Les Misérables, Episode 5

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While I like Les Misérables, and the novel’s one of my favorite books, there’s some je nes sais quoi aspect that is missing in this production. Perhaps I can’t help but compare a Les Misérables production to the musical, but then why am I completely satisfied with the classics with Michel Simon and Jean Gabin? I watched them after reading the book or seeing the musical and was swept up by the stories. With this version, I’m a bit detached.

This week resumes with Cosette pining for Marius, who’s rather mopey in my opinion. Marius’ friends led by Enjolras decide to seize the moment of General LaMarque’s funeral to start a revolution that will bring about the social change they seek, i.e. better treatment for the poor. Marius is teased for being so in love that he can’t focus on a revolution.

The penniless Marius decides to eat crow and visit his awful grandfather to ask permission to marry. The old man scoffs and just suggests Marius put the girl gramps believes is a pauper up in an apartment and amuse himself till it’s time to marry for status and wealth. Gramps is simply advising Marius to do what he did. To his credit, Marius is appalled and vows to never cross the threshold of his grandfather’s mansion.

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After escaping from jail, Éponine finds Marius and promises to give Cosette a letter from him. Though she’s in love with Marius, she’s willing to aid his love for her rival. She confronts her evil, abusive father in her efforts and while for a time hides Cosette’s new address she eventually tells Marius all and even sacrifices her life for him. The problem with this production was that the love Éponine shows looks so thin. I wondered why she died so Marius, who’s a bit of a wet noodle, could live.

The funeral procession seemed less epic, and probably more authentic, than in the musical. All hell does break loose, but this rush to the barricades didn’t have the impact on me as a viewer as other productions did.

Javert continues to obsessively want to capture Jean Valjean more than he wants to quell a rebellion. This time I wanted a colleague or superior to knock him over the head or ship him off to an asylum.

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Jean Valjean fears Thenardiér and the police and plans to leave France after a few days at a new secret apartment. In addition to retrieving the fortune he’s stashed in the woods, he has to deal with Cosette’s teenage rebellion. Like all her age, she can’t see that her love isn’t quite as important as saving her adopted father’s life. Well, it’s almost excusable as she’s not fully aware of Jean Valjean’s situation. But she does know enough. She’s the one who cleaned his wounds after his fight with Thenardiér’s thugs. He has told her he was in prison. She must remember how he saved her from abuse and neglect.

The episode takes us up to Jean Valjean arriving at the barricade. He’s finally discovered Cosette’s secret romance and selflessly goes to help Marius.

For the most part, Masterpiece has followed Hugo’s story, but as I said something’s missing. Je souhaite que je nouveau quoi.

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Les Misérables, Ep 2

lily les misLast night was the second episode of the Masterpiece/BBC production of Victor Hugo’s Les Misérables. I knew what was coming. I knew that Fantine was in for a tough timethis week. Her lover Felix had agandoned her and their baby Cosette and Fantine had no family or skills to support her well.

Last night we saw Madame Thenardier for the first time. Olivia Colman’s portrayal is both lusty as you’d expect, but also more likable because unlike the novel or the films, this Madame Thenardier tells her disreputable husband that he should be more honest because by getting a reputation for honesty, their inn would prosper. He slaps her for this. Later, another character makes the same point. I’m not sure why this production chose to white wash Madam Thenardier’s character when earlier productions succeeded with the character depicted as shown in the book.

As anyone who’s seen the films or read the novel know, in the next chapters Fantine experiences great hardship. She’s truly one of the “Les Misérables.” Though I wanted to be strong, I did have to look away at at one time mute the TV as Fantine’s fate takes a turn for the very worse.

The episode was unstinting in its depiction of Fantine’s fall. In fact the scribbler she uses to read letters from the Thenardier’s treats Fantine horribly suggesting, if not urging her to sell herself and criticizing her for selling her “assets,” i.e. her hair and teeth, before she turned to prostitution because with her cropped hair and toothless smile, she’s a less desirable object . . . . Ugh.

Fantine’s fall is worse than Jean Valjean’s and part of this is due to her extreme naivety. She never questions the Thenardier’s who constantly ask for more money to care for Cosette. She leaves her daughter with absolute strangers, though in this day there were orphanages for children with living parents. That would be the better route. In the book we’re told that Fantine had no parents at all and just grew up wandering about her small town and getting food, clothing and shelter from whoever felt generous. (Not sure why she wasn’t in an orphanage.) So that information explains a lot about why Fantine lacks common sense and has no one, no aunt, cousin, parent, etc. to turn to for help.

Cleaned up and dignified, Jean Valjean has moved upward gaining wealth and power now that his factory is prospering and he’s become mayor. The people love him. But soon Jalvert turns up and recognizes his old prisoner. Naturally Valjean gets nervous, but he remains true to the Bishop. He’s found God and honesty, though he still errors (in terms of firing Fantine, mainly because he didn’t know her full story). This production does a better job than the musical showing how much Valjean agonizes over saving the thief who’s about to die in his place. The musical certainly shows us how easy it would be for Jean Valjean to keep quiet and continue to live his new life, but this drama accentuates the dilemma.

