I’m not an avid martial arts film fan, but I’ve gotten enthralled with Kurosawa so I ought to watch some of his martial arts films. Set in the world of judo, Sanshiro Sugata focuses on the title character who’s looking for a jiujitsu teacher. He’s soon drawn towards a judo teacher, when he sees him making mincemeat of the overconfident jiujitsu pros that he easily tosses into a nearby river. Sugata aims to fight with that mastery.
Made during WWII, Kurosawa was scrutinized by censors. In fact 17 minutes of the original film are missing and replaced by summaries of what was removed. An essay on Criterion.com suggests that one aspect of the film that the critics and I guess censors didn’t like was how Western the film was. How Western? Western viewers will disagree. There’s a villain who dresses in a Western suit and perhaps some Hollywood-style camera work, but Sugata’s personality is so Japanese. When he atones for disobeying his sensei, he hangs on to a (strong) reed in a pond for hours. What Western hero would?
Also Sugata becomes enamored of Sayo, a young lady, because of her filial piety and pure prayers for her father. I can’t think of a heroine who earned a man’s attention for such traits.
The film has some good action scenes including a fight between Sugata and Sayo’s father. The father’s probably near 50 and yet is still a force in the ring. Nonetheless, Sugata’s caught between a rock and hard place. He had wanted to fight the jiujitsu master to the death to prove that judo is better, but he sure doesn’t want to kill Sayo’s father.
Sanshiro Sugata is Kurosawa’s first film and it introduces some of the actors he’ll work with again and again. I’m glad I saw it.