SIEC stands for Summer Intensive English Course and it’s the second time I’ve led one of the sessions in Indonesia. This year I went with my friend and former colleague, Helene. Helene taught writing for publication while I taught presentation skills. I dread giving presentations so this was a challenge, but I found some great materials and my students, all working instructors, worked hard and in our final day presented their research in a mini-conference.
I was honored to work with these kind, hospitable people. They quickly formed a supportive learning community and were so kind and helpful in the feedback they gave each other.
On the weekends they took us sightseeing and at the end they showered us with gifts and kind words.
I so admire the dedication and effort they’re putting into making Indonesia more of a part of the academic world.
All photos taken at Chicago’s Eataly.
Eataly – Chicago
Truffaut offers a realistic look at infidelity in The Soft Skin (1964) where Pierre Lachenay, a publisher and scholar known from his TV appearances, gets obsessed with Nicole, a flight attendant, and starts an affair with her. Pierre has a sort of budding butterball look. He could be the Pillsbury Doughboy’s French father. He is smart, yet bland. He’s married to an attractive woman and they have a young daughter whom he dotes on. He doesn’t hate his life, but when he sees Nicole on a flight, he becomes smitten.
He later sees her at a hotel and follows her to find out her room. It’s a bit stalker-ish, but not quite. Nicole who’s probably half Pierre’s age is interested. She hasn’t experience romantic love and is in awe of Pierre’s success.
Throughout the film Pierre and Nicole have difficulty meeting up. Their rendezvous always go awry. Perhaps an old friend meets Pierre and asks to go for a drink. He’ll respond that he must drive back to Paris and the friend will say that’s where he wants to go and figures they can drive together. All the while Nicole’s twiddling her fingers back at the hotel where they’re staying. Such obstacles crop up again and again. Ever nervous, Pierre bungles along with his poor plans and lies. Yes, Nicole is young, beautiful and energetic, but having the affair is offset by the stress of lies and running around only to be thwarted.
Eventually Franca Pierre’s wife realizes something’s off. After awhile Franca gives up on the marriage and asks for a divorce. Freed, Pierre agrees, but he soon finds that breaking with Franca does not lead to bliss in a new posh apartment with Nicole.
The film is beautiful and Truffaut’s direction is sophisticated and engaging. He films intimacy in such a classy, real way. He shows affairs as they really are, not all romance, not all due to a horrible spouse. Infidelity certainly doesn’t lead to a blissful new romance and a break with past problems.