There’s one sequence with Marius as a young boy. Somehow time hasn’t effected him as much as it has Cosette. His growth is a lot slower than hers in the interim between this and last week. Anyway, what struck me was the powered wig he sports and is worn by his grandpa and his cronies. It’s a stark, grandiose contrast to the prosperous Jean Valjean’s hair. I can’t remember if Hugo’s book makes the upperclass this contemptible.

All in all, I’m enjoyed episode 2, though it had some scenes of great suffering that I couldn’t bear. Things are bad, but not this bad in the weeks ahead. I will add that this is not an episode I advise kids watching. It might even be considered R rated for Fantine’s struggles in the streets.

 

Masterpiece: Les Misérables

It’s no secret that Les Misérables is one of my favorite stories of all time. I’ve read the book and seen the musical, the film with Liam Neeson, the film with Jean Gabin and the one with Harry Barr. I’ve loved them all.

I lost track of time and missed the premier of Masterpiece’s newest Les Mis, but fortunately, I taped it and am now ready for episode 2.

Beginning with Thénardier (Adeel Akhtar) robbing the pockets of soldiers killed at Waterloo. As luck would have it, Pontmercy, a solider, wakes up and mistakes Thénardier for a savior. Then in the prison where Jean Val Jean (Dominic West) toils away while being abused, beaten and tricked by the guards and Inspector Javert (David Oyelowo), a 19th century French Pharisee. Early on we also see Pontmercy’s wealthy father-in-law who’s taken custody of his grandson when the boy’s mother died. Vehemently opposed to Pontmercy’s politics, the grandfather forbids Pontmercy to see his own son, Marius, a cutie pie in velvet and frilly collars.

Fantine’s story of meeting Felix, Cossette’s father, this production starts earlier in the book than the musical. We get to see the slimy, philandering Felix who loves and leaves poor, naive Fantine. Interwoven with Fantine’s story, we see Jean Valjean get freed from jail and encounter hostility and injustice till he’s welcome by the saintly Bishop Digne.

I’m thoroughly enjoying the story. It’s a lush production. I always have an odd feeling about computer graphics. I can tell it’s not real (or faux real). I sense something lacking in the vast settings that must be computer graphics.

The story spans decades and contains several plot lines. Victor Hugo dedicated each section of the book according to a main character. The screenwriter has woven several sections together and the chronology’s changed. Some things seem to be simultaneous here, when they weren’t in the book. For example, at the end of episode 1, Fantine’s holding her daughter Cossette, who looks like she is at least a year old. Yet Felix just abandoned her a few hours before. I thought Fantine got pregnant after Felix left her. Also, Jean Valjean has just left the Bishop’s. It seems the timing is off between Fantine, whose story doesn’t need much time to progress to the next stage, and Jean Valjean, who took many years to get to the next point when he’ll meet Fantine.

Even though there are some differences between other productions and these do bother me, the annoyance is small and Les Misérables is a story that can’t be ruined. (Knock on wood.) So far this series is off to a good start.

Cee’s Fun Foto Challenge: Stairs

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Chicago, Illinois

Each week Cee of Cee’s Photography challenges bloggers with a fun prompt. This week we’re to share photos of roads, boulevards, avenues, streets, alleys, you get the picture. What delightful photos will you share?

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Hanging Temple, Shanxi, China

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New York, New York

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Lijiang, China

If you want to see more fun fotos of stairs, click here.

 

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The Old Wives’ Tale

a3fba127a3076a6465b57e6895a575ef“. . . humanity walks ever on a thin crust over terrific abysses.”

I’d never heard of Arnold Bennett or his novel The Old Wives’ Tale till my friend chose it for us to read and discuss. The Old Wives’ Tale focuses on two sisters in Northern England in the fictional “Five Towns” area. The oldest Constance is a practical, predictable yet strong woman, while Sophia is a vivacious beauty who pushes all the boundaries.

Their mother is much like Constance and faithful to conventions. Their father is bedridden, which means the family’s welfare depends on the mother running the business, a drapery store.

The story starts with the girls in their teens. Despite their different personalities, they get along for the most part. Sophia yearns for romance and excitement, while Constance is satisfied with working in the family store and living a standard middle class life. When their father dies and Sophia runs off with a dapper traveling salesman, the story takes off.

A keen observer, Bennett fills the novel with insights that make readers think, “Yes, people are like that, even today.” Although there are many stories of bourgeois life or of the prodigal who runs off, Bennett’s characters experience surprises till the bitter end. His characters, even minor ones, are alive and worthy of respect and sympathy. I’m happy to say I’ve found another author I’ll read more of.