Cece Bell’s graphic novel El Deafo is a charming, insightful memoir that I didn’t want to end. El Deafo chronicles Bell’s early life from healthy infant, through her getting meningitis and navigating school and friendship after she became deaf. I learned a lot about the options in terms of hearing devices and how they were worn and how they made Bell feel awkward. I enjoyed all her memories of TV shows like x and y, slumber parties, and riding the school bus.
Friendship is a major theme in El Deafo and I could feel for Bell who had a hard time making friends. When she does find a friend, Laura, she’s put off by how bossy she is. Yet Laura doesn’t make a big deal out of Cece being deaf. Still the bossiness is hard to take. Later Cece meets Ginny, who loves all the same TV shows like Little House on the Prairie and The Waltons,
The title El Deafo comes from a superhero name Cece gives herself once she gets a new hearing device that lets her hear her teacher wherever she is in the building — in class, in the teachers’ lounge, in the restroom and this super power changes Cece’s status forever.
The story captures what it’s like to strive to find a friend in a challenging social landscape and enlightens readers on what it was like to experience hearing loss all of a sudden and how complicated it is to learn to cope with it. I highly recommend El Deafo as a book for all ages.
To catch up on my Good Reads reading challenge, I figured an Horatio Alger book was just the ticket. I got Frank Fowler: Cash Boy in a couple days. Frank Fowler, an orphan decides to go to the big city to get a job. He leaves his step-sister, who he thought was his biological sister. On her deathbed his mother admitted that Frank was adopted, that he was adopted under mysterious circumstances. Such is the storyline of a Horatio Alger book. Frank’s pal’s family agrees to take in his sister to keep her from the Poor House.
Though he comes across the swindlers common in these books, it’s not till Frank is hired to read to a wealthy man each evening that he meets his nemeses, the housekeeper and the man’s nephew. They fear Frank will worm his way into the old man’s heart. They plot to get Frank out of the house so that they can get the lion’s share of the old man’s will.
Although Alger’s books follow a formula, I don’t tire of his spunky, honest, courageous boys living in tough times when there were many children who had to take on adult responsibilities. It’s a quick, fun read.
Here’s a charming story about the Census long ago. The illustrations are cute as is the story about a village full of people who don’t understand why they’re being counted so they try to fool the poor Census Taker.
If you need to finish your census call 844-330-2020 or go to 2020census.gov
I have fallen behind in my Goodreads 2020 Reading Challenge so I was looking for a quick read. When I worked at the small library in my district we helped with youth and adult books and I saw that Nate the Great books were popular. I thought I’d get one to see what the fuss was about.
I accidentally got the The Complete Big Nate #4 ebook and it turned out to be 370 pages. Even though it’s a comic book, 370 pages were more than I bargained for. I did make it through.
Nate is a mischievous boy, who reminded me of Dennis the Menace, and the books show him aggravating his older sister, exasperating his teachers, and annoying the object of his affections, Jenny. Nate’s cute and rambunctious. Yet, I soon tired of the episodes and thought some of the jokes were aimed more at middle aged men, than younger audiences. I see the prime audience as boys in 3rd – 5th grades so the jokes about the divorced dad going to his high school reunion or putting on weight didn’t seem like they’d make kids laugh.
The drawings were cute and Nate and his friends were likable, while not unique. I feel if you read one Nate the Great, by Lincoln Peirce you’ve read them all.
It’s 1954 and outcast Alice Kim works as a translator for the US Army. She struggles to keep on keeping on after the horrors of war and the emotional wounds from her earlier romantic affairs. Alice gets chosen to translate for Marilyn Monroe who’s coming to Korea to entertain the troops, who remain.
Nervous, emotional and guilt-ridden, Alice feels alienated. A young woman, whose past haunts her must deal with seeing her past lovers and tries to track down an orphan she promised to care for.
While the story’s full of angst, I felt it lacked authenticity, which is surprising since the author researched war diaries and other primary sources. I felt there was too little Marilyn Monroe in the book and thought those chapters were based on stereotypes. I think Monroe was in the story to make it marketable.
