Looking for a new author to read?
Say you like Raymond Chandler, Günther Grass, Tana French or Jane Austen or whomever.
Go to literature-map.com, enter then name of a writer you like and Voila! you’ll see an animated map of writers whose work is like that author. The closer the author’s name is to the one you like, the more people have indicated they like both writers.
So Carol Shields fans also have reported liking Elizabeth Berg, Alice Munro and Anne Lamott most often, but also like writers farther from the center.
Powered by AI, you can add to the data by going to gnooks.com, entering the names of three authors you like and then answering questions about how much you like other authors.
I find I can play with this site for hours.
Reading is one of my favorite pastimes and it’s this week’s inspiration for Sepia Saturday. Look what I found on the theme.
Source: Nationaal Archief, Flickr Commons, 1951
I didn’t know ostriches liked to read.
Mennonite Archives, Flickr Commons, n.d.
Florida Memories, Flickr Commons, 1940
Woman in Sarasota reading (with schadenfreude) of the harsh winter weather up north.
I started wondering about what artists have done to portray reading. Here’s what I found.
“The Reader,” B. Morisot, 1888
Reading, Picasso, 1932
Nurse Reading to a little Girl, M. Cassat, 1895
To see more Sepia Saturday posts from this week, click here.
Starring Dennis Price and Alex Guinness, Kind Hearts and Coronets (1949) is a black comedy of revenge. Louis Mazzini’s mother’s upper class family disowned her when she married an Italian musician. After she dies, Louis seeks revenge. Using a different weapon or means for each subject, Louis plots to kill all eight of the relatives ahead of him in line for the family fortune.
Louis falls in love with his childhood sweetheart, but she throws him over for a rich man, whom she finds as dull as dishwater. She’s clearly mercenary, but then so is Louis as he’s reptilian in his ability to murder relatives one after another without feeling any remorse.
One quirk of the film is that Alec Guinness plays each of the eight relatives that kills. He plays young and old, male and female. It’s a clever technique.
The Criterion Collection DVD includes the American ending. The Hays Code prohibited films from showing a situation where crime paid.
Before I saw it thought it would be a much weaker ending, but they just added a few seconds with an action that I imagined would follow the end of the film. The British version led me to expect that action to occur. Nonetheless it’s interesting to see how the Hays Code influenced filmmaking.