The Miniaturist

Based on a novel, The Miniaturist has been adapted by the BBC and PBS. Set in 17th century Amsterdam, it’s the story of  young Petronella Brandt, who agrees to be married off to a rich merchant to pay off her late father’s debts and save her mother and siblings from poverty. A Vermeer beauty, Petronella finds herself in a weird family. Her husband Johannes is never around and after almost two weeks hasn’t the energy, or so he says, to consummate the marriage. Her sister-in-law Marin is Puritanically devout and has a strange obsession with her brother. Marin’s behavior suggests there could be something incestuous between Johannes and her, but by the end of episode one, we see that was a diversion. I think the plot’s full of these diversions.

The two servants are Otto, whom Johannes bought from slave traders and Cornelia. I’d expect such a wealthy man to have more servants.

There’s a lot of mystery once Petronella’s wedding gift arrives. It’s a miniature version of her new home. She’s told to hire someone to decorate it and finds an artisan, a miniaturist, to make a few new objects for her. When she goes to meet the miniaturist he (or she) is out. Petronella never meets this mysterious figure. The odd thing is that she’s presented with additional objects she didn’t order, such a baby cradle and a box with keys. Somehow the miniaturist knows all the family secrets.

I find the plot annoying because it’s so overtly manipulative. I feel like the writer is toying with me. Also, despite a lot of research and detail, much of the dialog and themes are very modern or a modern person’s projection on to the past. Stereotypes, like the cold, rich friends and the pious sister also distance me from the story. I wish there were more characters who spoke. It seems like they’re keeping the budget down by having such a small cast, but perhaps that’s now the books was. I’m not sure I’ll watch the rest. The Victorian Slum Home show was much more interesting.

It’s a pity because I think this setting is fascinating. It’s no Poldark or Victoria. Even though I feel for Petronella, there’s something about her that makes her distant. I wish some characters were more warm-blooded.

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Victoria, Season 2, Finale

Comfort and Joy

Sunday was the finale for this season’s Victoria. I’m not sure what I’ll do on Sunday evenings till Poldark returns in September. (I realize Little Women comes in May, but I’m not that sold on it. I think it’ll be fine but not as captivating. I hope I’m wrong.)

This episode mainly takes place at Christmas and Albert has Christmas Fever. His enthusiasm for having lots of Christmas decorations and carols was fun at first, till his desire for a perfect Christmas becomes irrational and annoying. It’s actually his subconscious way to cope with Uncle Leopold’s claim that he is Albert’s true father.

 

The episode begins with an officer in Africa saving a little girl whose tribe has been decimated. She’s a princess of a defeated tribe, and  Forbes, told the winning chief that his Queen wanted her. So the poor girl is traded off and Mr. Forbes and his wife take her in. Eventually, the officer takes her to the Queen who takes her in and treats her just line any of her own. Well, in fact, she seems more caring towards Sara, whom she feels great sympathy towards. Yet, all the while, Sara misses her new home with the Forbes.

Uncle Leopold has forced himself as an uninvited guest, his favorite role. Albert tries to force himself to be kind as he’s got Christmas Fever. Victoria is less blind to Leopold’s faults. Like all Brits, she’s not used to Christmas trees and such for Christmas. It was Albert who’s responsible for bringing German traditions to England.

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As if Leopold wasn’t a bad enough, Victoria’s most envious, plotting uncle has returned from Germany – Duke of Cumberland. He came to claim a favorite, expensive diamond necklace. Distressed by the uncle who wanted her dead, Victoria hoped to get some support from Albert, but he was so concerned with his perfect Christmas that he brushed her off. Since Victoria was still getting used to living in the palace without Lehzen, her lifelong supporter. She sure could use a husband who’s offers some support. Albert thought the necklace was insignificant, though giving it to Cumberland gives him strength and probably would result in emboldening him to try some other power play. Then Albert was critical of Victoria for mothering Sara as she did.

