Chicago’s Lyric Opera is now showing Bel Canto, a new opera based on Ann Patchett’s novel about the hostage situation in Peru in the 199o’s. Patchett added to the real event by creating a cast of characters, adding some romance and cross-cultural lessons.
Bel Canto takes place in Peru when the Vice President has throws a party for an important Japanese business man who’s a big opera lover. Soprano Roxane Cox, Mr. Hosokawa’s favourite singer, will perform. Thus the opera opens with the excited arrival of guests to a once in a lifetime event.
Yet early on the mood is transformed when guerrilla soldiers storm the mansion and take everyone inside hostage. Like the real event, the guests are held hostage for 4 months. During that time, romances blossom, cultural barriers crack and crumble.
Except for the very end, the opera follows the plot of the novel. I thought the music was wonderful, but some lyrics were too mundane such as a the piece between a rebel woman and a translator who’re in love. When they’re in the kitchen for some private space, they sing of pots and pans and saltshaker and amor. It didn’t work for me. All in all, Bel Canto is an accessible opera that fans of the novel will enjoy, especially if the composer goes back and makes some of the lyrics more poetic rather than mundane.
Also, the audience doesn’t get as intimate a sense of the characters as we did with the book. Now, of course, opera is a different art form, but great operas masterfully communicate the desires and thoughts, Bel Canto can too.
Readers, PBS’ Great Performances taped the opera when I was there so you don’t have to spend $50-289 to see it. Even though there were some rough spots, it’s well worth watching on TV.