Like Someone in Love

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もったいない (mottanai) in Japanese basically means “what a waste!” and that’s how I felt once I was 70% through Like Somone in Love. I’d seen the film on the shelf at the library and was intrigued. When I watched the trailer on YouTube I was duped. I thought the film would be interesting. ちがいます(chigaimasu). Translation: wrong.

Directed by the Iranian director who made Certified Copy, which I did enjoy, though I have to say that film has an unusual and at times mystifying or weird narrative, Like Someone in Love deliberately leaves the audience in the dark about what’s going on or who the characters actually are. The director likes to string people along or make them wonder. We first hear, but don’t see Akiko, a young prostitute, lie to her fiancée. Then her fatherly boss advises her to drop the boyfriend before he insists she go to a new client’s apartment. Akiko is pouty and stupid and that never changes.

Her new client Prof. Watanabe is old enough to be her grandpa and is very kind. It seems he just wants a companion rather than a sex partner. At first Akiko is withdrawn, but soon flips the switch and is talkative and bubbly. She knows how to do her job, how to create interest and warmth, which seems to have se rved her well. She chatters on about her youth and how various people have praised her looks. I thought she was very sly in adopting this “little girl” persona. It’s common in Japan for women to adopt a baby-ish voice to flirt.

Before we know it Akiko pulls poor Watanabe into her violent relationship with a mechanic. At one point, after seeing the mechanic man-handle Akiko, the retired professor tries to advise the fiancé on marriage, but this kid’s a know-it-all.

The best thing about the film is the actor who played Watanabe. Evidently, Tanashi Okuno has been an extra for 30+ years and this is the first film in which he speaks.

I feared that Akiko and the mechanic were total liars and would beat up the old man at the end, but that’s not exactly what happens. In fact, the end is left to viewers’ imagination, which I felt was cheating.

This slice of life film wasn’t worth the time. It’s the mirror opposite of a Doris Day film like Lucky Me. The director aims to avoid Hollywood clichés and as far as that goes, he succeeds. If you want to see a film set in Japan, try Kurosawa, Naruse or Ozu. Skip Like Someone in Love.

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Poem of the Week

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Dog Around the Block

by E. B. White

Dog around the block, sniff,
Hydrant sniffing, corner, grating,
Sniffing, always, starting forward,
Backward, dragging, sniffing backward,
Leash at taut, leash at dangle,
Leash in people’s feet entangle—
Sniffing dog, apprised of smellings,
Love of life, and fronts of dwellings,
Meeting enemies,
Loving old acquaintance, sniff,
Sniffing hydrant for reminders,
Leg against the wall, raise,
Leaving grating, corner greeting,
Chance for meeting, sniff, meeting,
Meeting, telling, news of smelling,
Nose to tail, tail to nose,
Rigid, careful, pose,
Liking, partly liking, hating,
Then another hydrant, grating,
Leash at taut, leash at dangle,
Tangle, sniff, untangle,
Dog around the block, sniff.

Sepia Saturday

Sepia Saturday Theme Image 470 : 18 May 2019

I admit the last two Sepia Saturday prompts stumped me, but this one I’ve got. I had no problems finding photos of glorious ships from the past.

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Library of Congress, circa 1915

I’d love to take a voyage in one of these.

Västra Götaland, Göteborg, Göteborg, Västergötland, Övrigt-Sjöfart

Swedish National Heritage Board, 1933

O Captain! My Captain!

O Captain! my Captain! our fearful trip is done,
The ship has weather’d every rack, the prize we sought is won,
The port is near, the bells I hear, the people all exulting,
While follow eyes the steady keel, the vessel grim and daring;
But O heart! heart! heart!
O the bleeding drops of red,
Where on the deck my Captain lies,
Fallen cold and dead.

O Captain! my Captain! rise up and hear the bells;
Rise up—for you the flag is flung—for you the bugle trills,
For you bouquets and ribbon’d wreaths—for you the shores a-crowding,
For you they call, the swaying mass, their eager faces turning;
Here Captain! dear father!
This arm beneath your head!
It is some dream that on the deck,
You’ve fallen cold and dead.

My Captain does not answer, his lips are pale and still,
My father does not feel my arm, he has no pulse nor will,
The ship is anchor’d safe and sound, its voyage closed and done,
From fearful trip the victor ship comes in with object won;
Exult O shores, and ring O bells!
But I with mournful tread,
Walk the deck my Captain lies,
Fallen cold and dead.

Walt Whitman

Photograph

Australian Maritime Museum, 1915

Lucky Me

As Doris Day just passed away at the age of 97, I figured watching some of her films would be a good memorial. My library displayed their DVDs with Day and I chose Lucky Day at random.

In Lucky Me, Day plays Candy Williams an aspiring singer and dancer who’s very superstitious and won’t walk by a black cat or step on a crack. Any superstition you’ve heard of in America, she won’t test. Williams is part of a struggling troupe of performers led by Phil Silvers, who’s perfect for his part. Candy gets duped by a well-meaning composer and romantic comedy ensues.

Though Lucky Me isn’t Day’s finest film and there are no great classic songs I recognized, the film entertains. It’s a cheerful story which showcases Day’s optimistic style. It’s sure to make you smile. The supporting cast includes Nancy Walker, who I remember from the sitcom Rhoda. Walker’s dancing skill was a nice surprise and Silver was a wonderful father figure in this tale of old showbiz.