Yet in spite of Albert’s behavior, when Victoria was out with Sara and she sees Albert skating on thin ice, when he falls through the ice, Victoria goes into rescue mode and risks her safety, perhaps her life, to pull him out. That was quite a scary moment, and one that actually happened.

While Ernest manages to show kindness to Harriet, who’s understandably upset with him for standing her up when she expected he’d propose. Yet that nasty rash persists, and though Uncle Leo thinks it’s no big deal to hide his condition from a fiancée, Ernest has more principles. So he does tell Harriet it’s over, though he should have.

The episode concludes with Ernest giving Albert some brotherly advice and perspective. Albert’s dreams of a perfect Christmas is a delusion. They did not grow up with ideal Christmases. Victoria comes to see that Sara misses life with Mrs. and Captain Forbes so Victoria sends her back with them, though she always stayed in contact and did pay for her education.

I’ll miss my Sunday night Victoria episodes. Little Women debuts in May, but I don’t know what’s on PBS in the meantime. I’m not expecting much from Little Women, but I hope I’m wrong. I think my feeling’s due to my familiarity with Little Women, while Victoria and Poldark were all new to me.

I’ve enjoyed this second season, despite Albert’s occasional peevishness and the departure of Lehzen, Drummond and Lord Peel.

 

Victoria, Season 2, Week 5

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The King over the Water

The episode begins with an assassination attempt while Victoria and Albert are out for a carriage ride. When talking with Lord Peel, the PM, Victoria suggests she smoke out the assassin by going for another carriage ride. Albert’s astonished and thinks it’s foolish, but Peel agrees and admires the queen all the more for her courage. Seems like a genius double win for Victoria.

So off they go for another ride and this time Victoria’s got a super, bullet-proof parasol, which Albert made. He sure is handy.

The assassin, who’s an unfortunate, poor man with a club foot and a hump back, again tried to shoot the queen. He was quickly arrested and the palace security is increased, which is tedious.

Needing a change of pace, Victoria proposes a trip to Scotland, where she always wished she could go when she was growing up. Off they go to a Duke’s home where there’s lots of “foreign” food and dancing in the woods. Still as host, the Duke keeps a tight schedule including the blaring of bagpipes for an alarm clock and mind-numbingly boring poetry readings for the visit.

To cure the boredom, while on an outing, Victoria and Albert quickly tell the Duke they’re riding home separately. Albert assures the Duke they’ll be fine because he has a great sense of direction. (Famous last words.) Off they gallop into the highlands. We’re treated to beautiful scenery.

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Scenic Schotland – I’d love to see this

Turns out Albert’s sense of direction isn’t that keen. With no compass or map and with gray clouds looming, our royals realize they’re lost. No matter which way they turn, they can’t find the way back to the castle. As night falls, they realize they must find shelter and wide up staying with an old crotchety couple in their cottage. Plenty of humor is drawn from the peasant farmer and his wife not knowing who their visitors are. Victoria learns to darn socks and Albert tells the farmer that he works at a big factory. The night is a true vacation from their real roles. (This trip with the night in the cottage is pure fiction. Victoria’s diaries show no such experience and there’s no reason her daughter would have expunged it.)

At the castle everyone’s in a state because the queen is lost. The next day, Victoria and Albert are “rescued” by dozens of guards and soldiers. The farmer and his wife learn that they were hosting royals.

