I think if they mentioned Moses, that one girl would get it.
The Which Way Challenge, that Cee began, has been picked up by the Sonofthebeach69 blogger. The beauty of it is that it’s free form. You can include images of doors, gates, roads, streets, exits, signs, paths, waterways, you name it.
This week as it’s Triduum, I went with a religious theme.
See more Which Way photos by clicking here.
On Friday’s Cee challenges bloggers to post photos that depict ways, paths, roads, taken and not. This week Cee’s on vacation so I’m not linking this post, but I am wishing her “Bon Voyage!”
When Monsieur Vincent opens, we see Vincent Depaul entering a deserted town. Whenever he knocks on a door, someone throws rocks at him from the second floor. Finally, Vincent who’s the new priest in town gets let inside. He discovers that the aristocrats inside are hiding hoping to avoid the plague. They’re in the midst of a wild party just in case they don’t escape the plague.
As the new priest, and one that lives the gospel, Vincent tries to convince the nobles to take in a girl whose mother has just died. They’re all to scared. He winds up taking her in a very modest room he’s rented.
Vincent’s wisdom is revered by the rich. He’s soon the mentor and spiritual guide for a wealthy couple, but he wants to help the poor. When he tells his patrons that he plans to leave they keep him near by supporting his charity efforts more. This works for a while, but eventually Vincent goes to Paris where he begins a charity for the poorest of the poor.
Throughout his work with the poor, Vincent recruited wealthy women to help him and found great frustration when they didn’t agree with his ideas of expanding and expanding their charity programs. Eventually, realizing that people who understand the poor may be better to work with, he taps a poor girl to become one of his first nuns. Actually, she came to him and the light bulb went off.
I went to a high school named after Louise de Marillac, a wealthy woman, who became key to Vincent’s outreach to the poor. In the film, she’s just in a couple scenes. You can see that she’s a peer of the wealthy women, so Vincent wants her to lead them, though it’s tough to convince these opinionated women to trust Vincent. (St. Louise de Marillac wound up leading the Daughters of Charity, an order of nuns that serves the poor.)
This bio pic was interesting and well done. I was surprised that so much of the time Vincent Depaul dealt with administrative issues and trying to persuade the aristocracy to help him more. I thought he was more “hands on.” In any event, the film moved along well and introduces people to this 17th century saint.
In French with subtitles.
Tomie diPaolo’s Mary, Mother of Jesus mainly uses scripture to tell the Mary’s life story. The book’s strength is diPaolo’s illustrations with their simple lines and soft colors. Like some of the other children’s books I’ve reviewed here, there are a couple words like Messiah that younger children will need explained. Still it’s a gentle telling of this illusive religious figure.
The cover promised influence from folk tales, but I didn’t notice any in the story. The story is a very traditional, orthodox tale.
A beautiful video with simple theology.