On Friday’s Cee challenges bloggers to post photos that depict ways, paths, roads, taken and not.
1. Each week, we’ll provide a theme for creative inspiration. You take photographs based on your interpretation of the theme, and post them on your blog (a new post!) anytime before the following Wednesday when the next photo theme will be announced.
2. To make it easy for others to check out your photos, title your blog post “Weekly Photo Challenge: (theme of the week)” and be sure to use the “postaday″ tag.
3. Follow The Daily Post so that you don’t miss out on weekly challenge announcements, and subscribe to our newsletter – we’ll highlight great posts. Add Media photos from each month’s most popular challenge.
Just a few wonderful posts
- favorite place (daily post)
- favorite place (stenoodie)
- favorite place (woollymuses)
- favorite place (nomad)
- favorite place (no fixed plans)
- favorite place (beijing daily photo)
- favorite place (jinan daily photo)
- favorite place (here & abroad)
- favorite place (park preview)
- favorite place (traveling miles together)
- favorite place (reconnected mind)
- favorite place (travel with intent)
- favorite place (a wandering memory)
- favorite place (la parole été donneé . . .)
- favorite place (come walk with me)
- favorite place (yi-chin ling)
- favorite place (spirit in politics)
- favorite place (jinan city photo)
- I’d rather be . . . (figments of a ducTchess)
- I’d rather be . . . (mara eastern)
- I’d rather be . . . (stenoodie)
- I’d rather be . . . (everyday strange)
- I’d rather be . . . (jasper’s journal)
- I’d rather be . . . (beijing daily photo)
- I’d rather be . . . (here and abroad)
- I’d rather be . . . (jinan daily photo)
- I’d rather be . . . (half a photograph)
- I’d rather be . . . (spirit in politics)
- I’d rather be . . . (scillagrace)
- I’d rather be . . . (my own private idaho)
- I’d rather be . . . (natsukashii kansai)
Akira Kurasawa’s Ran is a Japanese retelling of King Lear. It’s dramatic, epic and bloody. Other than the different setting, the big difference is rather than three daughters, the King in Ran has three sons. Here’s an old Siskel and Ebert review of this film, which I’m not alone in considering a classic.
Ran is thrilling and brought King Lear to life in a way the average reading or production usually doesn’t. I admit like the king’s advisors in all versions, I knew that Lear was wrong to step down when and how he did. That’ll always frustrate me.
The colors, costumes and war scenes were all remarkable. This Japanese version is compelling and moves briskly. Moreover, it gives viewers something to mull over as this story crosses cultures so successfully.
My only bone to pick is that the make up for the King/Samurai was so over done. He looked like he was half dead already, like he’d been embalmed.
Years ago I read an absorbing, horrifyingly moving novel called Fires on the Plain by Shohei Ooka. It was a look at WWII in the Pacific showing aspects of war that left me stunned. When I saw the DVD in my library, I had to check it out.
Directed by Kon Ichikawa, who switched careers from graphic arts to film, Fires on the Plain was a powerful, timeless look at war, particularly World War II in the the Philippines. The main character is Tamura, who’s got TB, and returns to his unit after the hospital sent him away. They’re only taking patients with food and curable diseases at the hospital. Back with his comrades, who don’t want another mouth to feed, his superior shouts at him, gives him a few yams and a grenade. His orders are to return to the hospital and convince them to take him. If that doesn’t work, and it’s unlikely that it will, Tamura is to use the grenade to kill himself.
Like the other soldiers, his clothes are beyond tatters, his shoes are falling apart and he has little to eat. He knows his orders are impossible. So he leaves and wanders. He’s not sure where to go, and he doesn’t have any valor or philosophy or loved one’s to live for, but he’ll evade the fires the Americans (or is it the locals) set off before they attack. His desire to live is as thin as a razor’s edge, but he’ll trudge on. Along the way he meets a Filipino brother and sister in a deserted village. He winds up shooting the girl. Her brother runs off and in the distance black smoke rises from fires. It’s best for Tamura to make a run for it.
Tamura continues to flee. Along the way he meets fellow soldiers, all soldiers for an army that’s all but lost. There’s no food, no plans, no leadership, and no trust of each other. The only person Tamura can trust, sort of, is Yasuda who said he was going to surrender, but towards the end of the film is still psychologically tethered to a mean, unpredictable older soldier who’s probably lying when he says he can’t walk and he has no weapons. This trio stays together, but not only does Yasuda sleep with one eye open, he sleeps in a hiding place far from the old man.
The film is filled with beautiful and poignant scenes. One I’ll never forget is when it’s pouring rain and Tamura is with a group of soldiers planning to go to a city where the Americans are to surrender. When they come to a soldier lying dead in a puddle, another soldier whose shoes are full of holes, removes his shoes and takes the dead man’s. Then Tamura reaches the corpse with the shoes beside it. He picks up the discarded shoes and looks through them. Eighty percent of the soles are gone. They’re useless. So are the shoes Tamura’s own pair, which he removes and proceeds barefoot. Later when Tamura encounters another corpse. As soon as he establishes the man is dead, the takes his shoes.
The film has no ideology or message. It simply shows the affects of a particular war, which is unique in some ways and not in others. The soldiers know they’re losing and yet they trudge along. They keep going without having the least idea why. The lack of morale or trite reason to live, makes the characters all the more heroic in a very modern sense.
The hardship the characters experience was hard to watch and I had to take several breaks. I think I saw the film over three days. Still I’m glad I did. I’ll definitely look for more Ichikawa films.
If you’re interested, I found the film with English subtitles on YouTube.
Ikigai is a Japanese word that refers to the intersection of your mission, passion, profession, and vocation (see below). Héctor Garcìa and Francesc Miralles investigated a village in Okinawa which has the highest number of residents over the age of 100.
Their secrets to longevity and quality of life are useful, but the book as a whole could easily be edited down to an article. The authors travel to Japan and interview several active, healthy centenarians but all that’s shared are a few conversations and a list of quotations along with a description of 10 common qualities of these vibrant centenarians and explanations of how they implement them into their daily lives:
- Never retire – always participate in meaningful, helpful activities
- Take it slow – no need to rush which makes people stressed.
- Don’t eat till you’re full – stop eating when you’re 80% full or fast a day or two a week. One trick is to eat on very small plates, perhaps the size of a saucer and don’t pile food up.
- Keep moving through light exercise. You don’t need to do contact sports or run an marathon. Keep it simple.
- Surround yourself with friends. Have several relationships so if one ends, you have back up.
- Reconnect with nature.
- Give thanks.
- Live in the moment.
- Follow your ikigai.
The trouble I found with the book was the meandering. I think there were 10 qualities just because ten is a round number. In addition to information about ikigai, there’s a lot of fluff about yoga, tai chi, Csikszentmihalyi’s flow. They also add paragraphs that should have been deleted about their trip from the airport and such banalities. The ideas about flow, tai chi, etc. were from the authors and not from the Japanese elders.
I’d hoped that this would be like The Little Book of Hygge, but it lacked the wit and the tone of the book. I think I’d rather read such a book written by an insider. Someone from Japan would be able to add insights two outsiders couldn’t.
So this is a book to get from the library and skim. then go out and find that passion, make more friends, smile and eat till you’re just 80% full.
The creator of Life Where I’m From has put together an enlightening video series of videos on homelessness in Japan. You don’t expect to see much homelessness in Japan, but if you visit any city you’re sure to see men sleeping in subway stations or parks.
I remember bringing this up when I lived in Japan and most Japanese told me that these people just like living outdoors as it was like camping. I never quite bought that.