As for some subplots:

  • Mrs. Skerret dances night after night with a dashing Scottish lad, who’s smitten. She will not let him write to her in London. So she’s leaving herself open to Mr. Francatelli’s advances, though she’s also been snippy with him.
  • Ernst, who’s seemingly come to terms with his illness, offers Harriet, his lover, condolences for her husband’s death. She’s in no mood for this and rebuffs him. Their relationship is dead though Harriet doesn’t know Ernst has syphilis. So we’re treated to this impossible tension about a relationship that can’t be. It’s tough being all all-knowing spectator. We can try calling out to the TV, but we know that doesn’t work.
  • The assassin, a character based on “Hunchback William Bean,” gets off lightly with a jail sentence rather than execution since there were no bullets in his gun. He was homeless and prison was a home.
  • The Duchess hoomphs and comments sourly once or twice, so nothing’s moving forward there. She doesn’t get lines that are all that funny. A lot of the dialog, that’s meant to be funny is just cliché.
  • The two gay noblemen have a romantic moment in the Highlands, though the blonde man is quite jealous that his lover is engaged to be married. I can see the jealousy, but doubt anyone in his shoes would be surprised. I bet what would normally happen is both men would marry and they’d carry on their relationship in secret. The only thing that would endanger the situation would be if one had to move far from the other because of family property that had to be managed.
  • Albert is increasingly critical of Lehzen, Victoria’s maid and governess. She wasn’t allowed to go to Scotland. Albert sees her as a threat and doesn’t like how she does things.

After the serious Irish Potato Famine episode, this week we had a pastoral vacation and some light entertainment. While the assignation attempt was real, the night at the farm wasn’t. Thanks to the Internet we can know what’s historic and what’s not and enjoy a night of fine British drama.

Victoria, Season 2 Week 4

Faith, Hope and Charity

This week’s episode centered on the Irish Potato Famine and the British lack of response. First we see a meeting of Church of Ireland pastors, which is connected to the Anglican Church, where the men discuss their response to the potato famine. They’re offering soup kitchens to the Catholics who agree to switch denominations. They gripe about the poor Catholics who haven’t tithed to the Church of Ireland, which the law required them to do. Yes, later in the episode Victoria appalled, too. Why donate to a church you don’t belong to?

In the 19th century anti-Catholicism is in high gear. Only one pastor, Dr. Traill, objects and sees that all the Irish need food. The rest are quite un-Christian and wiling to let their neighbors starve. I suppose they’re unfamiliar with Mark 25: 35-40.

At Kensington Palace, Victoria and Albert welcome Ernst who’s got some mysterious health problem, which turns out to be an STD. The condition is slowly revealed.

Lord Peel and a new character, who’s a real churl, Charles Trevelyan, Assistant Secretary to the Treasury, explain to Victoria why they can’t help the Irish. Trevelan hates the Irish whom he thinks are subhuman. In fact he thinks the famine is a boon, because it will cull the herd. Victoria was rightly appalled. She seeks solutions, but neither Peel nor Trevelyan want to rock the boat in Parliament. Victoria wants to feed these people and she wants to repeal the Corn Laws, tariffs that protected the price of grains. Peel and Vrevelyan worry that if we give free food to the starving, everyone will expect free food.

Victoria confers with Albert over the matter, but Albert’s so upset with the stench of the old plumbing that he brushes her off. He’s hellbent on getting more WC’s in the palace. I’m not sure why he couldn’t manage both issues. He’s basically an executive. His job is to make decisions while someone else installs WC’s or sends the food to Ireland.

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Downstairs our attention is drawn to the servant girl who’s from Ireland. She’s lied about being Protestant to keep her job. Her family is starving back home. She needs to get money to send to them so they can eat. One great scene is when she tells off Penge, who makes snide remarks about Papists and the famine.

Ernst is told that his mistress Harriet’s husband has died. This should be a great opportunity for him to court her openly. (Though this is not historical at all. The real Ernst was already married by now and this particular lord did not die in a hunting accident or in this year. He died later.)

I can’t feel sorry for Ernst. Actions have consequences. Fooling around with prostitutes comes at a cost. Laughing off his choices as following in his reprobate father’s footsteps is ridiculous. Ernst gambled with his life. I will feel sorry for any woman the show might marry him off to.

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A diseased potato

When Victoria asks the duchess about her land in Ireland, Charlotte, dismisses the country as an uncivilized spot with no real society. She should stay in London. The duchess is a poor traveler.