The love triangle and the emotional crash that ensued when the married lover caught her in bed with her other lover didn’t endear Alice to me. She lacked the insight to figure out her own responsibility even though all the dots where there. I didn’t find the spy work compelling either.
I prefer Lisa See’s, Jung Chang’s and Winston Graham’s historical fiction. Ji-Min Lee’s The Starlet and the Spy is not a novel you must read.
Even people who haven’t read Kafka’s The Trial know that it’s about an ambiguous character Josef K. who’s charged with unspecified crimes. It’s a very modern story in that themes of alienation and a brutal faceless bureaucracy abound. The story begins like a sprint as a shot goes off and there’s a lot of momentum in the plot.
As K. seeks to find out what he’s charged with and how he can defend himself, he meets men and women who’re mean, uncouth, certainly unhelpful or brutal. I agree with those who liken the story to a dream, though I’d categorize it as a nightmare. What’s real? How can K. face such injustice without any specific charges?
Other questions I had were: Why aren’t there any charges? Why do the characters representing art, religion and law exemplify only the failures of these institutions? What does Kafka want us to think of the brutality K. witnesses and experiences? What do these themes say about Kafka’s relationships failed, who found little happiness in his work.
I thought of rereading the book to get more of its message, but while I enjoyed Kafka’s style, I soon put the book down because I knew the end and didn’t want more nihilism in my life.
Kafka didn’t want this unfinished novel published, but after his death it was. I learned that and more from the BBC’s radio program In Our Time. The guests clarified much of The Trial’s mystery, but the insights also sickened me and made me ponder the darker corners of this novel, which I had read quickly.
I enjoyed the audio book of David Mamet’s novel Chicago. Narrator Jim Fragione, captures the Chicago dialect and Mamet’s rhythm.
I expected a historical novel about Al Capone or some other well known criminal figure, but that wasn’t what Mamet had in mind. Set in post-WWI Chicago, jaded reporter Mike Hodge love a young Irish girl is viciously murdered and Mike seeks justice. Did her family do it? Or someone more nefarious? Capone, the Levee District and WWI figure prominently in the novel, but Hodge and the life of a reporter in the 1920s takes center stage.
The plot isn’t the book’s strong suit. That would be a tie between the references to Chicago’s red light district and criminal element and Mamet’s trademark philosophizing in a Chicago dialect. That’s what made the audio book soar.
This coming week my mystery book club was going to meet to discuss Agatha Christie’s Death on the Nile. I listened to the audio book and watched the movie. The audio book’s narrator David Suchet was terrific and brought the story to life.
While on a vacation in Egypt Hercule Poirot, the Belgian detective who’s forever telling people he isn’t French, gets on board a boat and finds his fellow travelers keep getting bumped off. There’s a love triangle consisting of Linnet, a wealthy heiress, Jacqueline her good friend and her Simon new husband, who was in love with the friend. There’s a German doctor, a rich, imperious woman and the young companion who resents her boss. The heiress’ trustee, her London lawyer her maid, and the maid’s married lover round out the cast.
One eerie element to the story is that Jacqueline’s stalking Linnet. Everywhere they go Jacqueline’s there. Ever jumpy, things get worse when Linette is found dead. Poirot soon suspects everyone. Then the bodies start to pile up. The maid is found dead and then a third murder follows. Poirot finds almost everyone has a motive.
With Peter Ustinov, Mia Farrow, David Niven, Angela Lansberry, Bette Davis, Maggie Smith and Olivia Hussey, the film is chock full of stars. Alas, I found the story in both formats lacking. I wasn’t pulled in to the story as Poirot didn’t use much hard evidence. It seemed that his main talent was supposition and conjecture to find possible motives. He doesn’t draw me in the way Sherlock Holmes does. I was left craving a better plot and more complex characters. I felt Christie just took the idea of Murder on the Orient Express and just made a few small changes.