t like him in the first two seasons as he’s got a reptilian personality. With Feodora in the palace, he comes off as more humane.
  • Albert is worried about Bertie’s behavior and his education. Even though Bertie went through a horrendous experience at the hands of his abusive tutor. Nevertheless Albert hires a quack phrenologist who measures Albert’s skull and concludes based on pseudo-science that Albert has a tendency towards madness like King George III. Albert buys into this “science” and goes on to say that it all makes sense since Victoria’s more emotional than logical. What a way to make matters worse with Victoria, Albert!
  • Sophie, the Duchess of Monmouth, whose husband is a complete churl, is in love and acting on it with the strapping new footman, Joseph. Their clandestine affair is getting hotter. Yet her indifferent, abusive husband is now suspicious. He believes Sophie is fooling around with Lord Palmerston. He can’t conceive of his noble wife loving a servant, but there you go. Throughout the episode, the Duchess obliviously fools around with Joseph unaware of how thin the ice she was skating on was. I feared she’d be found out, but she wasn’t. Perhaps in the next episode.
  • Victoria and Feodora’s conflicts boil up as Albert is enthralled with Feodora’s logic and Victoria wonders how her half-sister is affording new horses and other goodies. It turns out that Feo’s sold invitations to the ball, which turns out to have a slew of déclassé guests that Victoria doesn’t know.

 
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My Thoughts

My heart goes out to Bertie who picks up on his father’s displeasure with him. He and Alice, his older sister, try to fix his skull by wearing some sort of basin on his head. By the end of the show, he tells his mother that he knows his father doesn’t love him and they share their feelings brought on because it seems Albert’s disappointed with them as they aren’t logical enough.

I worry about what will happen to Sophie when her husband finds out she’s fooling around with the footman. He might have a heart attack, but more likely he’ll go ballistic. She’s been lucky so far, but that never lasts forever. Joseph will lose his job, but she can face worse consequences in this era.

The fact ball was over the top and interesting. I prefer the Victorian gowns. Sure they’re hard to move in, but the Georgians had even more hoops and fabric to manage. They all had the big powdered wigs, which must have taken hours to style and would have weighed a ton. Did you know that the term “big wig” came from the Georgian era?

Albert continues to find it hard to be Mr. Victoria. That’s understandable, but for someone so logical, he doesn’t apply that logic to himself, to his weakness dealing with his unusual role of having a wife with a higher level position. He’s not aware of how much hurt he’s causing Victoria and Bertie. I’m perplexed that he’s so blind to how conniving Feodora is.

Poldark, Season 4, Episode 1 & 2

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Poldark, Season 4 started with two strong episodes, one last night and the other the Sunday before. The first episode showed Hugh Armitage still pining for Demelza and penning pretty poetry for her. It’s appealing, but Demelza stays on the edge of fidelity for Ross. Hugh’s health is deteriorating and wants Demelza by his side, which concerns Ross, but the situation leads to some impeccably written and acted scenes that portrayed a tough aspect of marriage.

Politically, George’s use of power is dangerous. Ross sees how his backing away from taking a seat in Parliament has made for injustice. In episode 1, in an uprising at the port, where the hungry, were protesting, Demelza’s two brothers are erroneously arrested along with Zacky Martin’s son Jago, who was fit to be tied at the injustice. Jago, a hothead, accidentally kills a merchant. All three are arrested.

Hugh Armitage, dashing and poetic, continues to woo Demelza, though Dwight advises him not to. Hugh is going blind and dying so he’s not going to give up on his dream girl. Demelza is flattered. It’s nice to have such devotion when you’re husband takes you for granted.

Ossie’s the same ogre and churl. His mother has come to town and plans to arrange for a governess to put a distance between Morwenna and her son. How much is this poor woman to endure?

The tension grows as Sam, Drake and Jago’s hanging nears. Ross believes it’s best for Demelza to be in the dark so he ships her off to a fancy dinner at Hugh’s uncle’s with Caroline and Dwight.

Ross has a certain deux ex machina charm and convinces the magistrates to spare his brother-in-laws, though Jago is hanged. Yikes! Demelza is reunited with her brothers though she’s unaware of exactly how close they were to hanging.

More good news! Caroline is pregnant!

The premiere drew me in from the start when Aiden Turner emerged bare chested from the ocean. Certainly, the writer and producers wanted all the audience to be rapt from the get-go.

For episode two, visit Armchair Anglophile. I’m too far behind and having trouble with my computer lately, so I suggest you visit Armchair Anglophile for a recap.