The Hustler (1961)

With Paul Newman playing Fast Eddie Felson, a young, swaggering hot shot, The Hustler is more about character than competition. At the start of the film, Eddie strolls into a dive pool hall looking for Minnesota Fats (Jackie Gleason). Fats is the champ of champs in pool. He agrees to play Eddie who in a marathon session has won $18,000. Fats is ready to call it a night, but Eddie, who’s been guzzling whiskey, insists on continuing the game. By the next morning, Fats has defeated intemperate Eddie, who leaves in shame. Observing all this is Bert Gordon, gambler and manager who knows it all. Before Eddie’s out the door, Bert imparts some pearls of wisdom about character. As Bert sees it Eddie’s got talent, but that doesn’t make you a winner, strong character does.

The Hustler isn’t so much about pool as it is about character. We don’t see as many great shots as I expected and often the score isn’t clearly stated. What we’re to watch for is Eddie’s character.

The middle of the film centers on Eddie meeting the equally melancholy drifter Sarah (Piper Laurie), who drinks too much and hangs out at the bus station where she isn’t judges and where she can get a drink at all hours. Sarah is pretty but sad. She’s a habitual liar without direction. She’s lame, but has pride. She’s very hurt and damaged by life and so is Eddie. Water seeks its own level and their love is based on sharing the pains that come with getting kicked around and lacking the wisdom from a mentor, parent or worldview that helps a person weather life’s storms and accept responsibility.

After a kind of honeymoon period, Eddie returns to the pool halls where his talent gets him victory and his bravado gets his thumbs broken. He heals under Sarah’s care, but is drawn back to hustling. Burt lures him to Louisville where Eddie believes he can win big. Burt offers wisdom, but he’s essentially a serpent whose main concern is his own wallet.

The Hustler is a dark film full of melancholy, but gripped me. Newman, Laurie, Scott and Gleason all put in excellent performances, which garnered four of the film’s nine Oscar nominations. While it’s a dark film, it wasn’t too depressing. Still you might like some lighter fare during the quarantine.

Hud (1963)

Starring a young Paul Newman, Hud riveted me. Lon Bannon’s mission is to track down his uncle Hud Bannon, who’s hot footing it out of his lover’s house just before her husband gets home. Lon’s got to bring his prodigal uncle home. A heifer has mysteriously died and grandpa, Homer Bannon, has called in the county vet, who soon confirms his worst fear the herd has foot and mouth disease. They’ll all have to be put down.

Straight-shooter Homer’s life work is about to be totally wiped out, yet his cavalier son Hud maintains his que sera sera attitude. Just when the family needs wisdom and prudence, Hud keeps carousing, sometimes with his teenage nephew in tow. Lon looks up to Hud, even though he can see his failings.

Father and son constant argue and judge each other, though Homer has more wisdom than Hud. Hud believes their conflict dates back to the night he got into a car accident that killed his beloved brother, Lon’s dad. Homer disagrees. That resentment has been buried, Homer insists. His contempt comes from Hud’s values, or lack of.

Patricia Neal plays a sharp-tonged housekeeper, whom both Hud and Lon admire.

Hud’s a compelling film that made me care about every character and the survival of the traditional family ranch.

Binging Heroes

Since we’re quarantined a lot of us will be watching more films and TV shows. I’m thinking that comedies would be good, but films with strong heroes would be better.

Can you help me brainstorm some?

Off the top of my head I thought of the following:

 

  • To Kill a Mockingbird
  • Army of Shadows
  • Schindler’s List
  • Life is Beautiful
  • Red Beard
  • Entertaining Angels
  • Les Misérables
  • Gandhi
  • Anything with Charlton Heston
  • Victoria
  • Call the Midwife
  • The Crown
  • A Man for All Seasons
  • Victoria

 

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Army of Shadows

2014-12-03

Red Beard performs surgery as Yasumoto looks on

What films would you suggest?

Giant (1956)

Love at first sight has its challenges as Leslie (Elizabeth Taylor) and Jordan (Rock Hudson) find to when they rush into marriage. Texas rancher/tycoon Jordan visits Maryland to check out a horse he wants to buy. He returns to Texas with not only a horse, but a wife. Neither is easily tamed.

Now some men love strong women, who question big ideas, but Jordan wasn’t like that. He’s a traditionalist and a bigot. His charm and good looks, attracted Leslie, but through most of the film it seems like his notions of keeping poor people in their places, including a sick baby of Latino heritage has to go without a good doctor, drives a wedge between his wife and him.