Mr. Francatelli is seen consorting with some woman who wants him to sell palace secrets and go with her to America. Apparently, she’s the source of all the finery he’s been able to afford. However, he decides to stay put (so the storyline with Skerret can continue). He gives the Irish servant girl his gold watch so she can sell it and send the money home.

The queen does send the Irish some help, which is true to the history. In spite of his wife’s protests, Dr. Traill does the Christian thing and opens a soup kitchen at the vicarage. He contracts typhus and dies. The episode ended with a montage of the starving of Ireland. Hats off to the show for using Irish music throughout, but to squeeze a famine that went on for years into one episode is just wrong. I think the issue should have come up throughout this and probably next season.

Here’s a collection of tweets that an Irish newspaper collected in response to this episode.

Victoria, Season 2, Ep 3 & 4

Warp & Weft

There was plenty of sadness in the first hour of Victoria this week. The episode began with Lord Peel talking with a phrenology expert, i.e. someone who measures a person’s head to determine by its size and shape his personality. The subject of this study is the guttersnipe, Boy Jones, who snuck inside the palace on several occasions. (Boy Jones’ escapades are based on history.)

This tomfoolery alarmed Albert who began complaining about how poorly the palace is run. There’s poor plumbing, poor budgeting, etc. and Victoria told Albert he could direct his energies on this and so he starts examining the cleanliness of the windows or any waste from the wine cellars, which makes that annoying Mr. Penge think twice.

Though she’s with child Victoria is not going to let that hinder her carrying out her duties, much to Duchess Buccheuch’s dismay. The duchess is particularly shocked that Victoria granted an audience with the silk maker who made her wedding dress. The silk maker wanted to present the queen with information on how the import of cheap silk is putting him and his colleagues out of business. To help the silk makers, ignoring Lord Peel’s and Albert’s advice, Victoria decides to throw a ball and require that her guests come in silk costumes.

Word gets out about the ball and the high price of Victoria’s gown (64,000£) and parliament and the poor are outraged.

Yet the ball starts out wonderfully. Lord M comes and shares a nice moment with Victoria, whom he’s been avoiding since he’s become ill and doesn’t want to worry her. There’s plenty of flirtation and dancing, but also a broken heart. Miss Coke, who’s recently come to the palace with the duchess, has eyes for Prince Ernst, Albert’s brother, but he’s still sweet on his paramour who’s now faithful to her husband.

However, when all the guests are dancing in their finery, the poor are out front of Buckingham Palace screaming for just since they don’t have enough to eat. Coincidentally, in front of the angry mob is Mrs. Skerret’s cousin, who doesn’t care for royalty. I’m not sure whom she left the daughter Skerret financially supports with.

When Victoria sees them she’s shocked and no doubt thinking of Marie Antoinette, who didn’t realize that if you can’t afford bread, cake is not within your price range either. Victoria simply tried to help and it backfired. She’s guilty of poor planning not indifference. There’s a scene with Victoria staring at all the left over food the day after the ball. While I do believe she’d give the remainders to the poor, I don’t think all this food would be left out over night and into the morning.

The episode ends with Victoria learning that Lord M is terminally ill. She visits him in the country bearing a gift of a mechanical musical bird that sings Mozart. It’s a touching scene where their sorrow is communicated more through looks and actions than through words. Bravo.

Finally, to make things worse, Dash, Victoria’s beloved dog is dead. Victoria finds him spread out on the floor when she returns from seeing Lord M. As the Armchair Anglophile points out, a servant should have noticed a dead dog, given that the palace is full of servants. Poor Victoria is distraught. Who can blame her? We’ll all miss Lord M and Dash.

