I’m amazed by her mastery.
This week Sepia Saturday bloggers are transported back to the Gilded Age, to the mills.
I wouldn’t want to work here.
How old do you think that young, barefoot mill worker is?
I admit I was worried that the film wouldn’t meet my expectations. Perhaps it wouldn’t translate to the silver screen.
The main plot involves the Crawley’s hosting the King and Queen of England (Elizabeth II’s grandparents). Will they be up to the task? What will go wrong?
By framing the story around this glorious event, writer Julian Fellowes hit the target. It’s a story that puts both the family and the servants in a tizzy. Since perfection’s required, Carson’s called out of retirement as the once sneaky Barrows isn’t experienced enough as butler. As the residents of Downton unite, conflict enters in the form of the supercilious royal servant staff. They elbow our favorite servants into a corner. No cooking for Mrs. Patmore. Poor Mr. Mosley, who’s taken time off from his teaching to return to serve, won’t get to. The royals bring all their food, drink and personnel.
A suspicious stranger comes to town and starts sniffing around Tom, the Irish son-in-law. What is this man who booked a room over the parade path in town up to? How will he implicate Tom?
Other subplots include Violet’s scheming to get a cousin to leave her fortune and property to Robert. Violet is beside herself when it seems that a maid will get everything.
Lonely Thomas may at last find understanding and possibly love (in a sequel?) but not till after surviving a very close call.
Widower Tom is pivotal in the film. He’s tied up with the mysterious strangerr, befriends the maid who’s to inherit a fortune and offers sage advice to a distraught royal.
It’s good fun to see this familiar cast again. Edith’s life has improved dramatically now that she’s married. Her problems are manageable, rich girl problems now that she’s away from Mary and has moved out and upward in status.
Violet and Isobel spar with wit. The saddest scene takes place towards the end between Violet and Mary.
The pacing was brisk and the film was clever and entertaining. With a such a large cast it’s hard to get everyone a good part. Mr. Bates didn’t have much to do and Mary’s husband was out of the country most of the time.
As usual the costumes and sets were amazing. Lots of delights for the eyes. It’s a film that’s sure to delight Downton fans, which is its aim.
Much of the episode takes place in London, where Demelza and the two children just arrived. Ned is out of jail! But he needs to clear his name because he wasn’t exonerated, but just released it seems. Ross discovers that Ballentine, Ned’s former secretary just happens to be in London. If Ross can find Balletine, then Ned’s sure to be in the clear.
When Ned is in the mood for fun and he takes his wife Kitty to the Pleasure Garden. Ross and Demelza, Caroline and Dwight join them. As you’d expect the Kitty, who’s African American is insulted and stared at. Kitty defuses a confrontation and Ned & Co. leave.
Back in Cornwall, Tess, a new snakelike servant that Demelza has helped by giving her a job, is plotting to seduce Ross. She dreams of being the lady of the house. Prudie is on to her though.
George is amenable to signing a contract with a devil, i.e. Hanson, who’s made a fortune across the pond trading who-knows-what and who has no problem with the slave trade. The ghost of Elizabeth convinces George not to sign, making Uncle Cary hit the ceiling. This grief-induced madness is not funny.
Geoffrey Charles and Hanson’s daughter Cecily are getting cozy. Both are going back to Cornwall, where they’ll picnic on the beach, but this romance is headed for rocky shores as Cecily’s father wants her to marry the rich George.
Ross finds Ballentine and eventually convinces him to do the right thing. Ballentine writes a letter to state what a noble, just man Ned is. Ross discreetly circulates the letter. He wants to protect Ballentine. However, Demelza figures all and sundry should know how great Ned is. She gets Kitty and Caroline to help her hand out copies of the letter, which given that some very powerful people oppose Ned and make a lot of money off of the slave trade, endangers Ballentine and Ned.
Morwenna shows her maternal side when Valentine, who’s the spitting image of Ross, tells her how he expects his mother Elizabeth to return. She tries to sympathetically break the truth to the boy. Drake dreams of starting a family, but Morwenna recoils much as she’d like to oblige. She’s still traumatized by odious Ossy’s fetishes. One day . . . In fact my guess is that the series may end with Morwenna giving birth or at least getting pregnant.
An incredible futurist, Dwight spoke about mental illness and how criminals should not be held culpable when they’re not of sound mind. Caroline beams with pride at his lecture. A lawyer hears him and gets him to testify at the trial for the man accused of attempting to assassinate the King. This does not go down well with the elite.
The episode had plenty to like and characters who infuriated. George is still dangerous and Tess should be sent packing. Ross better not give in to her “charms.” Ross and Dwight champion justice. Cecily’s complex so I don’t know if she belongs with Geoffrey Charles, but she seems to.
Dwight’s ideas about insanity seem too modern for the era. The ghost of Elizabeth seems rather false, hard to buy, but I suppose the actress also had a five year contract, which doesn’t make much sense since if you read the books, you know she died.
Ballentine’s body washes up on the shore. That’s what you get for pointing a finger at the powerful.