In Only Yesterday when 27 year old Taeko takes a vacation from her office job in Tokyo, childhood memories flood in, making the young woman take stock of her life. Taeko loves the countryside and jumps into working in the fields with her grandmother. This passion mystifies her sisters.
In the country, Taeko is haunted by memories from her 5th grade self. She looks back at the gossiping classmates, her outsider status at home and how she missed out on a chance to act because her father disproved of theatrics. She was and still is a dreamer, who was at times, kind, selfish, a follower, a betrayer and a doormat. In essence, Taeko lived through the slings and arrows of tween life.
Romance almost buds when Taeko meets Toshio, a young farmer who’s left the city to start an organic farm, before most people had heard of them. Toshio and Taeko have a bond and become fast friends. They both love rural life, but when urged to consider Toshio in terms of romance, Taeko can’t handle it.
This animated film has lush, detailed illustrations of scenery. Seeing the homes, the trains, forest and details like the burners for mosquito repellant, the tea kettle or kerosene heaters, makes me remember my time in Japan. I thought the artists drew the children better than the older characters, but that is a mild criticism.
Also, I wish they had kept this film in Japanese and had subtitles or offered a choice for dubbing. That way, I could have escaped into the movie further still. With one character having a British accent and the others North American accents, I felt it was disjointed. I wasn’t clear on why Toshio had a British accent. It might have made more sense if one or more characters had rather rural sounding accents, but they didn’t.
All in all, Only Yesterday is a beautiful film that’s best considered as a contemplation of the past. The ending isn’t very satisfying, but I think viewers should consider this a depiction of a life, rather than a story with a definite end.