Sins of the Father

Victoria gives birth to her first son, Albert. We’re presented with the typical labor scene and soon Vicki is getting around in that stroller for new moms. As with her daughter, Victoria finds it hard to find pleasure in her newborn. She thinks babies look like frogs when they’re first born. She falls into postpartum depression and there’s little help available. I was glad that they didn’t just give her some drug that knocks one out. As queen, the courtiers urge her to buck up, but she wasn’t removed to an asylum as was sometimes done in the era. (See this article.)

The big event in this episode is that Prince Albert’s father died. Hoping to lift her spirits, Victoria asks to go with Albert, but he thinks the journey is too exhausting for a new mother so he goes solo.

In Coberg, Albert sees his troublemaking Uncle Leopald, who can’t resist the temptation to make things worse for Albert so he plants the seed that Albert is illegitimate into his nephew’s head. Since his parents were estranged for much of his growing up, Albert believes this. It sure makes for a sensational story, but according to this article*, it’s impossible. Albert also worries that his children would be illegitimate. Well, no. Since Albert and Victoria are married they wouldn’t be, but a checkered past wouldn’t help Albert with the gossip-mongers.

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Albert, hist mother and brother Ernst

Back in London, Lord Peel tries to get Victoria back into action. With her first child, she couldn’t wait to be out and about, now she’s so languid and depressed. It’s not till a bomb explodes at the Tower of London and the Queen should visit and console the injured. She realizes she must, so Victoria forces herself out and does cheer up the wounded. It does them all a world of good. Is this an oversimplification of depression? Perhaps, but I found it plausible and can still offer sympathy to those suffering with it.

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J.M.W. Turner’s Fire at the Tower of London, 1841

To get an idea of the scope of the fire, I did some research. It was bigger than I imagined from the program. There was a fatality and some injuries. The fire raged from 11:30 pm till about 4 am the next day. J.M.W. Turner made several sketches of it.

Albert returns and matters turn to the poor run of the household. Rumors have gotten out about the royal family and the servants are suspected. The scandal is about Boy Jones, the guttersnipe who’s wily enough to somehow get into the palace. This was a real historical event. Heads may roll.

Since the chef Francatelli is spending freely and buying some luxuries he’s the prime suspect. However, Mrs. Skerret is sweet on him and confesses that her no-good cousin, who’s now drinking too much and continuing to just sponge off Skerret has been selling stories to the tabloids. I’m not alone in thinking this storyline has been week. Victoria felt she had to fire Skerret, though she admits the ladies’ maid has done a better job than any before her. It seems the norm, even today. However, upon his return, Albert insists Skerret gets a second chance, which was nice, but hard to believe since Albert is so concerned about security.

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Anyone catch the breed?

Victoria gets a new puppy from a royal in Muscat, who originally thought of sending something like a tiger. Really? Check with people, even royals before you send them an animal. The puppy does seem to work wonders for her mood. I love the program so I’m not going to analyze whether animals are that therapeutic. I know in many ways they are.


* The article appeared in The Sun, which is a sensationalist paper. My take is if they don’t think Albert was illegitimate, he wasn’t.

Poldark Season 3 Finale

Poldark Season 3 went out with a bang making viewers wish for September 2018, which can’t come soon enough for me. From start to finish his episode was amazing.

George returned from London and when he saw that Drake had set up his smithy near his land, he hit the ceiling. Elizabeth tried to make him see reason and not interpret this as a provocation from Ross. As usual, George ignored sense and set his yeoman to vandalize Drake’s blacksmith shop.

Meanwhile the unctuous vicar has taken to drugging his young wife Morwenna while he indulges his foot fetish and whatever else with her even younger sister Rowenna. Rowenna’s hard to figure out. Of course, she’s manipulating Ossie, but where did she learn to be so conniving. How can she stand Ossie, who makes most viewers skin crawl if tweets are to be believed? Rowenna announces she’s with child and Ossie’s expression was priceless. Call it schadenfreude, but seeing Ossie, who’s ruined Morwenna’s life, getting taken down was so satisfying.

