It sifts from leaden sieves,
It powders all the wood,
It fills with alabaster wool
The wrinkles of the road.
It makes an even face
Of mountain and of plain, —
Unbroken forehead from the east
Unto the east again.
It reaches to the fence,
It wraps it, rail by rail,
Till it is lost in fleeces;
It flings a crystal veil
On stump and stack and stem, —
The summer’s empty room,
Acres of seams where harvests were,
Recordless, but for them.
It ruffles wrists of posts,
As ankles of a queen, —
Then stills its artisans like ghosts,
Denying they have been.
Made and set during WWII, Kinoshita’sThe Living Magoroku didn’t wow me. Though the film begins with an action-packed sequence of a samurai, the rest of the film wasn’t on par with his Morning for the Osone Family or Port of Flowers.
In a nutshell, generations ago the Magoroku family’s field was the site of a bloodbath. They believe a legend that says they shouldn’t plow or cultivate this land. Moreover, the living Magoroku’s believe that their eldest male child will die early. This belief has currently haunted the oldest son, who’s coughs a lot and has some psychosomatic condition. The widowed mother won’t let her daughter marry just in case the son does die. This curse or legend is still strong.
One of the villagers believes that the 72 acre field should be cultivated for food. Japan is in the midst of a war and would benefit from using fertile land.
Keeping this land fallow and the efforts to get the Magoroku’s to change their mind, leads to a a couple engagements getting put on hold.
I would say the film does show how films were used in the war effort, how they tried to persuade the audience to sacrifice. Yet the oldest son’s acting as rather stiff and the story wasn’t as engaging as what I’ve seen from Kurosawa or Ozu. There are better Japanese films to invest your time in.
Though I can’t stand Japanese sweet bean paste, the movie Sweet Bean is another story. Loner Senato runs a snack shop in Tokyo where he makes and sells pancakes stuffed with sweet bean paste when one day Tokue, a cute old lady, comes along and begs for a job. She begs to for a job, but he’s sure at 76 she’s unable to do the lifting and hard work he needs.
When she comes by again bearing a batch of the most incredibly delicious sweet bean paste Sentaro has ever tasted, he relents and hires her. The next morning she’s there at 4 am to make the beans replacing the canned glop used before. Soon there’s a line around the block for the snacks.
Wakana, a student whose single mom wants her to stop studying and get a job, is drawn to this pair of loners. She shows how wonderful friendship is with someone much older. She shares her dreams and memories with Tokue and keeps Sentaro on the right path regarding sticking up for Tokue.
In the midst of the business’ success, the shop’s meddling owner pops in and insists Sentaro fire Tokue because her knobbled hands are due to leporasy. She’s a health risk. She’s got to go.
The film goes into new territory and explores friendship, loyalty and isolation in a beautiful way. I loved this film. My only quibble is that I wanted to know what happens with Wakana. Even though I still can’t choke down a sweet bean pancake and highly recommend this movie.