A fish out of water, Leslie tries to fit in. She’s not warmly received by Jordan’s sister who has run the house and ranch for years. The townspeople have never met anyone from out East so they don’t know how to accept an outsider and Jordan’s little help as he just figures Leslie should fit in.

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Jordan loathes Jett Rink (James Dean), a young handsome ranch hand who inherits a small plot of land from Jordan’s sister. Leslie needs people other than her husband to talk to and she sees no problem befriending Jett. This makes Jordan’s blood boil. He also disapproves of Leslie’s friendliness with the Latinos who live in the village. He wants her to stay home and not make waves, which is just not in Leslie’s nature.

The film jumps ahead to the time when Jordan and Leslie’s children are grown enough to be choosing careers and spouses. As in most families, the children have minds of their own. Jordy, their son, marries a lovely Latino woman, but both parents, particularly Jordan are prejudiced against her. What’s more Jordan disappoints his father by choosing to become a doctor rather than manage the vast ranch that’s been in the family for generations.

One daughter marries a fine man, who wants to ranch, but he wants a small ranch so Jordan’s ranch is unwanted. The other daughter becomes smitten with Jett, who’s become incredibly wealthy. Of course, this leads to major trouble.

The western landscape is grand, but dry and brown. Leslie surprised me with her ability to get Jordan to see that she does love him, but will often disagree with him. As the years passed, Jordan’s development in terms of opening his mind to other ethnicities or women’s roles changed very little. I was surprised that Leslie put up with him, but the story’s from another era. A more modern character would have given up on a husband, who was so stubbornly biased.

When the film shifts in time by 20 years or so, the main characters all get gray, but their skin doesn’t age and their bodies are still hard and fit.

All in all, while the film features big stars and has romance and action, I felt I just had a superficial view of this family. There was never a point where I felt the family was on the brink of disaster. Jet was, but he’s not the central character. He was an outsider, who wanted social acceptance and success. Yet, I didn’t feel I knew enough about him. I felt the characters were all more distant than most. Thus it’s not a film I’d watch again and again.

Lost Girls

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Lost Girls resembles a made-for-TV-movie more than a feature film. Working class single mom, Mari Gilbert, played by Amy Ryan of The Office, tries to reach out to her estranged daughter. The girl goes missing and  when numerous bodies are discovered in Long Island, Mari presses the police to find her daughter. The first officer in charge sees Gilbert as an annoyance. He’s got a smarmy demeanor and seems fishy. Gilbert’s only help is the Police Captain played by Gabriel Byrne, yet Gilbert doesn’t trust anyone.

Based on a true story, Lost Girls is a moving story, but there’s nothing that distinguishes it from say a Law and Order: SVU. 

Seen at Sundance

Force Majuer

On a family ski vacation in the Swiss Alps, Ebbe, Tomas and their two children Harry and Vera. They’re a young, attractive family with what people’d expect is a wonderful family. As they’re eating lunch after a morning of skiing. As they take in the view, an avalanche, a controlled avalanche moves down the mountain. Soon the avalanche doesn’t look so controlled and viewers panic. While Harry and Vera scream for their parents, Ebbe protects them while Tomas grabs his phone and seeks to save his own skin. All this is captured on video.

The avalanche doesn’t hit the deck. No one’s really hurt — except Ebbe’s trust in Tomas and their marriage.

The rest of the film explores Ebbe’s new distrust of Tomas and his coping with crumbling self-esteem. Every time they share a meal with another couple Ebbe must retell the story and each time Tomas comes out looking like a horrible man.

The film looks at what it means to be a real husband and father and how distrust cuts to the quick. It’s a fascinating exploration of marriage and masculinity. Can this marriage be saved?

I found the film absorbing and didn’t know what to expect. I’m not sure what I think of the end, though I would call it a satisfying conclusion. My only criticism of this quiet, intense film is that the children were so on the sidelines. Perhaps they just are in Swedish families, but while Harry did have moments of realism, Both children’s characters could be more developed.

Palm Springs

I’ve never been a fan of films with humor dependent on foolishness and heavy drinking. Palm Springs is such a film. It’s a copy of Groundhog Day because three main characters getting stuck in a time warp. Nyles finds his girlfriend vapid and has come to Palm Springs with her. The girlfriend is a bridesmaid in a wedding. The bride’s sister is a pessimistic woman who drinks too much. The two aimless souls hook up and because the sister, who slept with her sister’s fiancé the night before the wedding, ignores Nyles when he tell her not to follow into a cave. Added to the mix, is a middle aged man who’s chasing Nyles and wants him dead.

A lot of people laughed during the film, but I found the comedy low and the story tedious.

I urge people to avoid Palm Springs.