Since three French ships were spotted on the horizon, Ross and others are instructed to prepare local men for a possible attack. This is right around the time of the French Revolution, which was so violent and the English of the day were very nervous.

George’s henchman sets fire to Drake’s smithy, totally destroying his work, which compels Drake to humbly tell Elizabeth all about this. Finally, Elizabeth is getting to a point where she takes action rather than just staying in the background letting everyone around her, like Morwenna, suffer.

When George interrupts Drake and rudely sends him packing, Elizabeth realized Drake was right and she stands up to George. Finally! This episode Elizabeth wasn’t imbibing her “little helper” and seemed to have waken up. She tries to make him see reason and stop speculating and obsessing over what Ross was doing.

But Elizabeth’s action was too little, too late. Tom Harry with two thugs found Drake leaving Trenwith and beat him till he was near death. Tom kicked him into the edge of a river and left him for dead. Such humanity. Demelza happened to find him and got Dwight.

Dwight prescribed abstinence for Morwenna for another few weeks and Ossie would have nothing of it. Why he’s not content with one sister is beyond me. Rowella has told Ossie she’s pregnant and offers a solution to the problem by bringing a very wimpy librarian in as a possible husband. The librarian, no doubt coached by Rowella, asks Ossie for £1000, which makes Ossie the Slime-bag turn beet red. Rowella’s probably 16 and she’s got this middle-aged lecherous hypocrite tied up in knots. Morwenna overheard the conversation and acts. When Ossie creeps into her room, she draws a line in the sand and tells him he’s never to touch her. Shocked that the once mousy Morwenna is forceful, he demands she do her wifely duties. She responds that if he takes one more step she’ll kill their son, which makes Ossie back off. He now thinks she’s crazy.

The townspeople hear of George’s thug’s attack on Drake. This on top of George’s increasing the price of grain and doing nothing in Parliament to help the poor makes people’s blood boil. They’d lay siege to Trenwith if it weren’t for Ross’ rousing speech. As we all know, he should be in Parliament.

Hugh’s poetry and attentive ways melt Demelza’s heart. Ross has taken her for granted and gives everyone else in his life more attention. Hugh reveals to Demelza that he’s going blind. Though she struggles with the choice, Demelza grants Hugh’s wish to give themselves to each other before he goes blind. (He put that more poetically.)

Meanwhile Ross leads the militia to Trenwith where the peasants are about to lay siege to George’s property. It’s a tense scene interspersed with flashbacks of the French Revolution.  In the end, Ross gets the people to lay down their arms by promising to take a seat in Parliament when asked.

There were a few scenes not in the 1970s series that I don’t think worked or seeing the DVDs of the 1970s series made me not like this series’ treatment of those parts as much. When Elizabeth turns the tables on George making him swear on the Bible that he wouldn’t suspect her of loving Ross or question Valentine’s lineage, George well apart emotionally. It humanized him as much as anything could, but I felt he was too weak. Also, the melancholy in Demelza’s return and the end of the episode showed more doubt in the marriage’s future. It was sadder and I think that’s partly because while both are fine, this Demelza isn’t as spunky or humorous. She’s got spirit, but of a different sort. I did wish the peasants had burned down Trenwith.

I’ll add that I miss Jud’s character and I think casting went overboard with stereotyping the librarian as a complete wet noodle. He wasn’t so weak and pasty in 1976.

But all in all, the show was gripping. I admit I watched it twice since we’re in for a Masterpiece drought till Victoria returns.

I’m going to miss Ross, Demelza, Caroline, Dwight, Geoffrey Charles, Prudie, the guy with the scar, Elizabeth, Drake, Morwenna & Co. They return in the summer of 2018 in the U.K. I may need to get a VPN.

What Circle of Hell does George Belong in?

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Wedding Bliss? Not for Morwenna

This week’s Poldark was full of action; many events were sad or troubling. We saw George slink lower and lower as he worried about not rising politically. When things didn’t go his way, he made sure others suffered.

Aunt Agatha was happily planning her 100th birthday party. Simultaneously, George was worrying about getting invited to the right parties and the social notice that would assure his rise in politics. While fussing about invitations he and Agatha exchanged pointed dialog that makes Violet of Downton Abbey sound demure.

When George and Elizabeth are invited to Sir Falmouth’s party, he is ecstatic to get offered the candidacy for Parliament though he’s unaware that he was Falmouth’s second choice. Ross was the first, but he foolishly refused, because he didn’t want to be Falmouth’s puppet. So Ross learned nothing from Drake’s narrow escape from the hangman’s noose, which Ross would have ruled against if he were the magistrate rather than George. Ross’ problem is he thinks there’s some perfect world out there. Not so. He still isn’t learning that if good men don’t participate in government evil ones like George will. Besides, if you’re not keen on government, you have nothing to lose. Vote as you like and if Falmouth plots to get you out after one term, so be it, Ross. To no avail, Demelza tried to convince Ross to accept the offer.

Seems I forgot about George, when the last paragraph should have been all about him. I’m afraid that’s the story of his life. Once Ross appears, all eyes are on him and George is neglected.

Dwight and Caroline made their marriage official by getting married publicly.  The reception was more about everyone else’s intrigues than the couple’s bliss. Since they eloped that’s fine. Hugh Armitage doted on Demelza as Ross, like an old married man, feels it’s no big deal. She’s just imagining Hugh’s adoration. I will say that since Ross saved Hugh’s life pursuing his wife is in poor taste and judgment. This doesn’t stop him from writing Demelza poetry. Another red flag that Ross dismisses.

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Back at Trenwith, George gets even with Aunt Agatha, for unknown reasons, he gets a feeling she’s not 99. So he has his servants turn the house upside down looking for evidence. In the end he finds a family Bible that proves she’s only 98. Agatha begs him to keep quiet. It was sad to see this strong woman weaken and beg George. He won’t have it. He cancels the party and for once must be “perfectly honest.”

She’s devastated not to have a party. She begs George, but he enjoys inflicting pain. To get revenge, she tells George that Valentine certainly wasn’t born early. He does not look like a preemie. How could that be? He knows he and Elizabeth waited till the honeymoon so . . . if Aunt Agatha’s right? Who’s the father? A seed has been planted, just before Aunt Agatha dies. She’ll be sorely missed. (Here’s a good interview with the actress who played Aunt Agatha.)

Morwenna lives the life of a sex slave with Osborne whose fetishes turn her stomach and all viewers too, no doubt. Demelza gets a glimpse of Morwenna’s displeasure when the newlywed tells her that Osborne is a monster and runs away. Elizabeth also understands that something’s wrong with Morwenna, but she’s too wound up in herself to get involved. Morwenna dreads going to bed with Osborne, which is a requirement. Praying with his daughters takes a back seat to doing her marital duties. Off with your shoes, my pretty! Ugh.

Post coitus Morwenna looks terribly sad. Osborne has a new idea of getting another woman in the house to “help” Morwenna so he announces he’s written to her mother and asked that her sister Rowenna come. Then he is off to sleep, while Morwenna just looks like her soul’s dead. She repeated says to herself, “I love Drake Carne.” This was the one part of the show that seemed extraneous. We know she’s miserable. We know she loves Drake. No need to repeat it.

Rowenna does come to town and she’s Morwenna’s opposite. She gets the scoop on Osborne quickly and then starts flirting with her brother-in-law. A breakfast she stoops down so he can see her decolletage and then she takes off her shoe and chat about her pinched toes to a man with a foot fetish. Where did she learn all this? It’s quite uncommon in the landed gentry. What is Rowenna going to be up to?

So it was a lively episode. With this series you can’t leave for a minute as you’ll miss three new plot points.